{"id":12360,"date":"2019-07-08T21:20:04","date_gmt":"2019-07-09T01:20:04","guid":{"rendered":"http:\/\/chimeraobscura.com\/vm\/?p=12360"},"modified":"2019-07-08T21:20:04","modified_gmt":"2019-07-09T01:20:04","slug":"episode-328-emily-nussbaum","status":"publish","type":"post","link":"http:\/\/chimeraobscura.com\/vm\/episode-328-emily-nussbaum","title":{"rendered":"Episode 328 – Emily Nussbaum"},"content":{"rendered":"

Virtual Memories Show 328:
\nEmily Nussbaum<\/a><\/p>\n

http:\/\/traffic.libsyn.com\/virtualmemories\/Episode_328_-_Emily_Nussbaum.mp3<\/a><\/audio><\/div>

Podcast: Play in new window<\/a> | Download<\/a><\/p>

Subscribe: Spotify<\/a> | TuneIn<\/a> | RSS<\/a> | More<\/a><\/p>\n

“I come out of the online community and I feel TV criticism specifically is a conversation. The debate-quality of TV that takes place over time is part of the allure of TV criticism.”<\/p><\/blockquote>\n

\"\"<\/a>Look! Up in the sky! Is it really<\/em> more like a novel? Is it more like a 10-hour movie<\/em>? No, it’s TV! In her first book, I Like to Watch: Arguing My Way Through the TV Revolution<\/a>\"\" (Penguin Random House), Pulitzer-winning critic Emily Nussbaum<\/a> celebrates TV as<\/em> TV, exploring the unique aspects of the form and helping TV viewers get over status anxiety. We talk about the satisfying\/horrifying experience of culling her past reviews and profiles for the book, the audience-oriented nature of TV storytelling, whether it’s important for a well-loved show to nail the finale, and the dual influences of The Sopranos<\/em> and Buffy the Vampire Slayer<\/em> on her work as a critic. We also get into her Peak TV moment, how technology has changed TV over the decades, the only time she predicted the upcoming season’s TV hits (Lost<\/em> and Desperate Housewives<\/em>), her theory that most workplace shows are actually about TV writing rooms, the difference between weekly and binge-released shows, the perils of writing profiles of the people she’s reviewed, and the challenge of being a funny writer who wants to make serious points. We also get into the question of how (whether?) to separate the artist from the art in the #metoo era, and how she deals with the fact that much of her sense of humor came from watching and reading Woody Allen throughout her youth. On the lighter side, she tells us her favorite songs from Crazy Ex-Girlfriend<\/em>, and I reveal the ’90s show that I binged on 200+ episodes of last year! Give it a listen!<\/a> And go buy I Like to Watch: Arguing My Way Through the TV Revolution<\/a>\"\"!<\/p>\n

“I have a taste for criticism as theater, rather than a for-the-ages voice from on high.”<\/p><\/blockquote>\n