“There is a kind of comfort in having a part of yourself that will never be known, can never be known, by others.”
Genre-jumping author Rupert Thomson joins the show to talk about his new novel, Secrecy (Other Press), a 1690’s-based thriller about the Florentine wax-sculptor Zumbo. Along the way, we talk about the arbitrariness of “historical fiction,” the perils of researcher’s block (as opposed to writer’s block), what he learned from a 90-minute audience with James Salter, discovering archaic Italian curses, letting one’s art follow one’s unconscious, the joys of visiting the graves and/or homes of his literary idols, why finding the psychological truth of a story is more important than the details and background, and why it always helps to know a good histopathologist. Go listen!
“When I first started out, what I liked was the unlikely image, the unlikely metaphor. What I like now is finding that simple sentence that captures something you haven’t thought of before.”
About our Guest
Rupert Thomson is the author of nine highly acclaimed novels: Dreams of Leaving, The Five Gates of Hell, Air And Fire, The Insult, Soft!, The Book of Revelation, Divided Kingdom, Death of a Murderer, which was short-listed for the 2007 Costa Novel Award, and Secrecy. His memoir, This Party’s Got To Stop, won the Writers’ Guild Non-Fiction Award. He lives in London.
Credits: This episode’s music is Hotwax by Beck. The conversation was recorded at the Other Press offices on a pair of Blue enCORE 200 microphones feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Mr. Thomson by Graeme Robertson.