{"id":12729,"date":"2019-12-17T19:27:19","date_gmt":"2019-12-18T00:27:19","guid":{"rendered":"http:\/\/chimeraobscura.com\/vm\/?p=12729"},"modified":"2019-12-17T19:27:32","modified_gmt":"2019-12-18T00:27:32","slug":"episode-354-peter-kuper","status":"publish","type":"post","link":"http:\/\/chimeraobscura.com\/vm\/episode-354-peter-kuper","title":{"rendered":"Episode 354 – Peter Kuper"},"content":{"rendered":"

Virtual Memories Show 354:
\nPeter Kuper<\/a><\/p>\n

http:\/\/traffic.libsyn.com\/virtualmemories\/Episode_354_-_Peter_Kuper.mp3<\/a><\/audio><\/div>

Podcast: Play in new window<\/a> | Download<\/a><\/p>

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“Heart of Darkness deserves to be canonical because it addresses through art what it means to be civilized and what it means to be savage, and touches on things happening now in our world: the madness of power.”<\/p><\/blockquote>\n

\"\"<\/a>Political artist\/illustrator Peter Kuper<\/a> rejoins the show to talk about his new graphic adaptation of Joseph Conrad’s Heart of Darkness<\/a>\"\" (WW Norton). We get into the highwire act of addressing race without diluting the book or otherwise changing Conrad’s tale (that is, how do you balance adaptation and revisionism?), how Peter accidentally subjected himself to some of Marlow’s ill health while adapting the book, and how he used graphic storytelling to bring other perspectives to the story. We also discuss his trepidation about adapting a canonical book, his trepidation about drawing boats, and is trepidation about making an optimistic issue of World War 3 Illustrated<\/em><\/a>. Oh, yeah, and he tells us about getting to hold Conrad’s diary from the river journey that inspired Heart of Darkness<\/em>, his ongoing Spy Vs. Spy<\/a> strips for Mad Magazine<\/em>, and, on his 3rd appearance on the show, I finally ask him just where his progressivism started! Give it a listen!<\/a> And go buy Heart of Darkness<\/a>\"\"!<\/p>\n

“One of the great ironies of censorship is that Mad Magazine was the only thing left standing after the other EC comics had to shut down, because it was more subversive than any of the others.”<\/p><\/blockquote>\n