“There are thresholds or shelves where we go from having incremental change to systemic moments of transformation.”
In the ’90s, Sven Birkerts cautioned us about the impact of technology on reading with The Gutenberg Elegies. In 2017, we mute our iPhones to talk about his new book, Changing the Subject: Art and Attention in the Internet Age (Graywolf Press). We dive into the impact of digital technology on perception and identity, but also get into the way life becomes a thematic puzzle in middle age, why he stepped down from his role directing the low-residency MFA program at Bennington, the joy of bringing his favorite writers in as instructors (and the ones he regrets not getting), the challenge of interviewing fiction writers, his big literary 0-fer and what I’m missing about Virginia Woolf, how he’s adapting to a year-long sabbatical and how he understands his writing life, what he’s learned editing the literary magazine AGNI, and why the prerequisite for anything he’s reading is that it has to be more interesting to him than whatever it is he’s vaguely brooding about. Give it a listen! And go buy his new essay collection, Changing the Subject!
“When I was your age, I discovered the doubling over of one’s own experience. . . . Themes, recurrences and motifs in my life began to manifest. Then as if on command, the whole sunken continent of memory began to detach from the sea-floor.”
About our Guest
Sven Birkerts is the author of Changing the Subject: Art and Attention in the Internet Age and nine previous books, including The Other Walk: Essays, The Gutenberg Elegies, The Art of Time in Memoir: Then, Again, and My Sky Blue Trades: Growing Up Counter in a Contrary Time. He recently stepped down as director of the Bennington Writing Seminars, and he also edits the journal AGNI based at Boston University. He lives in Arlington, Massachusetts, and he’s on Twitter as svenbirkerts and Instagram as cyberbirk.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Mr. Birkerts’ home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Mr. Birkerts by me. It’s on my instagram.
“There’s no way to write about millennials without adopting a comic tone.”
I get over my insecurity about younger authors and talk with Tony Tulathmiutte about his debut novel, Private Citizens! We discuss his critique of the idea of voice-of-a-generation novels, the heavy and weird expectations of being an Asian-American writer, the impossibility of satire, what he got out of his years working in Silicon Valley, writing good bad sex scenes, and his discovery that Jonathan Franzen thinks he uses “overly interesting verbs”. Give it a listen! And go buy Private Citizens!
“I don’t think of writing as a therapeutic activity. It’s more like exhibitionist wallowing.”
“It’s not fair to castigate David Foster Wallace for the purposes to which other people put his writing.”
About our Guest
From tonytula.com: “I’ve written for The New York Times, VICE, The New Yorker, The Atlantic, The New Republic, N+1, Playboy, The Paris Review, and elsewhere. I come from the Pioneer Valley in the Bay State, and used to work in Silicon Valley in the Bay Area. For some reason I’ve received an O. Henry Award and a MacDowell Fellowship, and I appeared as a guest on Late Night with Seth Meyers. I work in New York.” His new novel is Private Citizens.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Tony’s apartment on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Mr. Tulathimutte by me. It’s on my instagram.
“It’s fun for me to find stories that haven’t been told and tell them for the first time.”
Author Ben Yagoda joins the show to talk about teaching journalism, 40 years (!) of writing language columns, the influence of Harry Potter own his students, the history of the memoir, the mystery of why the “Great American Songbook” withered after WWII, his hatred of the term “creative nonfiction”, the invasion of Britishisms into American English, our shared history in the Make-Believe Ballroom, the challenges of watching sporting events on tape delay, and more! (Also, I talk a little about the refugee-ban protests of the past weekend.) Give it a listen! And go buy The B Side: The Death of Tin Pan Alley and the Rebirth of the Great American Song!
About our Guest
Ben Yagoda recently retired from teaching English, journalism and writing at the University of Delaware, and is the author, coauthor or editor of nine books. He has written about language, writing and other topics for Slate.com, the New York Times Book Review and Magazine, The American Scholar, Rolling Stone, Esquire, and many other publications. He contributes to Lingua Franca, a Chronicle of Higher Education blog about language and writing and Draft, a New York Times blog about the art of writing. His personal blog is Not One-Off Britishisms. He is on Twitter as @byagoda. He lives in Swarthmore, PA.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Mr. Yagoda’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Mr. Yagoda by me. It’s on my instagram, along with a double-selfie of us.
“I love finding people who are obsessed with things. People who devote their lives to things are my obsession.”
Writer and Twitter provocateur Hayley Campbell joins the show for a conversation about her inability to describe her job (don’t call her a “content provider”). We talk about growing up in comics royalty (her dad is the great cartoonist Eddie Campbell), Alan Moore’s magic tricks, nearly losing a comic-shop job because of her lack of a college degree, the celebrity retweet she’s proudest of, and having an accidental career path, no fixed home, and a traumatic brain injury that gooses with her memory (and whether those three things are somehow connected). Also, we get into how she recently embarrassed Jonathan Safran Foer, and more! Give it a listen! And go buy her first book, The Art of Neil Gaiman (Ilex/Harper). And for God’s sake, go follow her on Twitter!
“I think I’m more of a loser in real life than I am on the internet.”
We also get into her obsession with obsessives, becoming the oldest person at her BuzzFeed office in her early 30s, the insanely creepy Moebius comic she read as a kid, the glories of Australian dentistry, digging through old girlie magazines to research her book on Neil Gaiman, and why she loves writing about boxing. We also compare notes on doing interviews with people whose work you love. Now go listen to the show!
“Dad won’t join Twitter because he’s afraid I’ll have more followers than him, and he’ll be ‘Hayley Campbell’s dad.'”
- Scott McCloud
- Irvine Welsh
- John Clute
- Ron Rosenbaum (2013)
- Ron Rosenbaum (2014)
- David Jaher
- Rupert Thomson (2015)
About our Guest
Hayley Campbell writes for a bunch of places but then who doesn’t. She’s written a book about Neil Gaiman (The Art of Neil Gaiman, Ilex/HarperCollins) and if her face looks familiar it’s probably because she sold you comics once. Find her stuff on BuzzFeed, New Statesman, VICE, McSweeney’s, the Guardian, The Debrief, The Comics Journal, The Rumpus, Channel 4 News, Front, Planet Notion and Boing Boing.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at a pal’s apartment in NYC on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface. Photos of Ms. Campbell by me.
“You would be surprised at the level of craziness and hostility that exists in the literary world if you share a different opinion than somebody.”
Last week’s guest was quintessential bookman Michael Dirda, and this time around we have Jessa Crispin, founder of Bookslut! Ms. Crispin recently stepped down from blogging at Bookslut after a 12-year run, which is like 500 years in internet-time. We talked about that decision, the advice she’d give her 23-year-old self, the downsides of learning to write online, why lack of ambition was key to Bookslut’s success, her take on the state of book reviewing, her upcoming book, The Dead Ladies Project (2015, from University of Chicago Press), how she learned to love Henry James while nursing a breakup, and more!
“It’s been my experience that in your hour of need, the book that you need to read will find you.”
We also discuss how she escaped the Outrage Machine by moving to Berlin, how she pared her library down to 17 books, why joining the National Book Critics Circle was her biggest mistake during the Bookslut era, why Belgrade was her least favorite city to visit, and why she’s more afraid of reading her blog archives than her old margin notes. Bonus: I accidentally mix up William Safire and William Buckley!
“It isn’t the case of ‘I’m only going to review the nice things’; it’s more the case that I can cultivate the world that I want to live in. I can invite people in rather than constantly defend the gates.”
About our Guest
Jessa Crispin is the editor and founder of the literary magazines Bookslut.com and Spoliamag.com. Her first book, The Dead Ladies Project, is forthcoming from the University of Chicago Press, fall 2015. Born in Kansas, she has lived in Texas, Ireland, Chicago, and Germany. She has written for many publications, some of which are still in business. Her personal library currently resides in Berlin.
Credits: This episode’s music is No More Words by Berlin (see, because Jessa isn’t writing any more blog posts for Bookslut and she moved to Berlin a while back, and — oh, never mind). The conversation was recorded at a housesit in Brooklyn on a pair of Blue enCORE 200 microphones feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Ms. Crispin by me.