“There is a kind of comfort in having a part of yourself that will never be known, can never be known, by others.”
Genre-jumping author Rupert Thomson joins the show to talk about his new novel, Secrecy (Other Press), a 1690’s-based thriller about the Florentine wax-sculptor Zumbo. Along the way, we talk about the arbitrariness of “historical fiction,” the perils of researcher’s block (as opposed to writer’s block), what he learned from a 90-minute audience with James Salter, discovering archaic Italian curses, letting one’s art follow one’s unconscious, the joys of visiting the graves and/or homes of his literary idols, why finding the psychological truth of a story is more important than the details and background, and why it always helps to know a good histopathologist. Go listen!
“When I first started out, what I liked was the unlikely image, the unlikely metaphor. What I like now is finding that simple sentence that captures something you haven’t thought of before.”
About our Guest
Rupert Thomson is the author of nine highly acclaimed novels: Dreams of Leaving, The Five Gates of Hell, Air And Fire, The Insult, Soft!, The Book of Revelation, Divided Kingdom, Death of a Murderer, which was short-listed for the 2007 Costa Novel Award, and Secrecy. His memoir, This Party’s Got To Stop, won the Writers’ Guild Non-Fiction Award. He lives in London.
Credits: This episode’s music is Hotwax by Beck. The conversation was recorded at the Other Press offices on a pair of Blue enCORE 200 microphones feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Mr. Thomson by Graeme Robertson.
In honor of Sec. Clinton’s recent trip to the dark continent, this week’s literary 0-fer is . . . Isak Dinesen!
If she wrote under “Baroness Karen von Blixen-Finecke,” I probably would’ve gotten around to reading her by now.