{"id":10477,"date":"2017-07-30T20:32:30","date_gmt":"2017-07-31T00:32:30","guid":{"rendered":"http:\/\/chimeraobscura.com\/vm\/?p=10477"},"modified":"2017-12-23T12:15:16","modified_gmt":"2017-12-23T16:15:16","slug":"episode-229-matt-ruff","status":"publish","type":"post","link":"http:\/\/chimeraobscura.com\/vm\/episode-229-matt-ruff","title":{"rendered":"Episode 229 – Matt Ruff"},"content":{"rendered":"

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Virtual Memories Show 229: Matt Ruff<\/a><\/p>\n

http:\/\/traffic.libsyn.com\/virtualmemories\/Episode_229_-_Matt_Ruff.mp3<\/a><\/audio><\/div>

Podcast: Play in new window<\/a> | Download<\/a><\/p>

Subscribe: Spotify<\/a> | TuneIn<\/a> | RSS<\/a> | More<\/a><\/p>\n

“Every one of my novels has had at least a portion where I’ve thought, ‘if I do this badly, it’s going to be terribly embarrassing and I’m going to have to hang my head in shame forever, but if I pull it off, it’ll probably be pretty cool!'”<\/p><\/blockquote>\n

\"\"<\/a>Novelist Matt Ruff<\/a> joins the show to talk about how his fantastic novel Lovecraft Country<\/a> began as a TV pitch 10 years ago, and is now on its way to becoming an HBO series<\/a>. We get into cultural appropriation issues (Matt’s white and LC<\/em>‘s about a black family dealing with racism and the supernatural in 1950s Chicago), the pros and cons of genre-hopping, the differences between mid-century racism in the North and the South, growing up over the course of his first three novels and learning to be happy with his voice, becoming friends with one of his favorite authors (past and future pod-guest John Crowley<\/a>), his ambivalence toward HP Lovecraft and Philip K. Dick and his affinity for their imitators, why he loved the descriptions of late Heinlein novels but was disappointed by the books themselves (when he was 12!), bucking his family’s religious traditions, missing his opportunity to babysit Thomas Pynchon’s kid, and more! Give it a listen!<\/a> And go buy Lovecraft Country<\/a>\"\"!<\/p>\n

“I intended for Lovecraft Country to be a TV series, so I thought, ‘What if I do the literary equivalent of a season that you binge-watch?’ That’s why the novel is structured very much like an 8-episode TV season.”<\/p><\/blockquote>\n