“The built environment is not inert. It’s an active agent in the shaping of people’s lives.”
Why are our buildings crushing our quality of life? Sarah Williams Goldhagen joins the show to talk about her new book, Welcome to Your World (Harper), and how we can live in a better built environment. We get into cognitive neuroscience and the theory of mind-body-environment consciousness, the perils of lowest-common-denominator construction and design, the perils of the “starchitect” phenomenon, the limits of Jane Jacobs’ urban proscriptions, the experience of going on urban planning vacations as a kid with her dad, how she and her family wound up living in a converted church in East Harlem, the challenges of architecture criticism, how her book was predicted by one of my favorite 1980s comics, the planning process a year-long around-the-world trip, and more! Give it a listen! And go buy Welcome to Your World!
“It’s all architecture, and it all needs to be as well-designed as you can make it. And at any level of investment, you can make a better building or a worse building.”
About our Guest
Sarah Williams Goldhagen taught at Harvard University’s Graduate School of Design for ten years and was the New Republic‘s architecture critic until recently. Currently a contributing editor at Art in America and Architectural Record, she is an award-winning writer who has written about buildings, cities and landscapes for many national and international publications, including the New York Times, The American Prospect, and Harvard Design Magazine. She lives in New York City. (There’s a more extensive bio at her site.)
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Sarah’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Sarah by me. It’s on my instagram.
“I feel like the soul of writing is character, and the writers I admire the most are those who can evoke characters who are nothing like themselves.”
Myke Cole joins the show to talk about military fantasy and his fantasies about the military, his journey from IT to CIA to merc to Coast Guard to fantasy writer, his biggest nerd-out author moments, how he came up with his “Black Hawk Down Meets The X-Men” Shadow Ops series, what PTSD feels like, the importance of having a plan for crisis management, reconciling his art, politics, job, and readership, and more! Give it a listen! And go buy his Shadow Ops books, starting with Control Point!
“I take a tremendous amount of pride in being a difficult person to kill.”
Unfortunately, before you can get to it, you’ve gotta wade through nearly 15 minutes of intro! It’s almost Marc Maron-like! If you wanna get past me talking about getting stood up by a publisher and discovering that I’ve become an anecdote in a business book (as well as my Myke intro), then skip to the 14:30 mark! Now go listen to the show!
“Intelligence, at its root, is breaking the laws of other countries and stealing their shit. I understand it’s necessary, but it’s not nice and it’s not ethical.”
About our Guest
As a security contractor, government civilian and military officer, Myke Cole’s career has run the gamut from Counterterrorism to Cyber Warfare to Federal Law Enforcement. He’s done three tours in Iraq and was recalled to serve during the Deepwater Horizon oil spill.
All that conflict can wear a guy out. Thank goodness for fantasy novels, comic books, late night games of Dungeons and Dragons and lots of angst-fueled writing.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at a friend’s apartment in NYC on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Myke Cole by me.