{"id":2110,"date":"2008-06-22T20:57:10","date_gmt":"2008-06-23T00:57:10","guid":{"rendered":"http:\/\/chimeraobscura.com\/vm\/?p=2110"},"modified":"2009-04-09T06:55:51","modified_gmt":"2009-04-09T10:55:51","slug":"towering-folly","status":"publish","type":"post","link":"http:\/\/chimeraobscura.com\/vm\/towering-folly","title":{"rendered":"Towering! Folly?"},"content":{"rendered":"<p>A few weeks ago, the <em>NYTimes<\/em> published a magazine supplement about architecture or something. It included this meandering ramble about <a href=\"http:\/\/www.nytimes.com\/2008\/06\/08\/magazine\/08shenzhen-t.html\" target=\"_blank\">building cities that have no history<\/a>. Written by the paper&#8217;s starchitecture critic, Nicholas Ouroussoff, it glowingly describes the miraculous super-projects to be designed by Rem Koolhaas, Zaha Hadid, Steven Holl and others. The elephant in the room that Ouroussoff fails to mention is that all of these places that are offering these opportunities &#8220;happen&#8221; to be dictatorships (to be fair, he does mention that most of these &#8220;new cities&#8221; appear to be built as playgrounds for the rich, with no opportunity for interaction among classes).<\/p>\n<p>While the architects celebrate the openness that these nations have, and the willingness they have to undertake massive top-down projects designed to show off their wealth, we&#8217;re able to read between the lines:<\/p>\n<blockquote><p>Take [Steven] Holl&#8217;s Linked Hybrid in  Beijing, for example, which has a surprisingly open, communal spirit. A series  of massive portals lead from the street to an elaborate internal courtyard garden,  a restaurant, a theater and a kindergarten, integrating the complex into the  surrounding neighborhood. Bridges connect the towers 12 to 19 stories above  ground and are conceived as a continuous string of public zones, with bars and  nightclubs overlooking a glittering view of the city and a suspended swimming  pool. &#8220;The developer&#8217;s openness to ideas was amazing,&#8221; Holl  says. &#8220;When they first asked me to do the project, it was just housing.  I suggested adding the cinematheque, the kindergarten. I added an 80-room hotel  and the swimming pool as well. Anywhere else, they\u00e2\u20ac\u2122d build it in phases  over several years. It&#8217;s too big. After our meeting, they said we&#8217;re  building the whole thing all at once. I couldn&#8217;t believe it. We haven\u00e2\u20ac\u2122t  had to compromise anything. . . .&#8221;<\/p><\/blockquote>\n<p>&#8220;We haven&#8217;t had to compromise anything&#8221;? Great! Because the building&#8217;s the thing!<\/p>\n<p>Today&#8217;s <em>NYTimes<\/em> offers a balance to that morally idiotic sentiment, as <a href=\"http:\/\/www.nytimes.com\/2008\/06\/22\/arts\/design\/22pogr.html\" target=\"_blank\">architects discuss whether to take jobs from dictatorships<\/a>. The article by Robin Pogrebin takes as a starting point Daniel Libeskind&#8217;s statement that he won&#8217;t work for totalitarian regimes (Singapore excepted) and, while it humorously tries to contrast Robert A.M. Stern with Rem Koolhaas &#8212;<\/p>\n<blockquote><p>Architects face ethical dilemmas in the West too. Some refuse to design prisons; others eschew churches. Robert A. M. Stern, who is also Yale\u00e2\u20ac\u2122s architecture dean, drew some criticism last year when he accepted an assignment to design a planned George W. Bush Library in Dallas.<\/p><\/blockquote>\n<p>&#8212; it gets to the point about exactly the compromises that Holl avoids seeing:<\/p>\n<blockquote><p>Architects readily point out that dictators &#8212; or powerful central governments like China&#8217;s &#8212; can be among the most efficient in getting architecture built, as the boom in China attests. &#8220;The more centralized the power, the less compromises need to be made in architecture,&#8221; said the architect Peter Eisenman. &#8220;The directions are clearer.&#8221;<\/p><\/blockquote>\n<p>Sorta makes me want to read <a href=\"http:\/\/www.amazon.com\/gp\/product\/0452273331?ie=UTF8&amp;tag=virtualmemories-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0452273331\">The Fountainhead<\/a><img loading=\"lazy\" decoding=\"async\" style=\"border:none !important; margin:0px !important;\" src=\"http:\/\/www.assoc-amazon.com\/e\/ir?t=virtualmemories-20&amp;l=as2&amp;o=1&amp;a=0452273331\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/> again, now that I&#8217;m twice as old as the last time I read it.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A few weeks ago, the NYTimes published a magazine supplement about architecture or something. It included this meandering ramble about building cities that have no history. Written by the paper&#8217;s starchitecture critic, Nicholas Ouroussoff, it glowingly describes the miraculous super-projects to be designed by Rem Koolhaas, Zaha Hadid, Steven Holl and others. The elephant in &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/chimeraobscura.com\/vm\/towering-folly\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Towering! Folly?&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[25,46,19],"tags":[210,287,205,211,209,207,206],"class_list":["post-2110","post","type-post","status-publish","format-standard","hentry","category-architecture","category-design","category-urban-issues","tag-daniel-libeskind","tag-nicolai-ouroussoff","tag-rem-koolhaas","tag-robert-a-m-stern","tag-robin-pogrebin","tag-steven-holl","tag-zaha-hadid"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p4C7K-y2","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":2237,"url":"http:\/\/chimeraobscura.com\/vm\/unrequired-reading-aug-15-2008","url_meta":{"origin":2110,"position":0},"title":"Unrequired Reading: Aug. 15, 2008","author":"Gil","date":"August 15, 2008","format":false,"excerpt":"It's time for an all-architecture edition of Unrequired Reading! So if you don't care about this stuff, go visit the Unrequired Reading archives instead! Frank Gehry tries to justify his work. * * * Rem Koolhaas tries to justify his work. * * * Is Zaha Hadid's work past the\u2026","rel":"","context":"In &quot;Architecture&quot;","block_context":{"text":"Architecture","link":"http:\/\/chimeraobscura.com\/vm\/category\/architecture"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2133,"url":"http:\/\/chimeraobscura.com\/vm\/thats-one-fierce-embrace-you-got-there","url_meta":{"origin":2110,"position":1},"title":"That&#8217;s one fierce embrace you got there&#8230;","author":"Gil","date":"July 14, 2008","format":false,"excerpt":"A few weeks ago, I goofed on NYTimes writer Nicolai Ouroussoff's starchitecture rimjob about planned cities. I contrasted it with a second NYTimes article that discussed the moral quandary of taking commissions from dictatorships. In yesterday's NYTimes, Ouroussoff managed to top himself, going gaga over the starchitecture in Beijing, conflating\u2026","rel":"","context":"In &quot;Architecture&quot;","block_context":{"text":"Architecture","link":"http:\/\/chimeraobscura.com\/vm\/category\/architecture"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":5082,"url":"http:\/\/chimeraobscura.com\/vm\/unrequired-reading-march-12-2010","url_meta":{"origin":2110,"position":2},"title":"Unrequired Reading: March 12, 2010","author":"Gil","date":"March 12, 2010","format":false,"excerpt":"It's Unrequired Reading time! You know you wanna check out this week's load o' links! London: the past ain't what it used to be. * * * The hidden thread of Martin Scorsese. * * * I've written before about how NYTimes architecture critic Nicolai Ouroussoff sucks. Here's a designer's\u2026","rel":"","context":"In &quot;Architecture&quot;","block_context":{"text":"Architecture","link":"http:\/\/chimeraobscura.com\/vm\/category\/architecture"},"img":{"alt_text":"","src":"http:\/\/www.assoc-amazon.com\/e\/ir?t=virtualmemories-20&l=as2&o=1&a=0307273539","width":350,"height":200},"classes":[]},{"id":4050,"url":"http:\/\/chimeraobscura.com\/vm\/city-of-glass-shards","url_meta":{"origin":2110,"position":3},"title":"City of Glass Shards","author":"Gil","date":"June 9, 2009","format":false,"excerpt":"In our last Unrequired Reading, I noted that Frank \"curved metal surfaces\" Gehry had been bounced as the architect of the Atlantic Yards (AY) arena project for the Nets, in favor of a design that will shave $150-$200 million from construction costs. At the time, I laughed over the depiction\u2026","rel":"","context":"In &quot;Architecture&quot;","block_context":{"text":"Architecture","link":"http:\/\/chimeraobscura.com\/vm\/category\/architecture"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3214,"url":"http:\/\/chimeraobscura.com\/vm\/writing-on-buildings","url_meta":{"origin":2110,"position":4},"title":"Writing on Buildings","author":"Gil","date":"January 10, 2009","format":false,"excerpt":"Just because the NYTimes' architecture critic lives on another planet (lemme tell you, Nicolai: the problem with starchitecture is not that it failed to focus on public housing), that doesn't mean there isn't good writing about architecture in other newspapers. Dwell's blog offers up a bunch of them!","rel":"","context":"In &quot;Architecture&quot;","block_context":{"text":"Architecture","link":"http:\/\/chimeraobscura.com\/vm\/category\/architecture"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3773,"url":"http:\/\/chimeraobscura.com\/vm\/building-perspective","url_meta":{"origin":2110,"position":5},"title":"Building Perspective","author":"Gil","date":"April 9, 2009","format":false,"excerpt":"Nicolai Ouroussoff seems to be celebrating restraint in his review of the Standard, a new hotel on 13th St. in NYC: These are simple but powerful moves. And they are a reminder that enveloping a structure in a flamboyant wrapper is not always the most effective way to create lasting\u2026","rel":"","context":"In &quot;Architecture&quot;","block_context":{"text":"Architecture","link":"http:\/\/chimeraobscura.com\/vm\/category\/architecture"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"http:\/\/chimeraobscura.com\/vm\/wp-json\/wp\/v2\/posts\/2110","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/chimeraobscura.com\/vm\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/chimeraobscura.com\/vm\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/chimeraobscura.com\/vm\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/chimeraobscura.com\/vm\/wp-json\/wp\/v2\/comments?post=2110"}],"version-history":[{"count":1,"href":"http:\/\/chimeraobscura.com\/vm\/wp-json\/wp\/v2\/posts\/2110\/revisions"}],"predecessor-version":[{"id":3777,"href":"http:\/\/chimeraobscura.com\/vm\/wp-json\/wp\/v2\/posts\/2110\/revisions\/3777"}],"wp:attachment":[{"href":"http:\/\/chimeraobscura.com\/vm\/wp-json\/wp\/v2\/media?parent=2110"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/chimeraobscura.com\/vm\/wp-json\/wp\/v2\/categories?post=2110"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/chimeraobscura.com\/vm\/wp-json\/wp\/v2\/tags?post=2110"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}