{"id":14405,"date":"2021-04-20T10:26:37","date_gmt":"2021-04-20T14:26:37","guid":{"rendered":"http:\/\/chimeraobscura.com\/vm\/?p=14405"},"modified":"2021-04-27T09:36:44","modified_gmt":"2021-04-27T13:36:44","slug":"episode-431-louis-menand","status":"publish","type":"post","link":"http:\/\/chimeraobscura.com\/vm\/episode-431-louis-menand","title":{"rendered":"Episode 431 – Louis Menand"},"content":{"rendered":"

Virtual Memories Show 431:
\nLouis Menand<\/a><\/p>\n

https:\/\/traffic.libsyn.com\/secure\/virtualmemories\/Episode_431_-_Louis_Menand.mp3<\/a><\/audio><\/div>

Podcast: Play in new window<\/a> | Download<\/a><\/p>

Subscribe: Spotify<\/a> | TuneIn<\/a> | RSS<\/a> | More<\/a><\/p>\n

“Writing a book like this is like an advent calendar: each day you open a little window and there’s somebody in there. You hadn’t known about them before and you learn a fascinating story.”<\/p><\/blockquote>\n

\"\"<\/a>Pulitzer Prize-winning author and cultural critic Louis Menand<\/a> joins the show to celebrate his phenomenal new book, THE FREE WORLD: Art And Thought In The Cold War<\/a> (FSG). We get into his process for chronicling the artistic, cultural, intellectual, technological and literary movements of the postwar era, the stories of the lives behind those movements and how he threads them together, what we mean when we talk about freedom, why writing can be like kicking open a rolled-up carpet, and the toughest art form to write about. We talk about the influence of John Cage (whose work we both dislike), the amazing creative lineage of Black Mountain College<\/a>, the ~75,000 words he had to cut (the book is plenty hefty as is) and why he would have liked to include a chapter on Japan’s art scene, the role of the CIA in funding movement and artistic venues, and the one person he regrets not interviewing for this project. We also discuss his pandemic life, the One More Book he wants to write, his father’s anti-anti-Communist stance, the book’s original title and why it had to change, and why his students at Harvard seem more interested in the ’50s than the ’60s. Give it a listen!<\/a> And go read THE FREE WORLD<\/a>!<\/p>\n

“The word ‘Freedom’ was everywhere, but then you start to think, ‘What does it actually mean?’ It could be used to describe a musical composition, or the condition of racial segregation, or what the US stood for in the Cold War. If you could use it for such varied purposes, did it mean anything?”<\/p><\/blockquote>\n