{"id":13552,"date":"2020-06-12T17:36:36","date_gmt":"2020-06-12T21:36:36","guid":{"rendered":"http:\/\/chimeraobscura.com\/vm\/?p=13552"},"modified":"2020-06-12T17:36:39","modified_gmt":"2020-06-12T21:36:39","slug":"episode-374-philip-boehm","status":"publish","type":"post","link":"http:\/\/chimeraobscura.com\/vm\/episode-374-philip-boehm","title":{"rendered":"Episode 374 &#8211; Philip Boehm"},"content":{"rendered":"<p style=\"text-align: center;\"><a href=\"https:\/\/traffic.libsyn.com\/secure\/virtualmemories\/Episode_374_-_Philip_Boehm.mp3\" target=\"_blank\" rel=\"noopener noreferrer\">Virtual Memories Show 374:<br \/>\nPhilip Boehm<\/a><\/p>\n<p style=\"text-align: left;\"><div class=\"powerpress_player\" id=\"powerpress_player_2084\"><audio class=\"wp-audio-shortcode\" id=\"audio-13552-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/traffic.libsyn.com\/secure\/virtualmemories\/Episode_374_-_Philip_Boehm.mp3?_=1\" \/><a href=\"https:\/\/traffic.libsyn.com\/secure\/virtualmemories\/Episode_374_-_Philip_Boehm.mp3\">https:\/\/traffic.libsyn.com\/secure\/virtualmemories\/Episode_374_-_Philip_Boehm.mp3<\/a><\/audio><\/div><p class=\"powerpress_links powerpress_links_mp3\" style=\"margin-bottom: 1px !important;\">Podcast: <a href=\"https:\/\/traffic.libsyn.com\/secure\/virtualmemories\/Episode_374_-_Philip_Boehm.mp3\" class=\"powerpress_link_pinw\" target=\"_blank\" title=\"Play in new window\" onclick=\"return powerpress_pinw('http:\/\/chimeraobscura.com\/vm\/?powerpress_pinw=13552-podcast');\" rel=\"nofollow\">Play in new window<\/a> | <a href=\"https:\/\/traffic.libsyn.com\/secure\/virtualmemories\/Episode_374_-_Philip_Boehm.mp3\" class=\"powerpress_link_d\" title=\"Download\" rel=\"nofollow\" download=\"Episode_374_-_Philip_Boehm.mp3\">Download<\/a><\/p><p class=\"powerpress_links powerpress_subscribe_links\">Subscribe: <a href=\"https:\/\/open.spotify.com\/show\/4itPQhel9GzH3WK2iXr4Zw\" class=\"powerpress_link_subscribe powerpress_link_subscribe_spotify\" target=\"_blank\" title=\"Subscribe on Spotify\" rel=\"nofollow\">Spotify<\/a> | <a href=\"https:\/\/tunein.com\/podcasts\/Interviews\/The-Virtual-Memories-Show-p1091071\/\" class=\"powerpress_link_subscribe powerpress_link_subscribe_tunein\" target=\"_blank\" title=\"Subscribe on TuneIn\" rel=\"nofollow\">TuneIn<\/a> | <a href=\"http:\/\/chimeraobscura.com\/vm\/feed\/podcast\" class=\"powerpress_link_subscribe powerpress_link_subscribe_rss\" target=\"_blank\" title=\"Subscribe via RSS\" rel=\"nofollow\">RSS<\/a> | <a href=\"http:\/\/chimeraobscura.com\/vm\/subscribe-to-podcast\" class=\"powerpress_link_subscribe powerpress_link_subscribe_more\" target=\"_blank\" title=\"More\" rel=\"nofollow\">More<\/a><\/p>\n<blockquote><p>&#8220;German language is like a big Lego set: there are component parts and you can take them apart and put them back together and they fit in neatly or at least with a lot of right angles. Polish and the other Slavic languages, have all these declensions, and the verbs have aspects, and Polish sounds like &#8216;autumnal rustling&#8217;.&#8221;<\/p><\/blockquote>\n<p><a href=\"https:\/\/www.ndbooks.com\/book\/dr.-shimamura-and-the-foxes\/#\/\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"13554\" data-permalink=\"http:\/\/chimeraobscura.com\/vm\/episode-374-philip-boehm\/fox\" data-orig-file=\"https:\/\/i0.wp.com\/chimeraobscura.com\/vm\/wp-content\/uploads\/fox.jpg?fit=500%2C771\" data-orig-size=\"500,771\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"fox\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/chimeraobscura.com\/vm\/wp-content\/uploads\/fox.jpg?fit=402%2C620\" class=\"alignright size-medium wp-image-13554\" src=\"https:\/\/i0.wp.com\/chimeraobscura.com\/vm\/wp-content\/uploads\/fox.jpg?resize=285%2C440\" alt=\"\" width=\"285\" height=\"440\" srcset=\"https:\/\/i0.wp.com\/chimeraobscura.com\/vm\/wp-content\/uploads\/fox.jpg?resize=285%2C440 285w, https:\/\/i0.wp.com\/chimeraobscura.com\/vm\/wp-content\/uploads\/fox.jpg?resize=402%2C620 402w, https:\/\/i0.wp.com\/chimeraobscura.com\/vm\/wp-content\/uploads\/fox.jpg?w=500 500w\" sizes=\"auto, (max-width: 285px) 100vw, 285px\" \/><\/a>Translator and director <a href=\"https:\/\/culture.pl\/en\/artist\/philip-boehm\" target=\"_blank\" rel=\"noopener noreferrer\">Philip Boehm<\/a> joins the show fresh off winning his second <a href=\"https:\/\/www.goethe.de\/ins\/us\/en\/kul\/bks\/hkw\/phb.html\" target=\"_blank\" rel=\"noopener noreferrer\">Helen &amp; Kurt Wolff Translator&#8217;s Prize<\/a>. We talk about his prize-winning translation of Christine Wunnicke&#8217;s <a href=\"https:\/\/bookshop.org\/a\/4669\/9780811226240\" target=\"_blank\" rel=\"noopener noreferrer\">The Fox &amp; Dr. Shimamura<\/a> (<a href=\"https:\/\/www.ndbooks.com\/book\/dr.-shimamura-and-the-foxes\/#\/\" target=\"_blank\" rel=\"noopener noreferrer\">New Directions<\/a>), and the research and challenges that went into bringing the eerie historical novel to life in English, then get into his time in Poland in the &#8217;80s, how it shaped his ideas on the role of the arts in society, and how he had to smuggle his work out of the country, the differences between translating for the page vs. the stage, his role as Artistic Director of <a href=\"https:\/\/www.upstreamtheater.org\" target=\"_blank\" rel=\"noopener noreferrer\">Upstream Theater<\/a>, the time he pranked a publisher with a fake letter from Kafka to Milena, the pressure of translating canonical works and the joy of meeting &amp; befriending authors he works on, the parallels between Iron Curtain countries in the &#8217;80s &amp; America today, how every theatrical staging is an act of translation, regardless of the source language, why German is like Lego while Polish is like autumnal rustling, how he&#8217;s dealing with Pandemic Life in Texas, and more! <a href=\"https:\/\/traffic.libsyn.com\/secure\/virtualmemories\/Episode_374_-_Philip_Boehm.mp3\" target=\"_blank\" rel=\"noopener noreferrer\">Give it a listen!<\/a> And go read <a href=\"https:\/\/bookshop.org\/a\/4669\/9780811226240\" target=\"_blank\" rel=\"noopener noreferrer\">The Fox &amp; Dr. Shimamura<\/a>!<\/p>\n<blockquote><p>&#8220;That sense of translation as a living body of work, and not relegated to some category or serving a particular work, that was more present in Poland when I was there in the 1980s.&#8221;<\/p><\/blockquote>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/Osl1mCoE3K0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<blockquote><p>&#8220;That era instilled a sense of significance to the arts. It became a more vital presence, and I felt a more vital part of society.&#8221;<\/p><\/blockquote>\n<p><iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed-podcast\/episode\/3apAGBPDYMo6x1sevYGyQP\" width=\"100%\" height=\"232\" frameborder=\"0\"><\/iframe><\/p>\n<blockquote><p>&#8220;As bankrupt as The Party was, there once was an ideology behind it. Here we have a demagogue who is feeding all sorts of populist resentment and fueling tensions in a way that functions very differently from the Iron Curtain countries.&#8221;<\/p><\/blockquote>\n<p>TUNEIN LINK TK<\/p>\n<p><a href=\"https:\/\/traffic.libsyn.com\/secure\/virtualmemories\/Episode_374_-_Philip_Boehm.mp3\" target=\"_blank\" rel=\"noopener noreferrer\">Enjoy the conversation!<\/a>\u00a0Then check out\u00a0<a href=\"http:\/\/chimeraobscura.com\/vm\/podcast-archive\" target=\"_blank\" rel=\"noopener noreferrer\">the archives<\/a>\u00a0for more great episodes!<\/p>\n<p>Lots of ways to follow <em>The Virtual Memories Show<\/em>! <strong><a href=\"http:\/\/itunes.apple.com\/us\/podcast\/the-virtual-memories-show\/id531173075\" target=\"_blank\" rel=\"noopener noreferrer\">iTunes<\/a>, <a href=\"https:\/\/open.spotify.com\/show\/4itPQhel9GzH3WK2iXr4Zw\" target=\"_blank\" rel=\"noopener noreferrer\">Spotify<\/a>, <a href=\"http:\/\/twitter.com\/vmspod\" target=\"_blank\" rel=\"noopener noreferrer\">Twitter<\/a>, <a href=\"https:\/\/www.instagram.com\/vmspod\/\" target=\"_blank\" rel=\"noopener noreferrer\">Instagram<\/a>, <a href=\"https:\/\/www.youtube.com\/channel\/UCXoLbP-9GbhHJZpCQP5TR5A\/videos?view_as=subscriber\" target=\"_blank\" rel=\"noopener noreferrer\">YouTube<\/a>, <a href=\"https:\/\/tunein.com\/radio\/The-Virtual-Memories-Show-p1091071\/\" target=\"_blank\" rel=\"noopener noreferrer\">TuneIn<\/a>, <a href=\"http:\/\/virtualmemoriespodcast.tumblr.com\" target=\"_blank\" rel=\"noopener noreferrer\">Tumblr<\/a>, and <a href=\"http:\/\/virtualmemories.libsyn.com\/rss\" target=\"_blank\" rel=\"noopener noreferrer\">RSS<\/a>!<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>About our Guest<\/strong><\/p>\n<p><a href=\"https:\/\/culture.pl\/en\/artist\/philip-boehm\" target=\"_blank\" rel=\"noopener noreferrer\">Philip Boehm<\/a>\u2019s career zigzags across languages and borders, artistic disciplines and cultural divides. He is the author of more than thirty translations of prose works and plays by German and Polish writers, including <a href=\"https:\/\/bookshop.org\/a\/4669\/9781250032089\" target=\"_blank\" rel=\"noopener noreferrer\">Herta M\u00fcller<\/a>, <a href=\"https:\/\/bookshop.org\/a\/4669\/9780805212679\" target=\"_blank\" rel=\"noopener noreferrer\">Franz Kafka<\/a>, and <a href=\"https:\/\/bookshop.org\/a\/4669\/9781558619449\" target=\"_blank\" rel=\"noopener noreferrer\">Hanna Krall<\/a>. For his work as a translator he has received numerous awards, as well as fellowships from the NEA and the Guggenheim Foundation. As a director fluent in several languages, he has staged plays in Poland, Slovakia, and the US. His most frequent venue is <a href=\"https:\/\/www.upstreamtheater.org\" target=\"_blank\" rel=\"noopener noreferrer\">Upstream Theater<\/a> in St. Louis, which he founded in 2004. The company has produced dozens of works\u2014mostly US premieres\u2014from nearly twenty different countries.<\/p>\n<p>Mr. Boehm\u2019s plays have been seen in Atlanta, Houston, Sacramento, St. Louis and Bansk\u00e1 Bystrica, Slovakia, and include <em>Mixtitlan, Soul of a Clone, The Death of Atahualpa<\/em>, and <em>Return of the Bedbug<\/em>, as well as adaptations of B\u00fcchner\u2019s <em>Woyzeck<\/em> and Kazimierz Moczarski\u2019s <em>Conversations with an Executioner<\/em>. For his dramatic work Mr. Boehm has received support from the Mexican-American Fund for Culture as well as the NEA.<\/p>\n<p><em>Credits: This episode\u2019s music is <\/em>Fella<em>\u00a0by <a href=\"https:\/\/soundcloud.com\/may4th\/\" target=\"_blank\" rel=\"noopener noreferrer\">Hal Mayforth<\/a>, used with permission from\u00a0the artist. The conversation was recorded remotely via <a href=\"https:\/\/zencastr.com\" target=\"_blank\" rel=\"noopener noreferrer\">Zencastr<\/a>. I used a <a href=\"https:\/\/www.amazon.com\/gp\/product\/B000SOYOTQ\/ref=as_li_tl?ie=UTF8&amp;camp=1789&amp;creative=9325&amp;creativeASIN=B000SOYOTQ&amp;linkCode=as2&amp;tag=virtualmemories-20&amp;linkId=04f89e1b44161aff17be7ee9479f6d64\">Heil PR-40 Dynamic Studio Recording Microphone<\/a><img loading=\"lazy\" decoding=\"async\" style=\"border: none !important; margin: 0px !important;\" src=\"\/\/ir-na.amazon-adsystem.com\/e\/ir?t=virtualmemories-20&amp;l=am2&amp;o=1&amp;a=B000SOYOTQ\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/> feeding into a <a href=\"https:\/\/www.amazon.com\/gp\/product\/B004MQSV04\/ref=as_li_tl?ie=UTF8&amp;camp=1789&amp;creative=9325&amp;creativeASIN=B004MQSV04&amp;linkCode=as2&amp;tag=virtualmemories-20&amp;linkId=1a177654d0c55797588bc43949ef369e\" target=\"_blank\" rel=\"noopener noreferrer\">Cloudlifter CL-1<\/a><img loading=\"lazy\" decoding=\"async\" style=\"border: none !important; margin: 0px !important;\" src=\"\/\/ir-na.amazon-adsystem.com\/e\/ir?t=virtualmemories-20&amp;l=am2&amp;o=1&amp;a=B004MQSV04\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/> and a <a href=\"http:\/\/www.amazon.com\/gp\/product\/B003VZG550\/ref=as_li_tl?ie=UTF8&amp;camp=1789&amp;creative=9325&amp;creativeASIN=B003VZG550&amp;linkCode=as2&amp;tag=virtualmemories-20&amp;linkId=M2DKYCZ52E6ZFUA3\">Mackie Onyx Blackjack 2&#215;2 USB Recording Interface<\/a><img loading=\"lazy\" decoding=\"async\" style=\"border: none !important; margin: 0px !important;\" src=\"http:\/\/ir-na.amazon-adsystem.com\/e\/ir?t=virtualmemories-20&amp;l=as2&amp;o=1&amp;a=B003VZG550\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/>. All processing and editing done in <a href=\"https:\/\/www.amazon.com\/gp\/product\/B00DRPVEUK\/ref=as_li_tl?ie=UTF8&amp;camp=1789&amp;creative=9325&amp;creativeASIN=B00DRPVEUK&amp;linkCode=as2&amp;tag=virtualmemories-20&amp;linkId=902a694e24a241f7cee18f483a6ce2dd\" target=\"_blank\" rel=\"noopener noreferrer\">Adobe Audition CC<\/a><img loading=\"lazy\" decoding=\"async\" style=\"border: none !important; margin: 0px !important;\" src=\"\/\/ir-na.amazon-adsystem.com\/e\/ir?t=virtualmemories-20&amp;l=am2&amp;o=1&amp;a=B00DRPVEUK\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/>. Photos of Philip by Traci Lavois Thiebaud (the good one) and him (the pandemic-life one from a few days ago). It&#8217;s on my <a href=\"https:\/\/instagram.com\/vmspod\" target=\"_blank\" rel=\"noopener noreferrer\">instagram<\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Virtual Memories Show 374: Philip Boehm &#8220;German language is like a big Lego set: there are component parts and you can take them apart and put them back together and they fit in neatly or at least with a lot of right angles. Polish and the other Slavic languages, have all these declensions, and the &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/chimeraobscura.com\/vm\/episode-374-philip-boehm\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Episode 374 &#8211; Philip Boehm&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":13555,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"audio","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[22,5981,4,1183,17,18,20],"tags":[4646,6038,6037],"class_list":["post-13552","post","type-post","status-publish","format-audio","has-post-thumbnail","hentry","category-art","category-covid-check-in","category-literature","category-podcasts","category-politics-explicit","category-politics-implicit","category-religion","tag-barbara-epler","tag-christine-wunnicke","tag-philip-boehm","post_format-post-format-audio"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/chimeraobscura.com\/vm\/wp-content\/uploads\/boehmcomp.jpg?fit=2000%2C800","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p4C7K-3wA","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":14095,"url":"http:\/\/chimeraobscura.com\/vm\/episode-412-the-guest-list-2020","url_meta":{"origin":13552,"position":0},"title":"Episode 412 &#8211; The Guest List 2020","author":"Gil","date":"December 13, 2020","format":"audio","excerpt":"Virtual Memories Show: The Guest List 2020 It's time for our year-end Virtual Memories Show tradition: The Guest List! I reached out to 2020's pod-guests and asked them about the favorite book(s) they read in the past year, as well as the books or authors they're hoping to read in\u2026","rel":"","context":"In &quot;Architecture&quot;","block_context":{"text":"Architecture","link":"http:\/\/chimeraobscura.com\/vm\/category\/architecture"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/chimeraobscura.com\/vm\/wp-content\/uploads\/2020books-scaled.jpeg?fit=1029%2C1200&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chimeraobscura.com\/vm\/wp-content\/uploads\/2020books-scaled.jpeg?fit=1029%2C1200&resize=350%2C200 1x, https:\/\/i0.wp.com\/chimeraobscura.com\/vm\/wp-content\/uploads\/2020books-scaled.jpeg?fit=1029%2C1200&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/chimeraobscura.com\/vm\/wp-content\/uploads\/2020books-scaled.jpeg?fit=1029%2C1200&resize=700%2C400 2x"},"classes":[]},{"id":14172,"url":"http:\/\/chimeraobscura.com\/vm\/episode-416-wendung","url_meta":{"origin":13552,"position":1},"title":"Episode 416 &#8211; Wendung","author":"Gil","date":"January 11, 2021","format":"audio","excerpt":"Virtual Memories Show 416: Wendung \"At 50, everyone has the face he deserves,\" said George Orwell, but he died at 47, so what does he know? To celebrate turning 50, I use an obscure Woody Allen movie to talk about why I can't take stock of my life. Then the\u2026","rel":"","context":"In &quot;Art&quot;","block_context":{"text":"Art","link":"http:\/\/chimeraobscura.com\/vm\/category\/art"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/chimeraobscura.com\/vm\/wp-content\/uploads\/IMG_7283.jpeg?fit=1200%2C900&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chimeraobscura.com\/vm\/wp-content\/uploads\/IMG_7283.jpeg?fit=1200%2C900&resize=350%2C200 1x, https:\/\/i0.wp.com\/chimeraobscura.com\/vm\/wp-content\/uploads\/IMG_7283.jpeg?fit=1200%2C900&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/chimeraobscura.com\/vm\/wp-content\/uploads\/IMG_7283.jpeg?fit=1200%2C900&resize=700%2C400 2x, https:\/\/i0.wp.com\/chimeraobscura.com\/vm\/wp-content\/uploads\/IMG_7283.jpeg?fit=1200%2C900&resize=1050%2C600 3x"},"classes":[]},{"id":14753,"url":"http:\/\/chimeraobscura.com\/vm\/episode-454-anne-cattaneo","url_meta":{"origin":13552,"position":2},"title":"Episode 454 &#8211; Anne Cattaneo","author":"Gil","date":"October 5, 2021","format":"audio","excerpt":"Virtual Memories Show 454: Anne Cattaneo \"Most people want to be on the stage, but I don't.\" Lincoln Center Theater's dramaturg Anne Cattaneo joins the show to celebrate her new book, The Art of Dramaturgy (Yale University Press). We answer the pivotal question, \"What does a dramaturg DO, exactly?\" and\u2026","rel":"","context":"In &quot;Art&quot;","block_context":{"text":"Art","link":"http:\/\/chimeraobscura.com\/vm\/category\/art"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/chimeraobscura.com\/vm\/wp-content\/uploads\/cattaneocomp.jpg?fit=1200%2C732&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chimeraobscura.com\/vm\/wp-content\/uploads\/cattaneocomp.jpg?fit=1200%2C732&resize=350%2C200 1x, https:\/\/i0.wp.com\/chimeraobscura.com\/vm\/wp-content\/uploads\/cattaneocomp.jpg?fit=1200%2C732&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/chimeraobscura.com\/vm\/wp-content\/uploads\/cattaneocomp.jpg?fit=1200%2C732&resize=700%2C400 2x, https:\/\/i0.wp.com\/chimeraobscura.com\/vm\/wp-content\/uploads\/cattaneocomp.jpg?fit=1200%2C732&resize=1050%2C600 3x"},"classes":[]},{"id":15469,"url":"http:\/\/chimeraobscura.com\/vm\/episode-500-all-the-guests","url_meta":{"origin":13552,"position":3},"title":"Episode 500 &#8211; ALL The Guests","author":"Gil","date":"August 19, 2022","format":"audio","excerpt":"Virtual Memories Show 500: ALL The Guests FIVE-HUNDRED EPISODES of The Virtual Memories Show?! Let's celebrate this milestone episode with tributes, remembrances, jokes, congrats, non-sequiturs, and a couple of songs (!) from nearly 100 of my past guests, including Maria Alexander, Jonathan Ames, Glen Baxter, Jonathan Baylis, Zoe Beloff, Walter\u2026","rel":"","context":"In &quot;Art&quot;","block_context":{"text":"Art","link":"http:\/\/chimeraobscura.com\/vm\/category\/art"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/chimeraobscura.com\/vm\/wp-content\/uploads\/vm-500-comp-banner.jpg?fit=1200%2C459&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chimeraobscura.com\/vm\/wp-content\/uploads\/vm-500-comp-banner.jpg?fit=1200%2C459&resize=350%2C200 1x, https:\/\/i0.wp.com\/chimeraobscura.com\/vm\/wp-content\/uploads\/vm-500-comp-banner.jpg?fit=1200%2C459&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/chimeraobscura.com\/vm\/wp-content\/uploads\/vm-500-comp-banner.jpg?fit=1200%2C459&resize=700%2C400 2x, https:\/\/i0.wp.com\/chimeraobscura.com\/vm\/wp-content\/uploads\/vm-500-comp-banner.jpg?fit=1200%2C459&resize=1050%2C600 3x"},"classes":[]},{"id":15292,"url":"http:\/\/chimeraobscura.com\/vm\/episode-489-ira-nadel","url_meta":{"origin":13552,"position":4},"title":"Episode 489 &#8211; Ira Nadel","author":"Gil","date":"June 7, 2022","format":"audio","excerpt":"Virtual Memories Show 489: Ira Nadel \"Roth left so many instructions and prescriptive statements about how things should happen after his death, that he was really trying to \u2014 to use a phrase uttered by the gravedigger in Everyman \u2014 square the hole.\" Professor & biographer Ira Nadel joins the\u2026","rel":"","context":"In &quot;Art&quot;","block_context":{"text":"Art","link":"http:\/\/chimeraobscura.com\/vm\/category\/art"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/chimeraobscura.com\/vm\/wp-content\/uploads\/nadelcomp.jpg?fit=1063%2C800&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chimeraobscura.com\/vm\/wp-content\/uploads\/nadelcomp.jpg?fit=1063%2C800&resize=350%2C200 1x, https:\/\/i0.wp.com\/chimeraobscura.com\/vm\/wp-content\/uploads\/nadelcomp.jpg?fit=1063%2C800&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/chimeraobscura.com\/vm\/wp-content\/uploads\/nadelcomp.jpg?fit=1063%2C800&resize=700%2C400 2x, https:\/\/i0.wp.com\/chimeraobscura.com\/vm\/wp-content\/uploads\/nadelcomp.jpg?fit=1063%2C800&resize=1050%2C600 3x"},"classes":[]},{"id":2029,"url":"http:\/\/chimeraobscura.com\/vm\/sun-roth","url_meta":{"origin":13552,"position":5},"title":"Sun Roth","author":"Gil","date":"May 1, 2008","format":false,"excerpt":"Today's edition of the New York Sun's Arts+ section continues to defend its title as Official Newspaper of Gil Roth (and several other Roths, as seen in #s 1 and 2): Roth Time Redux, discussing the impact of Dieter Roth, a new exhibition on Philip Guston, with a shout-out to\u2026","rel":"","context":"In &quot;Art&quot;","block_context":{"text":"Art","link":"http:\/\/chimeraobscura.com\/vm\/category\/art"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"http:\/\/chimeraobscura.com\/vm\/wp-json\/wp\/v2\/posts\/13552","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/chimeraobscura.com\/vm\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/chimeraobscura.com\/vm\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/chimeraobscura.com\/vm\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/chimeraobscura.com\/vm\/wp-json\/wp\/v2\/comments?post=13552"}],"version-history":[{"count":3,"href":"http:\/\/chimeraobscura.com\/vm\/wp-json\/wp\/v2\/posts\/13552\/revisions"}],"predecessor-version":[{"id":13557,"href":"http:\/\/chimeraobscura.com\/vm\/wp-json\/wp\/v2\/posts\/13552\/revisions\/13557"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/chimeraobscura.com\/vm\/wp-json\/wp\/v2\/media\/13555"}],"wp:attachment":[{"href":"http:\/\/chimeraobscura.com\/vm\/wp-json\/wp\/v2\/media?parent=13552"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/chimeraobscura.com\/vm\/wp-json\/wp\/v2\/categories?post=13552"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/chimeraobscura.com\/vm\/wp-json\/wp\/v2\/tags?post=13552"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}