“I was a Henry Morgan authority at the age of 24.”
Kliph Nesteroff joins the show to talk about his new book, The Comedians: Drunks, Thieves, Scoundrels, and the History of American Comedy (Grove Press). We discuss the evolution of comedy over the century (from vaudeville to comedy podcasters) and how he got started chronicling it, American comedy’s twin themes of struggle and influence, the connect-the-dots game of comedic lineage, the stories that didn’t make it into the book, comedy’s role in the civil rights struggle, Kliph’s autodidactic background and how it shapes his pursuit of history, the story of how he got kicked out of high school, and more! Give it a listen! And go buy Kliph’s book, The Comedians! (NOTE: Kliph’s section starts at 17:15, if you wanna skip right to that)
“I’m just as deeply immersed in the history of film, the history of music, of TV, of pop culture. . . . But Leonard Maltin already exists; he’s got it cornered. Jerry Beck is the world’s foremost animation historian; he’s got that market covered. There’s a million people who write about music; I don’t need to be one of those guys. But there’s no other comedy historian. I’m happy to pick up that mantle.”
Plus, I give Liz Hand a call on the occasion of the publication of her new book, Hard Light: A Cass Neary Crime Novel! We explore how her nihilistic, burned-out, drug-addicted post-punk-scene photographer-protagonist has grown over the course of three books of increasing mayhem and murder. (Hint: she doesn’t decide to become a nurturing mom and validate herself with a rich husband.) Go listen! And buy Hard Light! (NOTE: Liz’s section starts around 3:30)
About our Guest
Kliph Nesteroff is a former stand-up comic turned writer. A longtime contributor to WFMU, writing about the history of comedy, Nesteroff’s latest project is hosting the Classic Showbiz Talk Show, a live series in Los Angeles that has welcomed comedy luminaries like Mel Brooks, Fred Willard and Laugh-In creator George Schlatter.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at an undisclosed location in Manhattan on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on the same setup. The conversation with Liz Hand was recorded using Call Recorder on Face Time Audio; I was using a Blue Yeti USB mic. Processing was done in Audacity and Logic Pro. Photo of Kliph by me.