Virtual Memories – season 2 episode 13 – The Correction of Taste
“My personal crusade has been to urge people to read books they might otherwise not think of reading. . . . There are a lot better books that have been forgotten than are being published today.”
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“Some very self-confident writers feel they are among the chosen, the ones that will last forever, but they’re like deluded Calvinists.’”
This time, Pulitzer Prize-winning book critic Michael Dirda talks about his lifetime of reading and career in writing, the essence of book reviewing and the role of negative reviews, breaking free of genre ghettoes and the pretense of literary immortality, how the internet has changed the reviewing ecosystem, and why Mao would have loved the collective wisdom of the internet.
“I think of it all as ‘literary fiction,’ if it’s well written.”
We also get in some literary kibitzing, touching on John Crowley, Neil Gaiman, Marilynne Robinson and a host of other writers and books.
“One of the things I’ve lamented in the course of my lifetime is the changeover in the English curriculum in the universities. English majors will really only know the literature of their time. They will know the same 40 or 50 authors and books. Anyone off the obvious track of the times, they won’t know. They’ll know Gary Shteyngart, but they won’t know Mikhail Bulgakhov, or Gogol. It’s that narrowness, that feeling that anything not of the moment is irrelevant. That worries me.”
Listen to the conversation: Virtual Memories – season 3 episode 13 – The Correction of Taste
Photo by Amy Roth.
About Our Guest
Michael Dirda, a weekly book columnist for The Washington Post, received the 1993 Pulitzer Prize for criticism. He is the author of the memoir An Open Book and of four collections of essays: Readings, Bound to Please, Book by Book, and Classics for Pleasure. His most recent book, On Conan Doyle, received a 2012 Edgar Award for best critical/biographical work of the year.Mr. Dirda graduated with Highest Honors in English from Oberlin College and earned a Ph.D. in comparative literature (medieval studies and European romanticism) from Cornell University. He is a contributor to The New York Review of Books, The Times Literary Supplement, the online Barnes & Noble Review, and several other periodicals, as well as a frequent lecturer and an occasional college teacher.
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Credits: This episode’s music is Desert Prayer by John Sheehan. I recorded the intro on a Blue Yeti mic into Audacity, and the conversation with was recorded in Mr. Dirda’s home in Silver Spring, MD on a pair of Blue Encore 100 mics, feeding into a Zoom H4N recorder. All editing was done in Garage Band, with some post-processing in Audaity. I apologize for the hiss in the background. I’m still trying to figure out how to amplify a speaker’s channel without getting all sorts of nasty audio artifacts.