{"id":13736,"date":"2020-08-06T20:05:21","date_gmt":"2020-08-07T00:05:21","guid":{"rendered":"http:\/\/chimeraobscura.com\/vm\/?p=13736"},"modified":"2020-08-11T10:55:30","modified_gmt":"2020-08-11T14:55:30","slug":"episode-389-woodrow-phoenix","status":"publish","type":"post","link":"http:\/\/chimeraobscura.com\/vm\/episode-389-woodrow-phoenix","title":{"rendered":"Episode 389 – Woodrow Phoenix"},"content":{"rendered":"

Virtual Memories Show 389:
\nWoodrow Phoenix<\/a><\/p>\n

https:\/\/traffic.libsyn.com\/secure\/virtualmemories\/Episode_389_-_Woodrow_Phoenix.mp3<\/a><\/audio><\/div>

Podcast: Play in new window<\/a> | Download<\/a><\/p>

Subscribe: Spotify<\/a> | TuneIn<\/a> | RSS<\/a> | More<\/a><\/p>\n

\"\"<\/a>Who’s driving whom? With Crash Course<\/a> (Street Noise Books), British cartoonist, artist and designer Woodrow Phoenix<\/a> examines what cars do to us: physically, mentally, and environmentally. We talk about the evolution of Crash Course<\/em>, the stint in LA that inspired it, the visual and design choices that make it a haunting piece of art, and how he reconciles driving his Mini Cooper One. We also get into growing up in South London, what being Black means in the UK and US, his compulsion to experiment with styles, why he sticks with pencils and inks, and his typography and design background and how they inform the semiotics of Crash Course<\/em>. Plus, he nerds out HARD<\/em> for Carmine Infantino<\/a>, we nerd out together for Al Hirschfeld<\/a>, and we try to figure out why his recurring themes are duplication, language, perception and the shifting nature of reality. Oh, and I try to get him to spend a lot of money on bookshelves<\/a>. Give it a listen!<\/a> And go read Crash Course<\/a>!<\/p>\n