Episode 202 – Karen Green

Virtual Memories Show 202: Karen Green

“My plan is to make this a research destination for comics studies, especially as they relate to comics in New York City.”

Karen Green, Curator of the Comics and Cartoons collection at Columbia University, joins the show to talk about her secret origin! How did she go from bartender to medieval scholar to comics librarian? We get into the evolution of the library and comics scholarship, her proudest acquisitions, her love of NYC and being a bartender there in the ’80s, reading Playboy for the cartoons, the experience of having a portrait done by Drew Friedman, her Venn diagram with Mimi Pond, and the one cartoonist she’s still speechless around. Give it a listen! And go buy Drew Friedman’s More Heroes Of The Comics: Portraits Of The Legends Of Comic Books; Karen wrote the intro!

“Things that were throwaway materials for the medieval or early modern period are now priceless artifacts in museums and libraries around the world. Who’s to say that the things we see as disposable culture today are not going to be given the same valence?”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!

About our Guest

Karen Green serves as Curator for Comics and Cartoons at Columbia University. She founded the graphic novels collection in the Columbia University Libraries, while working as the Ancient and Medieval History librarian. She has acquired the papers of Chris Claremont, Wendy and Richard Pini, Al Jaffee, and the Kitchen Sink Press for Columbia’s Rare Book and Manuscript Library, as well as items from the estate of Jerry Robinson and research materials from Larry Tye’s history of Superman. A former bartender, Green holds graduate degrees from Columbia University and Rutgers University. For four-and-a-half years, she wrote the “Comic Adventures in Academia” column for Comixology. She served as a Will Eisner Comics Industry Awards judge in 2011, a member of the jury for the Pulitzer Prize in Editorial Cartooning in 2014, serves as vice-president of the board of directors of the Society of Illustrators–and former trustee of the Museum of Comic and Cartoon Art, before its transfer to the Society–has taught and lectured on comics in academia, and curated the Fall 2014 exhibition, “Comics at Columbia: Past, Present, Future,” in Columbia’s Rare Book & Manuscript Library.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded in a meeting room in Columbia University’s Butler Library on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Karen Green by me. It’s on my instagram.

Episode 201 – Brad Gooch

Virtual Memories Show 201: Brad Gooch

“Rumi has the reputation of tinkling wind-chimes, but at the center is the pain of separation, both personally with Shams of Tabriz, and the human condition of separation with God.”

Brad Gooch returns to the show to talk about his new book, Rumi’s Secret: The Life of the Sufi Poet of Love (Harper). We dive right into Brad’s Orientalist fantasy of researching Rumi and the realpolitik that intruded on it (including getting detained at gunpoint), how he recreated the polyglot, multi-religious culture of 13th century Turkey (hint: it involved having to learn Farsi), the temptation to psychologize Rumi’s life, why the poet’s work has survived all these centuries (and what makes it so tweetable), what his own new fatherhood taught him about Rumi’s later years, and more! Give it a listen! And go buy Rumi’s Secret!

“There’s a little method actor in me when it comes to biography writing.”

NOTE: We talk about a New Yorker article during the conversation. It’s “The Erasure of Islam form the Poetry of Rumi”, by Rozina Ali.

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!

About our Guest

Brad Gooch is the author of the acclaimed biographies City Poet: The Life and Times of Frank O’Hara and Flannery: A Life of Flannery O’Connor, as well as other nonfiction and three novels. The recipient of the National Endowment for the Humanities and Guggenheim fellowships, he earned his Ph.D. at Columbia University and is professor of English at William Paterson University in New Jersey.

There’s a more extensive bio at Brad’s site.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Brad’s office on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Brad Gooch by me. It’s on my instagram.

Episode 200 – Thomas Dolby

Virtual Memories Show #200: Thomas Dolby

“I’m never happier than when I’m out in my converted lifeboat studio staring out over the North Sea, playing with sounds. I prefer sounds to people.”

Two-hundred episodes!? Who’d’a thunk it? My guest for this special anniversary show is musician, tech entrepreneur, professor and now memoirist Thomas Dolby! We talk about his new book, The Speed of Sound: Breaking the Barriers Between Music and Technology: A Memoir, the upsides and downsides of his major careers, the gestalt of artist-artwork-audience, his curious mixture of shyness and arrogance, our respective imposter syndromes, teaching music for films, moving beyond the keyboard as a computer interface, having students who don’t know about his music career, looking back at his life and starting to figure out the big picture, and meeting the one rock band that doesn’t find Spinal Tap funny. (Jump to 7:00 to skip my intro.) Give it a listen! And go buy Thomas Dolby’s memoir, The Speed of Sound!

“I don’t write relationship lyrics. I don’t write typical pop lyrics. I start where typical pop lyrics leave off. The obsessions that I have, about geography, history, the planet, about technologies and their faults, about parallel worlds, and about my role in those worlds as a dissident: that seems to be what connects with a certain type of person.”

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!

About our Guest

Thomas Dolby has spent his career at the intersection of music and technology. He was an early star on MTV, and then moved to Silicon Valley, where he has had an extraordinary career as an entrepreneur. He has been named Johns Hopkins University’s first Homewood Professor of the Arts, where he will help create a new center that will serve as an incubator for technology in the arts. He lives in England with his family.

There’s a more extensive bio at his faculty page at Johns Hopkins.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at the Mr. Dolby’s home in Baltimore on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of me and Thomas Dolby by his wife, Kathleen Beller. It’s on my instagram.

Episode 199 – Michael Tisserand

Virtual Memories Show #199: Michael Tisserand

“I always feel like Herriman’s a a step ahead of me. When I read Krazy Kat I think I know what I’m reading; the next week I read the same strip and I realize I’m reading something different than I thought I was reading.”

For our 199th episode, Michael Tisserand joins the show to talk about his fantastic new book, Krazy: George Herriman, a Life in Black and White (Harper). We discuss Krazy Kat, race in America and the phenomenon of racial passing, newsroom culture, conducting research on microfilm in the age of Google, the allure of New Orleans, what it was like to write the biography of an enigma, and a lot more. So don’t be a bald-faced gazooni! Give it a listen! And go buy KRAZY!

“Herriman treated language as something that wasn’t up to shouldering the kind of burdens that we put on it.”

 

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!

About our Guest

Michael Tisserand is a New Orleans-based writer whose most recent book is Krazy: George Herriman, a Life in Black and White — the first full-length biography of cartoonist George Herriman, the creator of Krazy Kat . His other books include The Kingdom of Zydeco and Sugarcane Academy: How a New Orleans Teacher and His Storm-Struck Students Created a School to Remember. Michael’s work has appeared in the Oxford American, The Nation, The Progressive, and on WBEZ-FM Chicago. The former editor of New Orleans’ Gambit Weekly, Michael’s eleven-part Katrina series “Submerged” was published in alternative newsweeklies across the country. He has appeared on “To the Point” and was a frequent guest on Philip Adams’ “Late Night Live,” and can be seen in the documentaries Dear Mr. Watterson and Zydeco Crossroads. Michael is represented by Gary Morris at the David Black Agency.

When not writing, Michael coaches scholastic chess and organizes the annual New Orleans Chess Fest, and is a founding member of the Laissez Boys Social Aide and Leisure Club, a Mardi Gras parading organization. Michael lives in New Orleans with his wife and children. He happily answers emails at michael@michaeltisserandauthor.com.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at the Mr. Tisserand’s home in New Orleans on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of me and Michael by Amy Roth Photo. It’s on my instagram.

A memory of yesterday morning

I changed the way I do my weekly Virtual Memories e-mail for the podcast. It’s more like a blog-post, or a rumination or a reverie of something. This one’s about David Hockney. You can read it here and subscribe here.

Episode 198 – Ed Ward

Virtual Memories Show #198: Ed Ward

“There’s a large narrative in this book: the popular music tradition of A&R, where songs were given to artists to record, was on its way out.”

Lifelong rock & roll journalist Ed Ward joins the show to talk about his new book, The History of Rock & Roll, Volume 1: 1920-1963 (Flatiron Books). We get into how he discovered his calling, how he memorized Billboard charts the way other kids memorized baseball cards, the joy of being a “rootless cosmopolitan”, the music world’s shift from A&R to audience-driven songwriting (and why they were tired of guys named Bobby from Philadelphia), why Tutti Frutti is the “first” rock & roll record, how he wound up in Austin, the experience of meeting 50-somethings who don’t know Chuck Berry’s Maybelline, how he got hired at and fired from Rolling Stone, and more! Give it a listen! And go buy the first volume of Ed’s History of Rock & Roll!

“Every summer, minority females want ballads. Black labels knew that, consciously or not.”

It’s the last Virtual Memories podcast of the year! Lots of great conversation about music, culture, race and Ed’s burgeoning side-obsession with pre-expulsion Spain and its intersection of Jewish, Muslim and Christian populaitons, so get on it and go listen to the show!

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, Instagram, and RSS!

About our Guest

Ed Ward is the rock and roll historian on NPR’s Fresh Air and has been involved with the SXSW music festival since its inception. His writing has appeared in The New York Times, The Wall Street Journal, and countless other music magazines. He is also the coauthor of Rock of Ages: The Rolling Stone History of Rock and Roll. He lives in Austin, TX.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at the offices of Flatiron Books in New York City on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of me and Ed by me. It’s on my instagram.

Episode 197 – The Guest List 2016

Virtual Memories Show: The Guest List 2016

It’s time for our year-end Virtual Memories Show tradition: The Guest List! I reached out to 2016’s pod-guests and asked them about the favorite book(s) they read in the past year, as well as the books or authors they’re hoping to read in 2017! More than 30 responded with a dizzying array of books. (I participated, too!) Just in time for you to make some Hanukkah and/or Christmas purchases, The Virtual Memories Show offers up a huge list of books that you’re going to want to read! Give it a listen, and get ready to update your wish lists!

This year’s Guest List episode features selections from more than 30 of our recent guests (and one bonus guest)! So go give it a listen, and then visit our special Guest List page where you can find links to the books and the guests who responded.

Also, check out the 2013, 2014 and 2015 editions of The Guest List for more great book ideas!

(painting of Scribners bookstore by Bob Eckstein from his new book, Footnotes from the World’s Greatest Bookstores: True Tales and Lost Moments from Book Buyers, Booksellers, and Book Lovers)

Follow The Virtual Memories Show on iTunes, Twitter, Instagram, Facebook, Tumblr, and RSS!

About our Guests

The guests who participated in this year’s Guest List are Glen Baxter, Ross Benjamin, Harold Bloom, MK Brown, Nina Bunjevac, Hayley Campbell, David M. Carr, Myke Cole, Liza Donnelly, Bob Eckstein, Glynnis Fawkes, Rachel Hadas, Liz Hand, Glenn Head, Virginia Heffernan, Harry Katz, Ed Koren, David Leopold, Arthur Lubow, Michael Maslin, David Mikics, Ben Model, Christopher Nelson, Jim Ottaviani, Ann Patty, Burton Pike, Frank Sorce, Willard Spiegelman, Leslie Stein, Tom Tomorrow (a.k.a. Dan Perkins), Andrea Tsurumi, Carol Tyler, Jim Woodring, and me, Gil Roth! Check out their episodes at our archives!

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. Most of the episode was recorded on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. Myke Cole’s segment was recorded at a friend’s apartment in NYC on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. All processing and editing done in Adobe Audition CC.

Fanta-pods

Fantagraphics is celebrating its 40th anniversary and holy crap have I interviewed a ton of their cartoonists and writers:

That last one with Woodring has the most Fanta-40th-related conversation, so check it out.

Episode 196 – Myke Cole

img_0082

Virtual Memories Show #196: Myke Cole

“I feel like the soul of writing is character, and the writers I admire the most are those who can evoke characters who are nothing like themselves.”

shadowopscoverMyke Cole joins the show to talk about military fantasy and his fantasies about the military, his journey from IT to CIA to merc to Coast Guard to fantasy writer, his biggest nerd-out author moments, how he came up with his “Black Hawk Down Meets The X-MenShadow Ops series, what PTSD feels like, the importance of having a plan for crisis management, reconciling his art, politics, job, and readership, and more! Give it a listen! And go buy his Shadow Ops books, starting with Control Point!

“I take a tremendous amount of pride in being a difficult person to kill.”

Unfortunately, before you can get to it, you’ve gotta wade through nearly 15 minutes of intro! It’s almost Marc Maron-like! If you wanna get past me talking about getting stood up by a publisher and discovering that I’ve become an anecdote in a business book (as well as my Myke intro), then skip to the 14:30 mark! Now go listen to the show!

“Intelligence, at its root, is breaking the laws of other countries and stealing their shit. I understand it’s necessary, but it’s not nice and it’s not ethical.”

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, Instagram, and RSS!

About our Guest

As a security contractor, government civilian and military officer, Myke Cole’s career has run the gamut from Counterterrorism to Cyber Warfare to Federal Law Enforcement. He’s done three tours in Iraq and was recalled to serve during the Deepwater Horizon oil spill.

All that conflict can wear a guy out. Thank goodness for fantasy novels, comic books, late night games of Dungeons and Dragons and lots of angst-fueled writing.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at a friend’s apartment in NYC on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Myke Cole by me.

Episode 195 – Thanksgiving 2016

thanksgiving-college-humor

For Thanksgiving this year, I decided to eschew the regular interview-based podcast and ask all of my past guests what they’re thankful for. Since it’s a mere couple of weeks from the 2016 U.S. Presidential election, responses were all over the spectrum. Give it a listen by MP3 download or iTunes. Here’s everyone who participated (with links to their episodes of the podcast):

A few guests sent along material in addition to their written or recorded responses. Liz Hand sent a link to this video about Lincolnville, ME’s Move It! Project:

Bob Eckstein (who you oughtta follow on Twitter at @bobeckstein) sent two of his cartoons, including the one at the top of this page:

low-first-3-d-thanksgiving

Jonathan C. Hyman’s contribution is the most involved, and requires a little unpacking. In the podcast, he says, “Despite the 2016 presidential election and the myriad social, environmental, and economic issues that have fractured our society, I am thankful that we are, and hopeful we will remain, a vibrant culture where people are free to speak openly and publicly.”

Background information and narrative: Known for his decade-long project which documents the vernacular public art, public speech, and memorial language that emerged across the United States in response to the 9/11 attacks, documentary photographer and past Virtual Memories guest Jonathan C. Hyman photographed the signage, displays, and public dialogue surrounding the 2016 presidential election.

His work on the election — including the seven images he contributed to this Thanksgiving podcast — is not meant to endorse or disparage Hillary Clinton, Donald Trump, or their supporters. As a photographer with an interest in public expression — visual and speech — and in “things by the side of the road,” Hyman traveled within an approximate 150-mile radius from his home in Sullivan County, NY to areas in New Jersey, New York, and Pennsylvania.

Here, Hyman presents a sampling of the images in this series as they appeared when he came upon them. He photographed each display keeping in mind his interest in handmade objects, the American flag, and the houses, buildings, and neighborhoods people live and work in. The majority of the signs he saw, many handmade, were supportive of Donald Trump. The large majority of the handmade signs he encountered were displayed by Trump supporters on their own property. Realizing that his findings are anecdotal, Hyman says, “I have no doubt others have seen things I have not and that there were signs supporting Hillary Clinton in areas I have both visited and not traveled to. Nonetheless, it was clear to me that where pro-Hillary Clinton signs did exist, they tended to be of the more pre-fabricated, generic lawn sort and generally less likely to be on front lawns.”

Photographs © 2016 Jonathan C. Hyman All rights Reserved

Click to enlarge each picture:

flag-w-trump-sign-j-hymnan-photo

hasidic-boys-no-trump-j-hyman-photo

election-sign-public-speech-j-hyman-photo

election-2016-love-trumps-hate-j-hyman-photo-wm

election-2016-pay-me-or-else-j-hyman-photo

election-2016-vote-trump-dont-get-humped-j-hyman-photo

election-2016-eff-trump-j-hyman-photo

In addition to being featured on the PBS NewsHour, Hyman’s work has been featured in Time Magazine, The New York Times, the Journal of American History, and several well-known European newspapers and magazines in print and online. In the fall of 2008 Hyman toured Europe as a U.S. State Department Cultural Envoy (as part of a program organized by the American embassy in Vienna and the University of Graz, Austria.), lecturing at universities in Berlin and Tuebingen, Germany, Vienna and Graz Austria, Brno, Czech Republic, and Zagreb, Croatia about his 9/11 related photographs. In addition to lecturing publicly since 2002 at well known academic institutions, from 2008-2016 Hyman was Associate Director for Conflict and Visual Culture Initiatives at Bryn Mawr College’s Solomon Asch Center for Study of Ethnopolitical Conflict, where he also supervised the Center’s online gallery.

For More Information:

Jonathan C. Hyman can be reached at arthoops55@gmail.com


Late addition! Glenn Head writes in:

I really apologize for the delay, I just got married (something I’m deeply thankful for!) there’s been a lot on the plate, but then isn’t that true for everyone? Anyway, sorry.

At the moment I’m more hopeful than thankful, but one hope is that the people who voted in Trump actually did it for the reasons that they say (the economy, basically) and that what we saw at the rallies was a more a raucous party and letting off of steam then a sign of future mayhem. I hope that maybe things will calm down. Trump was a pitchman and a loudmouth for professional wrestling. He’s always said crazy shit for effect. Maybe — just maybe — things won’t go to hell. The tone in today’s NYTimes showed a guy who wasn’t hell-bent on being a hell-raiser. Of course being hopeful isn’t easy at a time like this. But maybe — just maybe — we’ll survive all of this.

I’m really thankful to be married. I found a good woman who loves me and I love in return, we shared our vows in front of friends and family at a great ceremony in a Brooklyn hotel and restaurant (the Whythe). It was a great party and I’m grateful for all of it.

I’m thankful as a comic book artist to be doing what I believe is the best work of my career….and I’m 58 years old too, so that feels miraculous! Very much so…

And even though I don’t read comics much these days I’m grateful for the medium itself, specifically underground comics, and even more specifically their greatest progenitor: R. Crumb. By never selling out he paved the way for others to do the same, and to focus on the art itself. He raised the bar for everyone — all cartoonists (who aren’t hacks!) owe him for that — Big Time!

I’m also thankful for the comix project I’m deep into right now: another memoir about childhood. It’s entitled “Chartwell Manor, a memoir in comics”. It’s about a boarding school I attended in Mendham, NJ in the early 1970s and the effect it’s had on my life. It’s shaping up really well and should be done in hopefully another year!


The thing I’m most thankful for is having such wonderful guests who are willing to pitch in to projects like this (and otherwise help keep me sane)!

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The episode was recorded primarily at stately Virtual Memories Manor on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. Portions by Summer Pierre, Zachary D. Martin and Scott Edelman were recorded separately and shared by e-mail. All processing and editing was done in Adobe Audition CC. Cartoons by Bob Eckstein, photos by Jonathan C. Hyman.

Follow

Get every new post delivered to your Inbox

Join other followers: