Virtual Memories Show #186: Michael Maslin
Podcast: Play in new window | Download
Subscribe: iTunes | Android | RSS
“Arno is as close to the founder of The New Yorker cartoon as you can get.”
Michael Maslin joins the show to talk about his new book, Peter Arno: The Mad, Mad World of The New Yorker’s Greatest Cartoonist
“There have been all kinds of changes, but it’s still The New Yorker.”
Podcast: Play in new window | Download
Subscribe: iTunes | Android | RSS
We also get into Michael’s cartooning influences & anxieties, the website he built to chronicle the doings of New Yorker cartoonists, the time Robert Gottlieb had to shield William Shawn from paparazzi outside the Algonquin Club, the recent Sam Gross gag that made him bust a gut, the incredible apartment building he lived in in on West 11th St. (and why so many New Yorker cartoonists wind up leaving New York). BONUS: I have a two-minute catch-up with one of my favorite cartoonists, Roger Langridge, at last weekend’s Small Press Expo! (pictured below) Now go listen to the show!
“It took 15 years because I’d never done it before. I think I wrote a paper in high school that was a page and a half, so I had to learn how to do all this.”
Enjoy the conversation! Then check out the archives for more great episodes! You might like:
Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!
About our Guest
Born in New Jersey, Michael Maslin was raised in Bloomfield, a bedroom community a half hour due west of Manhattan. In high school, he drew a short-lived comic strip “Our Table” which followed the imaginary exploits of fellow students. Readership was limited to those sitting around him in the lunchroom. About this time, he first submitted work to The New Yorker, and soon received his first rejection.
In August of 1977 the magazine purchased one of his ideas. It was given to and executed by veteran cartoonist Whitney Darrow Jr. (the drawing, of a fortune teller saying to a customer, “Nothing will ever happen to you” appeared in the issue of December 26, 1977). He began contributing regularly to The New Yorker in 1978 – his first drawing appeared in the April 17th issue. In 1988 he married fellow New Yorker cartoonist, Liza Donnelly. They have two children. Simon & Schuster published four collections of his work, including The More the Merrier
In August of 2007 he began Ink Spill, a website dedicated to news of New Yorker Cartoonists, past and present. Ink Spill is comprised of six sections: News & Events, The New Yorker Cartoonists A-Z (a listing of bare bone bios of all cartoonists who have contributed to the magazine), Links, Posted Notes (essays on New Yorker cartoonists), From the Attic (artifacts related to New Yorker cartoons/cartoonists) and The New Yorker Cartoonists Library. Maslin’s biography of Peter Arno, Peter Arno: The Mad, Mad World of The New Yorker’s Greatest Cartoonist
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at Mr. Maslin’s home on a pair of Blue enCORE 200 Microphones
(FSG). We get into the process of deaccessioning, Mark Strand’s advice on paring down to 100 books, Willard’s take on 45 years living in Dallas (and what he’ll miss about it now that he’s retired), the joy of getting lost in Italy, the best way to pick someone up in NYC, the contrast of his 50th high school and college reunions, and more. 
, 
, 
, 
, 
, 
, and 
. Oh, and 
(Simon & Schuster)! We talk about what’s behind the screen, why the internet is bigger than the Industrial Revolution, her first experience online in 1979, what it’s like to be in a piece of performance art with half the world’s population, her crushing defeat at meeting Joan Didion, why she’s nostalgic for landline phones, the motive motive of Pokemon Go, asking The New York Times to host a shred-guitar competition, and why there’s value in Reading The Comments! 
(1999), 
(2002), and Prime Times (2004), 
(2014), 
(2015). In 2005, Heffernan (with co-writer 
(Bloomsbury).
. I caught up with him for his 
(Fantagraphics)! We talk about her amazing diary comics (recently collected in 
), why she picked a really weird name for her ongoing comics project (
(
(Ecco), explores the life and death of a key figure in the history of photography-as-art. We talk about the evolution of photography from documentation to expression, the role 
, on the turn-of-the-century war correspondent and novelist Richard Harding Davis, Naomi Bliven wrote in The New Yorker that “the biographer uses his documentation deftly and thoughtfully; we feel we know Davis intimately….Lubow’s work is impressive in every way, but his most impressive achievement is getting Davis’s charm on paper. Charm is always impalpable, and it’s highly perishable when the charmer has vanished. You don’t find Davis’s charm on every page of Davis, but you find it everywhere in Lubow.” The recipient of fellowships from the National Endowment for the Humanities and from the Dorothy and Lewis B. Cullman Center for Writers and Scholars at the New York Public Library, Lubow is the winner of a James Beard Award and a fellow of the New York Institute for the Humanities. He lives in New York City and East Haddam, CT.
(Fantagraphics)!
, to 
. Her own collection of cartoons, 
. Malcolm is the author/editor of eight books including 
, named by the San Francisco Chronicle as one of the hundred most important books of the 20th century by a western writer. His essays and articles have appeared in a number of periodicals including The Nation, Small Press, National Parks, the San Francisco Chronicle, and the Los Angeles Times. He retired from his role as publisher at Heyday Books this year.
