Catch a fire

I don’t agree with all of this guy’s points about the future of digital books vis a vis the success of the Kindle. I’m optimistic that the presence of the Kindle and other e-readers will help drag book publishing out of the horrifically dysfunctional returnable bookstore model that it’s currently in.

But I don’t think that book publishing can be directly compared to the recording industry, and I really don’t think it’s advisable to tell publishers, “If you’ll just embrace this DRM-free, digital model, you can get your sales demolished just like the recording industry did. What are you waiting for?”

I also think Steve Jobs was full of crap when he said that Apple wouldn’t develop an e-reader because  “Americans don’t read.” I think he recognized that Amazon was already in position as the store of choice, and that meant Apple wouldn’t be able to create an iTunes store for books. No store, no device.

I’m still enjoying the heck out of my Kindle, but I’m also bummed that the new Pevear/Volokhonsky translation of War & Peace is selling for $20, rather than the $9.99 that they usually price new hardcovers. Grr.

Mourn with Bootsy

Today’s NYTimes has an article about the memorial service for Isaac Hayes. I can only hope for a memorial that features musical interludes by Chick Corea, Kirk Whalum and Doug E. Fresh (but I’ll pass on orations from Revs. Jesse & Al). The best part was this description of Bootsy Collins’ funeral attire: “a get-up involving wide pinstripes, a kerchief, and rhinestone-coated sunglass lenses with peepholes in the shape of stars. . .”

Of course, they had to provide a photograph of said get-up:

Photo credit: Karen Pulfer Focht/European Pressphoto Agency

I think it makes him look more like Lil Jon than the Bootsy I know and love:

But I guess the event called for decorum.

Two new sites!

I just updated the blogroll, dear readers! It’s that “Sites To See” link over on the right side of the site.

First, Virginia Postrel, who blogs as The Dynamist, just added a new site based on her upcoming book. It’s called Deep Glamour. I arbitrarily put it in the Architecutre & Design section, although it could’ve gone into several other categories instead! VP is co-blogging with Kate Coe. I guess that makes it Coe-blogging, then.

Second, my old pal Jason G. just launched Eightiesology! Maybe he’ll let me guest-write a long-ass post on the virtues of Meet Danny Wilson sometime! Jason ends up in the Friends section of the blogroll. Keep writing!

Monday Morning Montaigne: An Apology for Raymond Sebond, Take 1

It’s time for the long-unawaited return of Monday Morning Montaigne!

You ask, “What is MMM?” It’s me, working my way through the Everyman’s Library edition of Montaigne’s Complete Works (only the essays, which comprise 1,045 pages; I’m on page 450 right now). Every Monday, I’ll post about some aspect of one of the essays that I read in the previous week.

You ask, “Why Montaigne?” Because I’m a sucker for the personal essay and M. is the inventor of the form. Also, I never got around to reading him when I was a grad student at St. John’s College, and I feel bad about that.

You ask, “Why do I have to suffer?” If I had a readership of appreciable size, this would feel like the “Andy Kaufman reads F. Scott Fitzgerald” segment. Fortunately, no one reads this site, and you can always skip to the next post.

* * *

This week’s post begins my rambles about Montaigne’s Apology for Raymond Sebond. In 1484, Sebond published Natural Theology. M. translated the book for his father, and wrote the Apology around 1575-1580 (his father died in 1568). I haven’t read Sebond, but Donald M. Frame, the translator of my edition of M., wrote that he “argued that man could learn all about God and religion by reading in the book of God’s work, the world.” M. disagreed with this idea, so rather than an apology/defense of Sebond’s views, he spends his time exploring the limits and faults of human reason. In particular he criticizes the primacy of knowledge.

As with the rest of his essays, M. does this with great erudition, as well as with citations from myriad sources throughout history. Employing a massive library of poetry doesn’t exactly undercut his argument against the limits of reason, but I think it creates a tension when his explanation that man is no better than an animal relies on passages from Plato, Lucretius, Tasso, Juvenal, Virgil, Dante, Homer, Tibullus, Martial, Horace and, of course, Ovid.

Just because it’s contradictory doesn’t mean it’s not entertaining. M. takes on innumerable differences between man and beast and turns them on their heads, leaving man the poorer. “When I play with my cat, who knows if I am not a pastime to her more than she is to me?” he asks, and we’re off and running. Honeybees, swallows, spiders, elephants, crabs, crocodiles, lions: over 30+ pages they all get to demonstrate aspects of human character that M.’s philosophical opponents would reserve for men alone. Even my greyhound gets in on the action:

That hare that a greyhound imagines in a dream, after which we seem him pant in his sleep, stretch out his tail, wriggle his legs, and reproduce perfectly the motions of running, is a hare without fur or bones.

M. even turns the idea of human beauty upside-down, contending that our need for clothes, makeup and the like show that humans are naturally uglier than animals. Ultimately, he shows that the wisdom that is supposed to separate us from animals is transient, that the great philosophers in history would gladly have traded it for health.

It all reminds me of a session on Aristotle’s Politics I attended during grad school. One of the students asked why we should take Aristotle seriously, since he was “anthrocentric.” The tutor (read: prof.) was puzzled by the student’s term. The student explained that A. was only exploring HUMAN relationships and society, but his view was incomplete because he wasn’t taking into account the societies of other animals. He added that we couldn’t learn too much from A. because he didn’t also write about dolphins and other primates. “What makes us so different from them?” he asked.

I held up my copy of the book and said, “Uh, THIS? Those animals may be pretty advanced, but as far as I know, they haven’t figured out how to write stuff down and pass it on to future generations. When they do, let me know; I’d love to read it.”

I have to admit that M.’s scorched-earth approach to man vs. beast — “[I]t is not by a true judgment, but by foolish pride and stubbornness, that we set ourselves before the other animals and sequester ourselves from their condition and society” — turned me off.

M. does seem to recognize that there’s a difference between man and animals, but it’s not our brains, our social structures, our dreams, or our use of clothes or artifice. Rather, it’s our belief — not faith, which is more involved and likely to lead us astray, from what I can make out of his argument — that sets us off, and I’m (presently) finding that a difficult pill to swallow.

Still, there are another 120 pages in the Apology, so let’s see where it leads. (The next segment is titled Man’s Knowledge Cannot Make Him Happy, so I don’t exactly have high hopes.)

What It Is: 8/18/08

What I’m reading: Finished that book on Steve Ditko by Blake Bell, started When Genius Failed, Roger Lowenstein’s chronicle of the collapse of Long-Term Capital Management, and am continuing with Montaigne’s essays (still reading his Apology for Raymond Sebond).

What I’m listening to: Boxer, by The National, Songs from Venice Beach, by Ted Hawkins

What I’m watching: Fourth season of The Wire. And, um, Enchanted. Listen: it was just starting and I thought there might be some neat art direction to contrast the mundane world with the cartoon-fantasy world. There wasn’t, but we still had some laughs over the way Patrick Dempsey’s hairstyle changed from shot to shot. We thought it would’ve been funny if he ended up with a high-top fade in one scene, then dreadlocks in another. And I thought it was a great idea to cast Idina Menzel in a movie with musical numbers but not give her a singing role! I’m going back to the Wire. Chris just beat a dude to death.

What I’m drinking: Cerveza de la Pacifica

What Rufus is up to: Still getting freaked out by thunder, still willing to walk up to anyone he meets, tail a-wag.

Where I’m going: Nowhere special, which is sad, since the summer is just about over.

What I’m happy about: That my wife made tongue tacos for lunch on Sunday (a process she began on Saturday)! And I did some manly-ass work out in the yard, ripping up forsythia and digging up some of my dad’s illegal dumping — including cinderblocks, carpeting, paint trays, metal pipes, airplane cable, something with vacuum tubes, and gas cans — to open up space around the big-ol’ rock in the backyard.

What I’m sad about: That I consider landscape work manly.

What I’m pondering: How Russia’s invasion of Georgia may have backfired.