Virtual Memories Show #188: Hayley Campbell
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“I love finding people who are obsessed with things. People who devote their lives to things are my obsession.”
Writer and Twitter provocateur Hayley Campbell joins the show for a conversation about her inability to describe her job (don’t call her a “content provider”). We talk about growing up in comics royalty (her dad is the great cartoonist Eddie Campbell), Alan Moore’s magic tricks, nearly losing a comic-shop job because of her lack of a college degree, the celebrity retweet she’s proudest of, and having an accidental career path, no fixed home, and a traumatic brain injury that gooses with her memory (and whether those three things are somehow connected). Also, we get into how she recently embarrassed Jonathan Safran Foer, and more! Give it a listen! And go buy her first book, The Art of Neil Gaiman
Podcast: Play in new window | Download
Subscribe: Apple Podcasts | Android | TuneIn | Spotify | RSS
“I think I’m more of a loser in real life than I am on the internet.”
We also get into her obsession with obsessives, becoming the oldest person at her BuzzFeed office in her early 30s, the insanely creepy Moebius comic she read as a kid, the glories of Australian dentistry, digging through old girlie magazines to research her book on Neil Gaiman, and why she loves writing about boxing. We also compare notes on doing interviews with people whose work you love. Now go listen to the show!
“Dad won’t join Twitter because he’s afraid I’ll have more followers than him, and he’ll be ‘Hayley Campbell’s dad.'”
Enjoy the conversation! Then check out the archives for more great episodes! You might like:
- Scott McCloud
- Irvine Welsh
- John Clute
- Ron Rosenbaum (2013)
- Ron Rosenbaum (2014)
- David Jaher
- Rupert Thomson (2015)
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About our Guest
Hayley Campbell writes for a bunch of places but then who doesn’t. She’s written a book about Neil Gaiman (The Art of Neil Gaiman
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at a pal’s apartment in NYC on a pair of Blue enCORE 200 Microphones
(Center for Hellenic Studies Press, 2016). Glynnis’ background is in art and art history: a BA from University of Oregon, a BFA from the Pacific NW College of Art, and MFA from the School of the Museum of Fine Arts in Boston and Tufts University. During a Fulbright fellowship to Cyprus, she published a book of paintings, Archaeology Lives in Cyprus, and a book of cartoons, Cartoons of Cyprus. She spent almost 10 years working as an illustrator on archaeological projects and excavations in Cyprus, Turkey, Syria, Israel, and Lebanon, and continues to work in Greece. She began a doctorate at the University of Wollongong in Australia, but instead of finishing, married the famous archeo-musicologist John Franklin and had some children (now in school). She has exhibited paintings in Boston, London, Nicosia, Wollongong, at the Laura Russo Gallery in Portland, OR, and in Burlington, VT, where she now lives. She teaches a course in Comics at the University of Vermont and drawing at Champlain College. Glynnis is a member of the NY-based web comic collective 
in his new book, 
(First Second), the massive implications of crowdfunding for cartoonists and other creators, the problems with ‘balance’ in comics pages, his rebellion against Facebook, the Laurie Anderson model of comics, how he defines success, how to keep a happy marriage inside the comics world, and more! 
is probably off the hook now, because I finally did a comic even more sentimental. So now I made Craig look like Gary Panter.”
– Scott McCloud
– Scott McCloud
– Scott McCloud
– Art Spiegelman
– Chris Ware
– Wendy Pini
– Frank Miller
– Alan Moore
– Kerascoët, Fabien Vehlmann
– Roz Chast
– Jules Feiffer
– Richard McGuire
– Matthew Farber
– Joan Didion
– Tom Hart
– Orwell
– Joshua Foer
– David Byrne
– Alice Munro
– Joyce Carol Oates
and a pair of 
feeding into a 
digital recorder. I recorded the intro and outro on a 
. Processing was done in Audacity and Logic Pro. Photo of Mr. McCloud by me.
(Yale University Press), the new exhibition he’s curating for the British Library, 
in 1987, the first collaboration between 
between 1984 and 1986, and 
in 1988 by James Robinson and Paul Johnson. Since 2003, Paul has been the director of 
. The intro and outro were recorded on 
, the 
, a comic written by Daren White and drawn by Eddie Campbell. I enjoyed The Playwright a lot more than I enjoyed Campbell’s last big comic that he wrote himself, 
, and it was a much more satisfying book than the ill-conceived adaptation of 
. I need to go back and re-read 
to see if I was judging that one too harshly. Anyway, I also re-read 
, which I enjoyed just as much as I did when I read it in May, and went back to Matt LaBash’s essay collection, 
, but that’s partly in the interest of clearing off 
,
, and
, 
, and 
.
, and