Episode 259 – Lavie Tidhar

Virtual Memories Show 259:
Lavie Tidhar

“You must be doing something right if you’re pissing people off. I just wish it was easier to piss people off.”

Science fiction author Lavie Tidhar joins the show to talk about the five topics that Israeli novelists are allowed to write about, his affinity for pulp fiction tropes, when it’s okay to make fun of Hitler (which he does at great length in A Man Lies Dreaming), why he finds utopias sinister (hint: he was raised on a kibbutz), how to build a career on ambitious failure, the eye-opening experience of editing world anthologies of SF, the difference between having fans and having readers, the distracting joy of Twitter, why not getting published in Israel felt like a reverse-BDS movement, and what it’s like never knowing which shelf a bookstore will decide to put his books. Give it a listen! And go buy A Man Lies Dreaming (among other works of his)!

“No one is doing what I’m doing, looking at big historical processes — like the Holocaust and 9/11 — but doing it through this particular pulp lens and through alternate history.”

“England keeps you thin because you don’t want to eat anything here.”

Enjoy the conversation! Then check out the archives for more great episodes!

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About our Guest

Lavie Tidhar is the World Fantasy Award-winning author of Osama (2011), of The Violent Century (2013) and of the Jerwood Fiction Uncovered Prize winning A Man Lies Dreaming (2014), in addition to many other works and several awards. His latest novel is the Campbell Award-winning and Clarke Award nominated Central Station (2016). He works across genres, combining detective and thriller modes with poetry, science fiction and historical and autobiographical material. His work has been compared to that of Philip K. Dick by the Guardian and the Financial Times, and to Kurt Vonnegut’s by Locus. He’s also co-editor and co-founder of The Jewish Mexican Literary Review.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at the home of John & Judith Clute on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Mr. Tidhar by me. It’s on my instagram.