{"id":15511,"date":"2022-08-30T08:10:39","date_gmt":"2022-08-30T12:10:39","guid":{"rendered":"http:\/\/chimeraobscura.com\/vm\/?p=15511"},"modified":"2022-08-30T08:10:42","modified_gmt":"2022-08-30T12:10:42","slug":"episode-502-jerome-charyn","status":"publish","type":"post","link":"http:\/\/chimeraobscura.com\/vm\/episode-502-jerome-charyn","title":{"rendered":"Episode 502 – Jerome Charyn"},"content":{"rendered":"

Virtual Memories Show 502:
\nJerome Charyn<\/a><\/p>\n

https:\/\/traffic.libsyn.com\/secure\/virtualmemories\/Episode_502_-_Jerome_Charyn.mp3<\/a><\/audio><\/div>

Podcast: Play in new window<\/a> | Download<\/a><\/p>

Subscribe: Spotify<\/a> | TuneIn<\/a> | RSS<\/a> | More<\/a><\/p>\n

“Once you have the voice, you have the novel.”<\/p><\/blockquote>\n

\"\"<\/a>Author, critic and film scholar Jerome Charyn<\/a> rejoins the show to celebrate his new book, BIG RED: A Novel Starring Rita Hayworth & Orson Welles<\/a> (Liveright Books). We get into how Hollywood created Jerome’s childhood & youth, his fascination with the tragic life of Rita Hayworth and her triumph of Gilda<\/a>, his love of Orson Welles and Citizen Kane<\/a>, and why he couldn’t write this novel in either of their voices. We talk about genius in many guises, from Welles to Melville to Dickinson to Shakespeare to Robert Caro to LeBron, and what it means when genius dissipates. We also discuss Jerome’s years teaching film criticism and why it was his favorite job (hint: it’s about learning to look deeply), what the mirror scene in The Lady from Shanghai<\/a> is really<\/em> telling us, why Hank Quinlan in Touch of Evil<\/a> may be Welles’ greatest role, why film noir was Hollywood’s great discovery\/invention, how Hemingway was the best writer in the world when he was in Paris and the worst writer in the world when he left Paris, whether his book editor (past guest Robert Weil<\/a>) was touchy about how a film editor is one of Big Red<\/em>‘s antagonists, why Kane<\/em> was really about Welles himself & not William Randolph Hearst, why LeBron should have left Hollywood this offseason, the revelation of interviewing Paul Newman, and more! Give it a listen!<\/a> And go read Big Red<\/a>!<\/p>\n

And go listen to my 2019<\/a> and 2021<\/a> conversations with Jerome!<\/em><\/p>\n

“How is Melville able to write Moby-Dick at 30 years old? He wrote the book in one year, made a book that no one else could have made and no one has made since, and then basically disappeared. Genius comes and it leaves just as quickly.”<\/p><\/blockquote>\n