Episode 437 – Keiler Roberts

Virtual Memories Show 437:
Keiler Roberts

“I still want to write about my life but not obsess about my problems, not obsess about the meaning of everything, but to have experiences in a direct way.”

Artist and cartoonist Keiler Roberts returns to the show to celebrate her new book, My Begging Chart (Drawn & Quarterly), and explain how she found a new mode for her wry comics about being a mother, daughter, wife, and artist. We get into how her multiple sclerosis diagnosis left her in lockdown mode a year before the rest of the world joined her, why she withdrew from comics for a while and why she returned to them, and how she short-circuits her anxiety about reader expectations. We discuss why she shredded some of her sketchbooks and journals to clear physical and mental clutter, her daughter’s role as her editor, why she’d keep making comics regarded of the business circumstances, her fixation on the smell of Cabbage Patch Kids, the impact of MS on her life & art, the joy of making a new discovery at the Art Institute Museum in Chicago, the weirdness of being the subject of a profile in the Chicago Tribune, and more! Give it a listen! And go read My Begging Chart!

(And go listen to my past conversations with Keiler from 2017 and our COVID Check-In)

“I was just thinking about drawing and image and composition and how much of a story you could tell without words.”

Enjoy the conversation! Then check out the archives for more great episodes!

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About our Guest

Keiler Roberts makes autobiographical comics. She is the recipient of the Slate Cartoonist Studio Prize for Chlorine Gardens and is the author of Powdered Milk, Happy Happy Baby Baby, Miseryland, Rat Time, and Sunburning which was translated into Spanish as Isolada. Also the winner of the Ignatz Award, she teaches comics at The School of The Art Institute in Chicago.

Follow Keiler on Twitter and Instagram.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded remotely via Zencastr. I used a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Keiler, Xia and Pepsi by other people. It’s on my instagram.

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