Tag: Carol Tyler

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Episode 197 – The Guest List 2016

Virtual Memories Show: The Guest List 2016

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It’s time for our year-end Virtual Memories Show tradition: The Guest List! I reached out to 2016’s pod-guests and asked them about the favorite book(s) they read in the past year, as well as the books or authors they’re hoping to read in 2017! More than 30 responded with a dizzying array of books. (I participated, too!) Just in time for you to make some Hanukkah and/or Christmas purchases, The Virtual Memories Show offers up a huge list of books that you’re going to want to read! Give it a listen, and get ready to update your wish lists!

This year’s Guest List episode features selections from more than 30 of our recent guests (and one bonus guest)! So go give it a listen, and then visit our special Guest List page where you can find links to the books and the guests who responded.

Also, check out the 2013, 2014 and 2015 editions of The Guest List for more great book ideas!

(painting of Scribners bookstore by Bob Eckstein from his new book, Footnotes from the World’s Greatest Bookstores: True Tales and Lost Moments from Book Buyers, Booksellers, and Book Lovers)

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About our Guests

The guests who participated in this year’s Guest List are Glen Baxter, Ross Benjamin, Harold Bloom, MK Brown, Nina Bunjevac, Hayley Campbell, David M. Carr, Myke Cole, Liza Donnelly, Bob Eckstein, Glynnis Fawkes, Rachel Hadas, Liz Hand, Glenn Head, Virginia Heffernan, Harry Katz, Ed Koren, David Leopold, Arthur Lubow, Michael Maslin, David Mikics, Ben Model, Christopher Nelson, Jim Ottaviani, Ann Patty, Burton Pike, Frank Sorce, Willard Spiegelman, Leslie Stein, Tom Tomorrow (a.k.a. Dan Perkins), Andrea Tsurumi, Carol Tyler, Jim Woodring, and me, Gil Roth! Check out their episodes at our archives!

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. Most of the episode was recorded on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. Myke Cole’s segment was recorded at a friend’s apartment in NYC on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. All processing and editing done in Adobe Audition CC.

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Fanta-pods

Fantagraphics is celebrating its 40th anniversary and holy crap have I interviewed a ton of their cartoonists and writers:

That last one with Woodring has the most Fanta-40th-related conversation, so check it out.

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Episode 188 – Hayley Campbell

Virtual Memories Show #188: Hayley Campbell

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“I love finding people who are obsessed with things. People who devote their lives to things are my obsession.”

Writer and Twitter provocateur Hayley Campbell joins the show for a conversation about her inability to describe her job (don’t call her a “content provider”). We talk about growing up in comics royalty (her dad is the great cartoonist Eddie Campbell), Alan Moore’s magic tricks, nearly losing a comic-shop job because of her lack of a college degree, the celebrity retweet she’s proudest of, and having an accidental career path, no fixed home, and a traumatic brain injury that gooses with her memory (and whether those three things are somehow connected). Also, we get into how she recently embarrassed Jonathan Safran Foer, and more! Give it a listen! And go buy her first book, The Art of Neil Gaiman (Ilex/Harper). And for God’s sake, go follow her on Twitter!

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“I think I’m more of a loser in real life than I am on the internet.”

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We also get into her obsession with obsessives, becoming the oldest person at her BuzzFeed office in her early 30s, the insanely creepy Moebius comic she read as a kid, the glories of Australian dentistry, digging through old girlie magazines to research her book on Neil Gaiman, and why she loves writing about boxing. We also compare notes on doing interviews with people whose work you love. Now go listen to the show!

“Dad won’t join Twitter because he’s afraid I’ll have more followers than him, and he’ll be ‘Hayley Campbell’s dad.'”

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Hayley Campbell writes for a bunch of places but then who doesn’t. She’s written a book about Neil Gaiman (The Art of Neil Gaiman, Ilex/HarperCollins) and if her face looks familiar it’s probably because she sold you comics once. Find her stuff on BuzzFeed, New Statesman, VICE, McSweeney’s, the Guardian, The Debrief, The Comics Journal, The Rumpus, Channel 4 News, Front, Planet Notion and Boing Boing.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at a pal’s apartment in NYC on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface. Photos of Ms. Campbell by me.

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Episode 162 – Phoebe Gloeckner

Virtual Memories Show #162:
Phoebe Gloeckner

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“The enemy of the artist is self-consciousness. You can’t be writing for anyone, because that’ll paralyze you.”

diarycoverPhoebe Gloeckner, the author of The Diary of a Teenage Girl: An Account in Words and Pictures joins the podcast on way too little sleep to talk about transgressing borders: national borders, panel borders, and familial borders. We talk about Diary’s hybrid structure and why it would have been unpitchable to a publisher (luckily, she had a two-book contract), the tightrope of portraying a 15-year-old girl’s affair with her mother’s 30-something boyfriend without making her strictly a victim or “asking for it”, and some audiences’ obsession with “the facts” of the book. We also get into her ongoing, decade-long multi-media project to recreate a life in Juarez, Mexico, her place in the comics scene (too young for the undergrounds, too old for the alternatives), her unrepeatable approach to making art, and more! Give it a listen! And buy Diary of a Teenage Girl!

“If I thought of myself as a victim, there was nobody who was going to feel sorry for me, or help me. I was a victim, but a teenager in that situation doesn’t feel like a victim. The minute you feel like a victim, any power you have is sucked from you. It’s a dangerous thing to call yourself.”

She also tells a hilarious story about her first meeting with Matt Groening, explains why she’ll never get into another relationship, discusses her attachment to the works of Dr. Ira Lunan Ferguson, and reveals perhaps the most insane version ever of the “reconnecting with your ex on Facebook” phenomenon. Go listen!

“I know there are limits in art, but I reject them as long as I can.”

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Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Phoebe Gloeckner is a graphic novelist and a Professor at the University of Michigan Stamps School of Art and Design. She is the author of The Diary of a Teenage Girl: An Account in Words and Pictures (which was recently made into a film), and A Child’s Life and Other Stories, as well as many short stories, illustrations, and comics which have appeared in a variety of publications over the last 25 years. She has a master’s degree in Biomedical Communications from The University of Texas at Dallas, and was an undergraduate at San Francisco State University. She also studied at Charles University in Prague and L’Unversité D’Aix-Marseille in France. She was the recipient of a Guggenheim Fellowship in 2008. Phoebe is currently working on a multi-media novel based on the lives of several families living on the outskirts of Ciudad Juárez, Mexico. She has traveled frequently to Juárez over the last 10 years to research the project.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at the ink48 Hotel in NYC on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on the same setup. Processing was done in Audacity and Logic Pro. Photo of pissed-off Phoebe by me.