Fear of a Square Planet

I just launched the monthly bonus podcast for The Virtual Memories Show, called Fear of a Square Planet! It’s only for patrons/supporters of the podcast, so visit my Patreon or Paypal page to make a contribution to the show, and you’ll get access to the new podcast, along with other exclusive blog-items from the show.

This month’s Fear of a Square Planet features our four January guests — Keith Knight, Molly Crabapple, Harold Bloom, and Carol Tyler — along with past guest Dmitry Samarov each answering my deceptively simple question, “So, who are you reading?”

Help support The Virtual Memories Show through Patreon or Paypal and you’ll be able to listen to that bonus episode, get access to the lists of books we talked about, and more!

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Logo by Dustin Harbin

Episode 152 – Carol Tyler

Virtual Memories Show #152:
Carol Tyler

“I don’t think you can go predict when you go into a long-term memoir project, that the people you’re writing about will see their lives profoundly change.”

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Carol Tyler spent 10 years making Soldier’s Heart: The Campaign to Understand My WWII Veteran Father: A Daughter’s Memoir (Fantagraphics). We sat down at her home in Cincinnati to talk about her perspective on the book now that it’s in her rear-view mirror. We also talk about the glass ceiling for female cartoonists, what it means to be a parent first and cartoonist second, how her dad’s PTSD affected so much of her life, how she drew the last part of Soldier’s Heart in hospital rooms, going on food stamps in the midst of this project, her struggle to retain her hippie-ish enthusiasm during a period of heavy loss (4 family members and 3 close friends in 4 years), and how she broke into a frat-house to steal post-party empties for recycling. It’s a fun, deep conversation with a master cartoonist (even when it borders on Gil-as-therapist), so give it a listen!

“I couldn’t solve my dad’s problems. I couldn’t solve him.”

I’m not kidding about the therapist business; we get into some really thoughtful stuff about how she dealt with her dad’s behavior, how she sorta tries to replace him now, and how it might lead her into whole new modes of storytelling. Go listen!

“Color speaks; it sings like music! It’s non-language-oriented. When i use it, it helps me tap into what is nonverbal so I can communicate those emotions.”

23530796552_ece06760d9_zAlso, if you want to find out who she’s reading nowadays and get a list of the books and comics we talked about, join our Patreon and become a monthly contributor to The Virtual Memories Show! The first bonus episode (coming Jan. 31) includes a conversation with Carol about how she became a reader, and the author she goes back to read perennially.

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Carol Tyler is an award-winning comic book artist & writer best known for autobiographical stories. She received an MFA in painting from Syracuse University in the 1980s and soon after began to get her work published in San Francisco with Robert Crumb. At ComicCon in 1988, Tyler was awarded the Dori Seda Memorial award for Best New Female Cartoonist. Her work has received top honors, including ten Eisner Award nominations, the LA Book Prize, and multiple Harvey and Ignatz nominations. “The Hannah Story” was named on the list of the Top 100 Cartoonists of the Century. Her latest book is Soldier’s Heart: The Campaign to Understand My WWII Veteran Father: A Daughter’s Memoir (Fantagraphics). It describes the author’s relationship with her father and how his PTSD shaped her childhood and affected her relationships in adulthood. It has been on Time Magazine‘s Top Ten and recently on Rolling Stone Magazine‘s Top 50 Graphic Novels. She has also published two short story collections, The Job Thing (1993) and Late Bloomer (2005), all with Fantagraphics Books. Professor Tyler teaches Comics, Graphic Novels & Sequential Art at the University of Cincinnati and is also a Residency Artist with the Ohio Arts Council.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at Ms. Tyler’s house on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photos of Ms. Tyler by me.

Episode 150 – Molly Crabapple

Virtual Memories Show #150: Molly Crabapple

“I always like smart, rebellious young people who feel like the world has done them bad.”

enhanced-23675-1436538713-1Artist Molly Crabapple joins the show to talk about writing her new memoir, Drawing Blood (Harper), making illustrated journalism from Syria, Guantanamo and Abu Dhabi, translating Nizar Qabbani, growing into her parents’ legacy of art, Marxism and argumentation, finding her soul in the Damascus Room at the Met, balancing community and competition, stepping back from the idea that we’re in an “Age of Outrage” and more! Give it a listen!

“The world hates refugees. I’m convinced that if there was a major crisis in Canada and we had 10 million white refugees, we’d still think of some reason to keep them out. People hate impoverished people fleeing over borders.”

23669253074_31e22ac28f_zWe also talk about Charlie Hebdo, the Occupy movement, Molly’s success at bypassing the gallery model and whether her path is replicable, the scariest place she’s ever visited as a journalist, her biggest artistic, literary and journalistic influences, and more! (And if you want to find out who she’s reading nowadays, join our Patreon and become a monthly contributor to The Virtual Memories Show!)

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Molly Crabapple is an artist and writer in New York. She is a contributing editor for VICE, and has written for The New York Times, Paris Review, and the Guardian, among other publications. Her work is in the permanent collection of the Museum of Modern Art. Follow her on Twitter and Tumblr.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at Ms. Crabapple’s studio on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photos of Ms. Crabapple by me.

Episode 149 – Keith Knight

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Virtual Memories Show #149: Keith Knight

“The talk about race in America hinges on how comfortable white people are with it. Because once white people are too uncomfortable, they’ll either say you’re pulling the race card, or just say, ‘Enough.'”

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We kick off 2016 with gentleman cartoonist Keith Knight! Keith & I met up at a cafe in Chapel Hill to talk about comics, race, fixing the Star Wars prequels, his career as a Michael Jackson impersonator, the literature course that made him a political artist, his campus lecture tour on race relations, the importance of crowdfunding, the reasons he continues with a daily comic strip (and two more strips), why you never see black people on Antiques Roadshow, the songs that will turn any party out (excluding tracks by MJ and Prince), the case for Off The Wall over Thriller, whether it’s an honor or a disgrace to be the first non-white guest on this podcast in two years, and more! Give it a listen! (the conversation starts at the 7:30 mark)

“The comics industry needs to catch up to its audience, because the creative side is not as diverse is not as diverse as their readers.”

BONUS: I launch a Patreon for the Virtual Memories Show! You get to hear me talk about all the neat stuff I’m planning for the show if we get enough support from listeners like you!

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Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Keith Knight is many things to many people–rapper, social activist, father and educator among them. He’s also one of the funniest and most highly regarded cartoonists in America, and the creator of three popular comic strips: the Knight Life, (th)ink, and the K Chronicles. For nearly two decades, this multi-award-winning artist has brought the funny back to the funny pages with a uniquely personal style that’s a cross between Calvin & Hobbes, MAD, and underground comix. Keith Knight is part of a generation of African-American artists who were raised on hip-hop, and infuse their work with urgency, edge, humor, satire, politics and race. His art has appeared in various publications worldwide, including the Washington Post, Daily KOS, San Francisco Chronicle, Salon.com, Ebony, ESPN the Magazine, L.A. Weekly, MAD Magazine, and the Funny Times. His comic musings on race have garnered accolades and stirred controversies, prompting CNN to tap him to grade America on its progress concerning issues of race. Follow him on Twitter and support his work on Patreon.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at Caffe Driade in Chapel Hill on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. “Yellow scarf” photos of Mr. Knight by me, no credit for the photo of him with a marker..