Episode 148 – The Guest List 2015

Virtual Memories Show: The Guest List 2015

It’s time for our year-end Virtual Memories tradition: The Guest List! I reached out to 2015’s podcast guests and asked them about the favorite book(s) they read in the past year, as well as the books or authors they’re hoping to read in 2016! More than 30 responded with a dizzying array of books. (I participated, too!) So now that you’ve got your Hanukkah and/or Christmas gelt, the Virtual Memories Show offers up a huge list of books that you’re going to want to read! Get ready to update your wish lists!

This year’s Guest List episode features selections from nearly 3 dozen of our recent guests! So go give it a listen, and then visit our special Guest List page where you can find links to the books and the guests who responded.

(Also, check out the 2013 and 2014 editions of The Guest List for more great book ideas!)

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Your illustrious podcast-host, as drawn by Roger Langridge

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About our Guests

The guests who participated in this year’s Guest List are Derf Backderf, Anthea Bell, John Clute, Michael Dirda, Matt Farber, Jonathan Galassi, Brad Gooch, Langdon Hammer, Liz Hand, Jennifer Hayden, Ron Hogan, Dylan Horrocks, David Jaher, Kathe Koja, Jonathan Kranz, Peter Kuper, Lorenzo Mattotti, JD McClatchy, Scott McCloud, Michael Meyer, Dan Perkins (a.k.a. Tom Tomorrow), Summer Pierre, Witold Rybczynski, Dmitry Samarov, Elizabeth Samet, Liesl Schillinger, Posy Simmonds, Levi Stahl, Rupert Thomson, Irvine Welsh, Warren Woodfin, Jim Woodring, Claudia Young, and me, Gil Roth! Check out their episodes at our archives!

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. Most of the episode was recorded at Virtual Memories Manor on a Blue Yeti USB Microphone. A few segments were recorded by the guests and e-mailed in (which is to say: don’t blame me!). Processing was done in Audacity and Logic Pro.

Episode 129 – Donkey Skin

Virtual Memories Show #129:
Amanda Filipacchi – Donkey Skin

“I love the notion of great beauty hidden in ugliness. Or vice versa.”

41idOJWOhxL._SY344_BO1,204,203,200_Amanda Filipacchi joins this week’s show to talk about her latest novel, The Unfortunate Importance of Beauty: A Novel (WW Norton), her solution to sexism in the publishing world, her misgivings about contributing to a website of authors’ 10 favorite books, her attraction to surrealism and fairy tales, her garden-of-forking-paths approach to fiction, and more! Give it a listen!

“My big life obsession is my lack of productivity and my constant struggle to be more productive. . . . In theory, I have a routine, but I don’t find myself sticking to it.”

Also, I make a pretty amazing bookstore discovery in the airport in Milwaukee, and give (as expected) heady praise to Clive James’ new essay collection, Latest Readings.

We talk about a bunch of books in this episode. Here’s a list of ’em (Note: if I ever go to a Patreon crowdfunding model for the show, this is the first thing that goes subscriber-only):

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

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About our Guest

Amanda Filipacchiafilipacchi is the author of four novels: Nude Men (Viking/Penguin 1993), Vapor (Carroll & Graf, 1999), Love Creeps (St. Martin’s Press, 2005), and The Unfortunate Importance of Beauty (W. W. Norton, Feb. 2015). Her fiction has been translated into fourteen languages and been anthologized in The Best American Humor 1994 (Simon & Schuster), Voices Of the X-iled (Doubleday), and The Good Parts: The Best Erotic Writing in Modern Fiction (Berkley Books). Her writing has appeared in The New York Times, The Wall Street Journal, The New Yorker, and The Atlantic.

Born in Paris, France, Amanda Filipacchi was educated in both France and the US, and has lived in New York since the age of seventeen. She earned a BA from Hamilton College and an MFA in creative writing from Columbia University. She lives in Manhattan with Richard Hine, also a novelist.

Credits: This episode’s music is Head in a Box by Lori Carson. The conversation was recorded at an undisclosed location on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photo of Ms. Filipacchi by Marion Ettlinger.

Podcast: Wax, Rhapsodic

rupert thomson

Virtual Memories: Rupert Thomson – Wax, Rhapsodic

“There is a kind of comfort in having a part of yourself that will never be known, can never be known, by others.”

Thomson_Secrecy-252x390Genre-jumping author Rupert Thomson joins the show to talk about his new novel, Secrecy (Other Press), a 1690’s-based thriller about the Florentine wax-sculptor Zumbo. Along the way, we talk about the arbitrariness of “historical fiction,” the perils of researcher’s block (as opposed to writer’s block), what he learned from a 90-minute audience with James Salter, discovering archaic Italian curses, letting one’s art follow one’s unconscious, the joys of visiting the graves and/or homes of his literary idols, why finding the psychological truth of a story is more important than the details and background, and why it always helps to know a good histopathologist. Go listen!

“When I first started out, what I liked was the unlikely image, the unlikely metaphor. What I like now is finding that simple sentence that captures something you haven’t thought of before.”

Enjoy the conversation! Then check out the archives for more great episodes! Related conversations:

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About our Guest

Rupert Thomson is the author of nine highly acclaimed novels: Dreams of Leaving, The Five Gates of Hell, Air And Fire, The Insult, Soft!, The Book of Revelation, Divided Kingdom, Death of a Murderer, which was short-listed for the 2007 Costa Novel Award, and Secrecy. His memoir, This Party’s Got To Stop, won the Writers’ Guild Non-Fiction Award. He lives in London.

Credits: This episode’s music is Hotwax by Beck. The conversation was recorded at the Other Press offices on a pair of Blue enCORE 200 microphones feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Mr. Thomson by Graeme Robertson.

Podcast: Little Suicides, Little Fish

Lori Carson on The Virtual Memories Show (3/3)

Virtual Memories – season 3 episode 11 – Little Suicides, Little Fish

“There’s this misconception that something born of the imagination is less true. It’s more true, if you do it right.”

TheOriginal1982 PB CLori Carson joins us to talk about her debut novel, The Original 1982 (published by William Morrow, an imprint of Harper Collins). Lori’s one of my all-time favorite musicians, so the conversation also covers her singer-songwriter career and her time with the Golden Palominos, where she recorded two phenomenal albums, This Is How It Feels and Pure. It’s a really fun talk about the blurring of fact and fiction, the differences between songwriting and prose-writing (and album vs. book launches), how the music industry changed over the course of her career, her favorite authors and the books that sustained her through her first novel, why she made this life-jump from music to books, and more!

“Many people get to a point where they say, ‘I’ve done this all my life; what’s next?'”

(And there’s a book launch at The Corner Bookstore on Madison and 93rd St. in New York City on Thursday, May 30, starting at 6 pm.! If you’re in the area, check it out! Also, here’s a video of her reading the book’s prologue.)

Enjoy the conversation! Then check out the archives for more great talk!

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About our Guest

Carson-Lori-ap1Lori Carson is a critically acclaimed singer/songwriter whose albums include Shelter, Where It Goes, Everything I Touch Runs Wild, Stars and Another Year. A former member of the seminal band Golden Palominos, she has contributed to the soundtracks of Bernardo Bertolucci’s Stealing Beauty, Kathryn Bigelow’s Strange Days, Keith Gordon’s Waking the Dead, and others. The Original 1982 is her first novel.

Credits: This episode’s music is Little Suicides, Souvenir, and Stars by Lori Carson and/or Golden Palominos. The conversation was recorded at the Harper Collins offices (thanks, Leah!) on a pair of Blue enCORE 100, feeding into a Zoom H4n recorder. I recorded the intro and outro on a Blue Yeti USB mic into Audacity. All editing and processing was done in Garage Band. Photo by Lauren Cook (thanks, Lauren!). There are a few more pix of us up at the Virtual Memories Show flickr set.