{"id":18183,"date":"2026-07-14T19:27:01","date_gmt":"2026-07-14T23:27:01","guid":{"rendered":"https:\/\/chimeraobscura.com\/vm\/?p=18183"},"modified":"2026-07-14T19:27:02","modified_gmt":"2026-07-14T23:27:02","slug":"episode-683-r-sikoryak","status":"publish","type":"post","link":"https:\/\/chimeraobscura.com\/vm\/episode-683-r-sikoryak","title":{"rendered":"Episode 683 – R Sikoryak"},"content":{"rendered":"

Virtual Memories Show 683:
\nR Sikoryak<\/a><\/p>\n

https:\/\/traffic.libsyn.com\/secure\/virtualmemories\/Episode_683_-_R_Sikoryak.mp3<\/a><\/audio><\/div>

Podcast: Play in new window<\/a> | Download<\/a><\/p>

Subscribe: Spotify<\/a> | TuneIn<\/a> | RSS<\/a> | More<\/a><\/p>\n

“By contrasting the Declaration with the Emancipation Proclamation, I was showing some of the evolution that also happens in the Constitution.”<\/p><\/blockquote>\n

\"\"<\/a>Let’s celebrate (or commemorate) America’s independence with an amazing new double book, DECLARATION ILLUSTRATED \/ EMANCIPATION ILLUSTRATED<\/a> (Drawn & Quarterly). R. Sikoryak rejoins the show to talk about adapting foundational American documents (verbatim!) with a mind-blowing array of comic art parodies, ranging from the Fabulous Furry Freak Brothers<\/em> to Jump Start<\/em> to Check, Please!<\/em> to Thanos! We talk about how this project spun out of his CONSTITUTION ILLUSTRATED<\/a> in 2020, why he decided to include the Emancipation Proclamation and the Gettysburg Address alongside the Declaration of Independence, how he gave himself some pretty strict rules about which artists and characters he could and couldn’t use, including not re-using artists he used in his Constitution (which meant employing 200 different artists’ styles<\/em> over the course of these books), and his goal of trying to bring the whole history of American comics into these books. We get into what it’s all taught him about America, the ways these documents show how America changed, why he doesn’t take offense at being a called a rip-off artist, and why he conceives of these books like a quilt. We also discuss whether he’s more sensitive about parodying art by living artists or dead ones, why he wants to get back to comics-parody adaptations of classic books and plays, the ways that access to comprehensive digital comics archives is both good and bad for his work, the artists he wishes could have included in these books, why he brought in many African-American artists and characters in the Emancipation portion of the book, but still found room for Barney Google & Snuffy Smith, the page that almost broke him (okay, it was his Emil Ferris<\/a> parody), his series of 8-page comics stories for Tom Hanks’ first novel<\/a> (!), and a lot more. Give it a listen!<\/a> And go read DECLARATION ILLUSTRATED \/ EMANCIPATION ILLUSTRATED<\/a>!<\/p>\n

“All my work is about constraints.”<\/p><\/blockquote>\n