{"id":14029,"date":"2020-11-17T09:10:49","date_gmt":"2020-11-17T14:10:49","guid":{"rendered":"http:\/\/chimeraobscura.com\/vm\/?p=14029"},"modified":"2020-11-17T11:15:30","modified_gmt":"2020-11-17T16:15:30","slug":"episode-408-celia-paul","status":"publish","type":"post","link":"http:\/\/chimeraobscura.com\/vm\/episode-408-celia-paul","title":{"rendered":"Episode 408 – Celia Paul"},"content":{"rendered":"

Virtual Memories Show 408: Celia Paul<\/a><\/p>\n

https:\/\/traffic.libsyn.com\/secure\/virtualmemories\/Episode_408_-_Celia_Paul.mp3<\/a><\/audio><\/div>

Podcast: Play in new window<\/a> | Download<\/a><\/p>

Subscribe: Spotify<\/a> | TuneIn<\/a> | RSS<\/a> | More<\/a><\/p>\n

“I’ve got rid of paintings I was very pleased with but which I knew needed to go deeper. It’s an extremely painful process; I’ve been kept awake at night, driving myself insane with remembering what I’ve lost. Images that I’ve painted over remorselessly come back to haunt me.”<\/p><\/blockquote>\n

\"\"<\/a>With her wonderful new memoir, SELF-PORTRAIT<\/a> (NYRB), celebrated life-painter Celia Paul<\/a> explores her life as an artist, the evolution of her portraiture, her need for a Virginia Woolf-ian Room of One\u2019s Own, and her 10-year relationship with Lucian Freud<\/a> (c.1978-88). We get into the influence she and Freud had on each other’s work, how she took control of her life and her art, the moral component of life-painting, the importance of being selfish, the conflict for women artists between being loved and following your own path, her affinity for the artist Gwen John<\/a>, her antipathy toward the word “muse,” and how much she flat-out hates being called an artist “in her own right”. We talk about the influence of Collette & Duras on her writing, her decision to incorporate her journals in the memoir and the continuity of self they reveal, why she only paints portraits of people she knows well (and why her paintings of her sister Kate as self-portraits), the uses of stillness, how she re-evaluated her life after Lucian Freud’s death in 2011, why letters are like painting, and much more. Give it a listen!<\/a> And go read SELF-PORTRAIT<\/a>!<\/p>\n

“I think I was deflected from my purpose by being influenced by Lucian Freud in one crucial aspect: he was very interested in the balances of power between people, between lovers particularly.”<\/p><\/blockquote>\n