Virtual Memories Show #188: Hayley Campbell
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“I love finding people who are obsessed with things. People who devote their lives to things are my obsession.”
Writer and Twitter provocateur Hayley Campbell joins the show for a conversation about her inability to describe her job (don’t call her a “content provider”). We talk about growing up in comics royalty (her dad is the great cartoonist Eddie Campbell), Alan Moore’s magic tricks, nearly losing a comic-shop job because of her lack of a college degree, the celebrity retweet she’s proudest of, and having an accidental career path, no fixed home, and a traumatic brain injury that gooses with her memory (and whether those three things are somehow connected). Also, we get into how she recently embarrassed Jonathan Safran Foer, and more! Give it a listen! And go buy her first book, The Art of Neil Gaiman
Podcast: Play in new window | Download
Subscribe: Spotify | TuneIn | RSS | More
“I think I’m more of a loser in real life than I am on the internet.”
We also get into her obsession with obsessives, becoming the oldest person at her BuzzFeed office in her early 30s, the insanely creepy Moebius comic she read as a kid, the glories of Australian dentistry, digging through old girlie magazines to research her book on Neil Gaiman, and why she loves writing about boxing. We also compare notes on doing interviews with people whose work you love. Now go listen to the show!
“Dad won’t join Twitter because he’s afraid I’ll have more followers than him, and he’ll be ‘Hayley Campbell’s dad.'”
Enjoy the conversation! Then check out the archives for more great episodes! You might like:
- Scott McCloud
- Irvine Welsh
- John Clute
- Ron Rosenbaum (2013)
- Ron Rosenbaum (2014)
- David Jaher
- Rupert Thomson (2015)
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About our Guest
Hayley Campbell writes for a bunch of places but then who doesn’t. She’s written a book about Neil Gaiman (The Art of Neil Gaiman
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at a pal’s apartment in NYC on a pair of Blue enCORE 200 Microphones
