Episode 229 – Matt Ruff

Virtual Memories Show 229: Matt Ruff

“Every one of my novels has had at least a portion where I’ve thought, ‘if I do this badly, it’s going to be terribly embarrassing and I’m going to have to hang my head in shame forever, but if I pull it off, it’ll probably be pretty cool!'”

Novelist Matt Ruff joins the show to talk about how his fantastic novel Lovecraft Country began as a TV pitch 10 years ago, and is now on its way to becoming an HBO series. We get into cultural appropriation issues (Matt’s white and LC‘s about a black family dealing with racism and the supernatural in 1950s Chicago), the pros and cons of genre-hopping, the differences between mid-century racism in the North and the South, growing up over the course of his first three novels and learning to be happy with his voice, becoming friends with one of his favorite authors (past and future pod-guest John Crowley), his ambivalence toward HP Lovecraft and Philip K. Dick and his affinity for their imitators, why he loved the descriptions of late Heinlein novels but was disappointed by the books themselves (when he was 12!), bucking his family’s religious traditions, missing his opportunity to babysit Thomas Pynchon’s kid, and more! Give it a listen! And go buy Lovecraft Country!

“I intended for Lovecraft Country to be a TV series, so I thought, ‘What if I do the literary equivalent of a season that you binge-watch?’ That’s why the novel is structured very much like an 8-episode TV season.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!

About our Guest

Matt Ruff is the author of the novels Fool on The Hill (1988), Sewer, Gas & Electric: The Public Works Trilogy (1997), Set This House in Order: A Romance of Souls (2003), Bad Monkeys (2007), The Mirage (2012), and Lovecraft Country (2016), which was recently greenlit as an HBO series.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Mr. Ruff’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Mr. Ruff by me. It’s on my instagram.

Episode 203 – Ben Yagoda

Virtual Memories Show 203: Ben Yagoda

“It’s fun for me to find stories that haven’t been told and tell them for the first time.”

Author Ben Yagoda joins the show to talk about teaching journalism, 40 years (!) of writing language columns, the influence of Harry Potter own his students, the history of the memoir, the mystery of why the “Great American Songbook” withered after WWII, his hatred of the term “creative nonfiction”, the invasion of Britishisms into American English, our shared history in the Make-Believe Ballroom, the challenges of watching sporting events on tape delay, and more! (Also, I talk a little about the refugee-ban protests of the past weekend.) Give it a listen! And go buy The B Side: The Death of Tin Pan Alley and the Rebirth of the Great American Song!

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!

About our Guest

Ben Yagoda recently retired from teaching English, journalism and writing at the University of Delaware, and is the author, coauthor or editor of nine books. He has written about language, writing and other topics for Slate.com, the New York Times Book Review and Magazine, The American Scholar, Rolling Stone, Esquire, and many other publications. He contributes to Lingua Franca, a Chronicle of Higher Education blog about language and writing and Draft, a New York Times blog about the art of writing. His personal blog is Not One-Off Britishisms. He is on Twitter as @byagoda. He lives in Swarthmore, PA.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Mr. Yagoda’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Mr. Yagoda by me. It’s on my instagram, along with a double-selfie of us.