“In photography, the story is the most important thing, and technical imperfections will be forgiven.”
Photojournalist (or “artist who sometimes uses a camera”) Kyle Cassidy returns to talk about his new book, This Is What a Librarian Looks Like! Along the way, we also talk about photography, his love letter to America, the difference between knowledge and information, the heroism of NASA scientists, the example of Mr. Rogers, his continued use of LiveJournal, the joy of running, and how he convinced his wife that they should take vacations to visit libraries. Also, his cat Roswell gets his two cents in! Give it a listen! And go buy This Is What a Librarian Looks Like: A Celebration of Libraries, Communities, and Access to Information!
“It inspires me to see scientists spending their entire lives — in the shadows, unheralded for the most part — doing something that advances our knowledge.”
About our Guest
Kyle Cassidy has been documenting American culture for more than two decades. He has photographed Goths, Punks, Cutters, Politicians, Metalheads, Dominatrices, Scholars, and Alternative Fashion, in addition to less prosaic subjects. In recent years his projects have extended abroad to Romania, where he captured the lives of homeless orphans living in sewers; and to Egypt, where he reported on contemporary archaeological excavations. His publications include several books on information technology, as well as a regular appearance as contributing editor for Videomaker magazine. His Photo-A-Week blog was one of the first photo blogs on the internet. His work has appeared in The New York Times, Barron’s Financial, Photographers Forum, Asleep by Dawn, Gothic Beauty and numerous other publications.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Kyle’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Kyle & Roswell by me. It’s on my instagram.
“I love finding people who are obsessed with things. People who devote their lives to things are my obsession.”
Writer and Twitter provocateur Hayley Campbell joins the show for a conversation about her inability to describe her job (don’t call her a “content provider”). We talk about growing up in comics royalty (her dad is the great cartoonist Eddie Campbell), Alan Moore’s magic tricks, nearly losing a comic-shop job because of her lack of a college degree, the celebrity retweet she’s proudest of, and having an accidental career path, no fixed home, and a traumatic brain injury that gooses with her memory (and whether those three things are somehow connected). Also, we get into how she recently embarrassed Jonathan Safran Foer, and more! Give it a listen! And go buy her first book, The Art of Neil Gaiman (Ilex/Harper). And for God’s sake, go follow her on Twitter!
“I think I’m more of a loser in real life than I am on the internet.”
We also get into her obsession with obsessives, becoming the oldest person at her BuzzFeed office in her early 30s, the insanely creepy Moebius comic she read as a kid, the glories of Australian dentistry, digging through old girlie magazines to research her book on Neil Gaiman, and why she loves writing about boxing. We also compare notes on doing interviews with people whose work you love. Now go listen to the show!
“Dad won’t join Twitter because he’s afraid I’ll have more followers than him, and he’ll be ‘Hayley Campbell’s dad.'”
- Scott McCloud
- Irvine Welsh
- John Clute
- Ron Rosenbaum (2013)
- Ron Rosenbaum (2014)
- David Jaher
- Rupert Thomson (2015)
About our Guest
Hayley Campbell writes for a bunch of places but then who doesn’t. She’s written a book about Neil Gaiman (The Art of Neil Gaiman, Ilex/HarperCollins) and if her face looks familiar it’s probably because she sold you comics once. Find her stuff on BuzzFeed, New Statesman, VICE, McSweeney’s, the Guardian, The Debrief, The Comics Journal, The Rumpus, Channel 4 News, Front, Planet Notion and Boing Boing.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at a pal’s apartment in NYC on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface. Photos of Ms. Campbell by me.
“I always like smart, rebellious young people who feel like the world has done them bad.”
Artist Molly Crabapple joins the show to talk about writing her new memoir, Drawing Blood (Harper), making illustrated journalism from Syria, Guantanamo and Abu Dhabi, translating Nizar Qabbani, growing into her parents’ legacy of art, Marxism and argumentation, finding her soul in the Damascus Room at the Met, balancing community and competition, stepping back from the idea that we’re in an “Age of Outrage” and more! Give it a listen!
“The world hates refugees. I’m convinced that if there was a major crisis in Canada and we had 10 million white refugees, we’d still think of some reason to keep them out. People hate impoverished people fleeing over borders.”
We also talk about Charlie Hebdo, the Occupy movement, Molly’s success at bypassing the gallery model and whether her path is replicable, the scariest place she’s ever visited as a journalist, her biggest artistic, literary and journalistic influences, and more! (And if you want to find out who she’s reading nowadays, join our Patreon and become a monthly contributor to The Virtual Memories Show!)
About our Guest
Molly Crabapple is an artist and writer in New York. She is a contributing editor for VICE, and has written for The New York Times, Paris Review, and the Guardian, among other publications. Her work is in the permanent collection of the Museum of Modern Art. Follow her on Twitter and Tumblr.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at Ms. Crabapple’s studio on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photos of Ms. Crabapple by me.
“The samurai believed that to be a complete person, you had to study the sword, but you also had to study the pen. They called it Bun Bu Ryo Do, the way of pen and sword. You were complete if you were a writer and a warrior, and I’ve really embraced that in my life.”
Maria Alexander joins the Virtual Memories Show to talk about her debut novel, Mr. Wicker, her intern/protege relationships with Clive Barker and Neil Gaiman, and the art of shinkendo swordplay and what George R.R. Martin gets wrong about swords. Also, we learn what happens when Lovecraftian pastiche goes wrong, how Maria realized that even geniuses have to write drafts, how her parents took syncretism to new heights, how Mr. Wicker made its way from short story to screenplay to first novel, how she deals with severe carpal tunnel syndrome, and what her love of swords has taught her about editing her work! Give it a listen!
“My mother believed everything she saw on ‘In Search Of . . .’, so our household was very imaginative.”
- Theodora Goss, Valya Lupescu, Nancy Hightower
- John Crowley, Scott Edelman
- Michael Dirda
- Daniel Levine
- Lisa Borders
About our Guest
Maria Alexander writes pretty much every damned thing and gets paid to do it. She’s a produced screenwriter and playwright, published games writer, virtual world designer, award-winning copywriter, interactive theatre designer, prolific fiction writer, snarkiologist and poet. Her stories have appeared in publications such as Chiaroscuro Magazine, Gothic.net and Paradox, as well as in acclaimed anthologies alongside legends such as David Morrell and Heather Graham. Her second poetry collection – At Louche Ends: Poetry for the Decadent, the Damned and the Absinthe-Minded – was nominated for the 2011 Bram Stoker Award. And she was a winner of the 2004 AOL Time-Warner “Time to Rhyme” poetry contest. When she’s not wielding a katana at her local shinkendo dojo, she’s being outrageously spooky or writing Doctor Who filk. She lives in Los Angeles with two ungrateful cats, a pervasive sense of doom, and a purse called Trog. Her new novel is Mr. Wicker (Raw Dog Screaming Press).
Credits: This episode’s music is Ironside (Excerpt), Battle Without Honor or Humanity, The Chase, and Woo Hoo from the Kill Bill soundtrack. The conversation was recorded at Ms. Alexander’s home on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. The intro and outro were recorded on a Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Ms. Alexander by me.