Episode 226 – Joyce Farmer

Virtual Memories Show 226: Joyce Farmer

“The ’60s were a time of explosive interaction and learning of radical ideas. The thing was, I thought they were sensible, not radical.”

Joyce Farmer joins the show to talk about her transition from housewife to underground comics legend, the adventure of disposing of 40,000 copies of her comic when the state of California was trying to pinch her and her partner, traveling the world and landing in Greece, making Special Exits (Fantagraphics), the heartbreaking comic memoir about the death of her folks after a decade or two away from cartooning, and why she could swear and curse just as much as her male underground peers. Give it a listen! And go buy Special Exits!

“I’m not interested in doing something if it isn’t groundbreaking.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!

About our Guest

Joyce Farmer, born in 1938 in Los Angeles, is a pioneering underground comics cartoonist. She and Lyn Chevli wrote and drew controversial feminist humor, starting in 1972, publishing the titles Pandora’s Box, Abortion Eve, and Tits and Clits Comix. Farmer has also been published in Wimmen’s Comix, Mama! Dramas, Itchy Planet, Energy Comics, Zero Zero, and the notorious women’s sex comic Wet Satin. Her work has been exhibited internationally, including Austria and Italy. Her most recent book is Special Exits.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Ms. Farmer’s house on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Ms. Farmer by me. It’s on my instagram.

Episode 222 – Arnie Levin

Virtual Memories Show 222: Arnie Levin

“Don’t fraternize with inkers; they’ll always get you in trouble.”

Cartooning, illustration and animation legend Arnie Levin joins the show to recount his epic career and life. We talk about Beatnik-era New York, his mother’s decades-long plot to turn him into a New Yorker cartoonist, the value of a good art director, telling the Marines he wanted to be a photographer, his two-minute education in directing animation, what it was like to see his style copied by an artist who was previously copying another artist’s style, the time Allen Ginsberg tried to give him an iguana, and more! Give it a listen! And go check out his work at Art.com!

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!

About our Guest

This is adapted from Richard Gehr‘s wonderful book, I Only Read It for the Cartoons: The New Yorker’s Most Brilliantly Twisted Artists:

Born in 1938, the diminutive Levin sports the shaved head, handlebar mustache, and slightly rolling gait of a badass biker. Much of his upper body is tattooed with ornate Japanese imagery by a renowned yakuza body illustrator. And the more you learn about his life, the wider the gap between creator and creations seems to spread.

Levin served in the Marines before winding up as an aspiring painter amid New York City’s late-fifties beatnik heyday. “Swept up in the glamour of the beatnik era,” as he puts it, Levin co-operated an espresso house that hosted readings by the likes of Allen Ginsberg and Jack Kerouac. He worked parties as a rent-a-beatnik, encountering Bob Dylan, another new kid in town, during one such event.

At Push Pin Studio, then at the height of its influence upon the design world, he was plucked out of the messenger pool by Milton Glaser, who recommended him to Lee Savage’s Electra Studio, famous for its forward-looking movie trailers and commercials. After leaving Electra, Levin was recruited for The New Yorker by art director Lee Lorenz in 1974.

After taking up motorcycling at age of fifty-nine, Levin celebrated his new hobby with the aforementioned flurry of tattoos. He’s given up biking in the interests of personal safety, however, and now resides more or less quietly on Long Island in New York with his wife.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Arnie’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of me and Arnie by me. It’s on my instagram. Photo of Arnie’s ink by Nate Ndosi.

Episode 221 – Kyle Cassidy

Virtual Memories Show 221: Kyle Cassidy

“In photography, the story is the most important thing, and technical imperfections will be forgiven.”

Photojournalist (or “artist who sometimes uses a camera”) Kyle Cassidy returns to talk about his new book, This Is What a Librarian Looks Like! Along the way, we also talk about photography, his love letter to America, the difference between knowledge and information, the heroism of NASA scientists, the example of Mr. Rogers, his continued use of LiveJournal, the joy of running, and how he convinced his wife that they should take vacations to visit libraries. Also, his cat Roswell gets his two cents in! Give it a listen! And go buy This Is What a Librarian Looks Like: A Celebration of Libraries, Communities, and Access to Information!

“It inspires me to see scientists spending their entire lives — in the shadows, unheralded for the most part — doing something that advances our knowledge.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!

About our Guest

Kyle Cassidy has been documenting American culture for more than two decades. He has photographed Goths, Punks, Cutters, Politicians, Metalheads, Dominatrices, Scholars, and Alternative Fashion, in addition to less prosaic subjects. In recent years his projects have extended abroad to Romania, where he captured the lives of homeless orphans living in sewers; and to Egypt, where he reported on contemporary archaeological excavations. His publications include several books on information technology, as well as a regular appearance as contributing editor for Videomaker magazine. His Photo-A-Week blog was one of the first photo blogs on the internet. His work has appeared in The New York Times, Barron’s Financial, Photographers Forum, Asleep by Dawn, Gothic Beauty and numerous other publications.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Kyle’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Kyle & Roswell by me. It’s on my instagram.

Episode 219 – Keiler Roberts

Virtual Memories Show 219: Keiler Roberts

“My drawing is as close as it can be to my handwriting. It’s what comes out without too much thought.”

Cartoonist Keiler Roberts joins the show to talk about her new book, Sunburning (Koyama Press). Oh, and parenthood, bipolar disorder, the avoidance of style, learning art while teaching art, making snap judgements about parents, having the world’s worst wedding photos, the temptation of shaping real life to generate a good story, trimming a 150-page memoir down to 12 pages, and why she cried when she got a blurb from Roz Chast! Give it a listen! And go buy Sunburning!

“My parenting advice is: lower your expectations for your kids and don’t make them feel special.” (I think she was joking.)

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!

About our Guest

Keiler Roberts’ autobiographical comic series Powdered Milk has received an Ignatz Award for Outstanding Series and was included in the The Best American Comics 2016. Her work has been published in The Chicago Reader, Mutha Magazine, Nat. Brut, Darling Sleeper, Newcity, and several anthologies. Her new book is Sunburning, from Koyama Press.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Toronto Marriott on Bloor during TCAF 2017 weekend on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Keiler and Summer Pierre by me. It’s on my instagram.

Episode 207 – Garth Greenwell

Virtual Memories Show 207: Garth Greenwell

“Speaking a language inexpertly makes language visible, and malleable. You become aware of language not just as a medium but as matter itself, as something you manipulate, as something you have to work with.”

Garth Greenwell joins the show to talk about the poetics of cruising (and cruising’s great leveling potential) in his life and in his debut novel What Belongs to You, the hyper-masculine culture and homophobia of Bulgaria, his concern that contemporary English-language writers don’t read in other languages (or read in translation), his role chairing the 2017 Festival Neue Literatur, the dangers of LGBTQ mainstreaming, the fragility of cosmopolitanism, the state of queer fiction, and our mutual admiration of Samuel R. Delany! Give it a listen! And go buy What Belongs to You: A Novel!

“I wanted in this book to create a space where I could think about what shame feels like to an open and proud gay man.”

Bonus: This episode is also part of our media partnership with Festival Neue Literatur, which is taking place March 2-5 in New York City! Garth’s the chairperson for the event! Go attend! Maybe I’ll see you there!

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!

About our Guest

Garth Greenwell is the author of What Belongs to You, which was longlisted for the National Book Award and shortlisted for the Center for Fiction First Novel Prize and the LA Times Book Prize. A New York Times Book Review Editor’s Choice, it was named a Best Book of 2016 by The New York Times, The New Yorker, Publishers Weekly, and over 50 other publications. His work has appeared in The Paris Review, The New Yorker, the London Review of Books, and elsewhere. He lives in Iowa City.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at the apartment of Jeff Nunokawa on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Mr. Greenwell by me. It’s on my instagram.