Tag Claire Messud

Episode 159 – Burton Pike

25540193895_62b4490de7_z

Virtual Memories Show #159:
Burton Pike

“When you translate, you are digging into not so much the psyche of the author but the psyche of the author’s use of language.”

51EULu1tNBL._SY344_BO1,204,203,200_Translator and emeritus literature professor Burton Pike joins the show to talk about his lifetime in the arts, the musicality and rhythm of language, the experience of translating early Proust, whether national literature departments are an outdated concept, the peculiarities of various Swiss ethnicities, how his dream project — Musil’s The Man Without Qualities — fell into his lap, and more! Give it a listen!

“The Man Without Qualities is written not from a literary but a scientific point of view. It’s predicated on the fact that everything changes and nothing stays stable. And of course that includes this novel itself.”

We also talk about the joys of hitchhiking across Europe in the ’50s, the reasons he came to New York and the reasons he stays, the disappearance of high German culture — Goethe, Schilling, et al. — from postwar Germany, the problems with Moncrieff’s fruity translation of Proust, his objection to calling Die Verwandlung The Metamorphosis, and more! Go listen!

“When a German is in sight, Swiss Germans revert to their native patois, because they’re horrified that they’ll be taken for German. The French look down on French Swiss and Belgians, of course, because they’re not French. The Swiss French, their faces are glued to the window pane of France. And the Italian Swiss? They’re perfectly happy and at home and have no problem.”

Also, if you want to find out who Burton is reading nowadays and get a list of the books we talked about in this episode, join our Patreon and become a monthly contributor to The Virtual Memories Show! At the end of March, the new episode of our patron-only podcast, Fear of a Square Planet, will go up with a bonus segment about who he’s reading and why.

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

25535972945_f40867c27e_zBurton Pike is professor emeritus of comparative literature and Germanic languages and literature at the CUNY Graduate Center. He did his undergraduate studies at Haverford College and received his PhD from Harvard University. He has taught at the University of Hamburg, Cornell University, and Queens College and Hunter College of the City University of New York. He has also been a Visiting Professor at Yale University. He is a recipient of a Guggenheim Fellowship, a fellowship from the American Council of Learned Societies, and a Fulbright fellowship. He was awarded the Medal of Merit by the City of Klagenfurt, Austria, for his work on Robert Musil. Finalist and special citation, PEN/Book-of-the-Month Club Translation Prize for editing and co-translating Robert Musil’s The Man Without Qualities. He is the winner of the 2012 Helen and Kurt Wolff Translator’s Prize for Gerhard Meier’s Isle of the Dead.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at Professor Pike’s home on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on the same setup. Processing was done in Audacity and Logic Pro. Photo of Mr. Head by me.

Podcast: Wax, Rhapsodic

rupert thomson

Virtual Memories: Rupert Thomson – Wax, Rhapsodic

“There is a kind of comfort in having a part of yourself that will never be known, can never be known, by others.”

Thomson_Secrecy-252x390Genre-jumping author Rupert Thomson joins the show to talk about his new novel, Secrecy (Other Press), a 1690’s-based thriller about the Florentine wax-sculptor Zumbo. Along the way, we talk about the arbitrariness of “historical fiction,” the perils of researcher’s block (as opposed to writer’s block), what he learned from a 90-minute audience with James Salter, discovering archaic Italian curses, letting one’s art follow one’s unconscious, the joys of visiting the graves and/or homes of his literary idols, why finding the psychological truth of a story is more important than the details and background, and why it always helps to know a good histopathologist. Go listen!

“When I first started out, what I liked was the unlikely image, the unlikely metaphor. What I like now is finding that simple sentence that captures something you haven’t thought of before.”

Enjoy the conversation! Then check out the archives for more great episodes! Related conversations:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Rupert Thomson is the author of nine highly acclaimed novels: Dreams of Leaving, The Five Gates of Hell, Air And Fire, The Insult, Soft!, The Book of Revelation, Divided Kingdom, Death of a Murderer, which was short-listed for the 2007 Costa Novel Award, and Secrecy. His memoir, This Party’s Got To Stop, won the Writers’ Guild Non-Fiction Award. He lives in London.

Credits: This episode’s music is Hotwax by Beck. The conversation was recorded at the Other Press offices on a pair of Blue enCORE 200 microphones feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Mr. Thomson by Graeme Robertson.

Follow

Get every new post delivered to your Inbox

Join other followers: