Episode 353 – Edie Nadelhaft

Virtual Memories Show 353:
Edie Nadelhaft

“For my art to click, sometimes I have to walk away at the right moment, and come back and see it new.”

Artist and avid motorcyclist Edie Nadelhaft joins the show on the eve of her new gallery exhibition, Evening In America (at the Lyons Wier Gallery, Dec. 10, 2019 to Jan. 25, 2020)! We get into her unstructured approach to painting, how she tries to capture the immensity of America, her interest in what comes after the first impression, and how she got hooked on motorcycles. We also get into the multiple meanings of Evening in America, the notion of the road as character, the process of working through her artistic influences, the rampant sexism of the art world and how she short-circuited it, and the perils of a long ride when you don’t know where the next gas station is. And, of course, I ask her what she’s riding these days. Give it a listen! And go visit Evening In America!

Race Point No. 3

“Biking taught me how to sit still and shut up. Plus it’s a wonderful way to be with someone without having to talk.”

“Just as everything you do is a self-portrait, everything you produce has a political aspect to it.”

“What I’m most good at is seeing.”

“The thing that strikes me over and over again is just how weird this country is, how not what it tries to export as its identity.”

Enjoy the conversation! Then check out the archives for more great episodes!

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About our Guest

Edie Nadelhaft studied painting and art history at The School of the Museum of Fine Arts, Boston, & SUNY Purchase, and received a BFA with honors from Massachusetts College of Art & Design, in Boston. Her work has been exhibited at art fairs, museums and galleries throughout the US, and internationally in Taiwan, Shanghai and Basel. Her work is in the permanent collections of The Ford Foundation, The University of New Mexico Health Sciences Center, and Falconworks Theatre for Social Change, and has been written about in The Detroit News, The American Scholar, Domino Magazine, Juxtapoz, The Washington Post, The New York Times and Wall Street Journal International.

After Robert Olsen

Her awards & residencies include The Artist in Residence at Platte Clove, Artist in Residence at The Visible Vault, Yellowstone Art Museum, the Fine Arts Painting Department Merit Award, from the Massachusetts College of Art, (Boston, MA), and the Combined Jewish Philanthropies Academic Scholarship. Edie has lived and worked in Lower Manhattan since 1998, and has been represented by Lyons Wier Gallery since 2013.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at Ms. Nadelhaft’s studio on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Ms. Nadelhaft on Rt. 66 by Ron Raymond. Studio photo by Ken Harris. Paintings shot by Christopher Dawson. So none of it is on my instagram.

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