Episode 213 – Sarah Williams Goldhagen

Virtual Memories Show 213:
Sarah Williams Goldhagen

“The built environment is not inert. It’s an active agent in the shaping of people’s lives.”

Why are our buildings crushing our quality of life? Sarah Williams Goldhagen joins the show to talk about her new book, Welcome to Your World (Harper), and how we can live in a better built environment. We get into cognitive neuroscience and the theory of mind-body-environment consciousness, the perils of lowest-common-denominator construction and design, the perils of the “starchitect” phenomenon, the limits of Jane Jacobs’ urban proscriptions, the experience of going on urban planning vacations as a kid with her dad, how she and her family wound up living in a converted church in East Harlem, the challenges of architecture criticism, how her book was predicted by one of my favorite 1980s comics, the planning process a year-long around-the-world trip, and more! Give it a listen! And go buy Welcome to Your World!

“It’s all architecture, and it all needs to be as well-designed as you can make it. And at any level of investment, you can make a better building or a worse building.”

Enjoy the conversation! Then check out the archives for more great episodes!

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About our Guest

Sarah Williams Goldhagen taught at Harvard University’s Graduate School of Design for ten years and was the New Republic‘s architecture critic until recently. Currently a contributing editor at Art in America and Architectural Record, she is an award-winning writer who has written about buildings, cities and landscapes for many national and international publications, including the New York Times, The American Prospect, and Harvard Design Magazine. She lives in New York City. (There’s a more extensive bio at her site.)

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Sarah’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Sarah by me. It’s on my instagram.

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