Episode 331 – Liniers

Virtual Memories Show 331: Liniers

“In my mind, I thought, ‘Maybe if I can get my comic strip to Uruguay, my father will believe this is a real job.’ I’d be an international success. Montevideo was as far as my imagination could go.”

In a rollicking conversation at the Society of Illustrators 128 Bar & Bistro, Argentine comics star Liniers talks about making the jump from Buenos Aires to Vermont to teach at the Center for Cartoon Studies, the amazing US syndication launch of his comic strip Macanudo last year (and the origin of that strip in Argentina), the difference between drawing well and drawing funny, the mix of comic and comedic influences that melted his brain as a kid, the time he almost met Bill Watterson, and what it means to be a Latin American cartoonist. We also get into how he learned English from Mad Magazine, when he caught the live performance bug, why he eschews a regular set of characters in favor of a schizophrenic style of humor in Macanudo, how he felt the first time he saw a tattoo his work on a fan, why seeing his work pirated helped balance out his karma from downloading all those mp3s, and how his kids books help him press Pause on perfect moments from his children’s lives. Give it a listen! (conversation begins around 7:00) And go buy some of Liniers’ Macanudo collections and his TOON books!

“Every cartoonist, this life is their second choice. My first choice, I wanted to be Lou Reed, but that didn’t work out for some reason.”

“My job is not being very good at drawing. It’s making little doodles and somehow infusing them with soul.”

“Every cartoonist, this life is their second choice. My first choice, I wanted to be Lou Reed, but that didn’t work out for some reason.”

“The most difficult things for people to draw are horses and bikes, so I bet the most impossible drawing of all would be a horse riding a bike.”

Enjoy the conversation! Then check out the archives for more great episodes!

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About our Guest

Born in Argentina in 1973, Liniers began his artistic career when he realized he wasn’t cut out for law school and started making fanzines for friends. Since 2002, when his daily comic strip Macanudo began appearing in La Nación, Argentina’s most widely read newspaper, Liniers has become an international comics star, with many New Yorker covers to his name, among other accolades. Macanudo is published throughout the world, and Liniers’ social media reaches nearly a million followers. In the US, he is also the creator of wonderful children’s books, two of which are about one of the greatest characters in Macanudo: the wry, philosophical girl, Henrietta. Liniers also tours Latin America and Spain with musician Kevin Johansen, drawing on stage while Kevin’s band performs. Liniers currently lives in Vermont with his wife and three daughters.

(NOTE: I’m wearing my Argentina national basketball team jersey, in honor of Liniers’ pal Manu Ginobili.)

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at the Society of Illustrators’ 128 Bar & Bistro on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Liniers by me. It’s on my instagram.

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