Cartoonist & illustrator Robert Sikoryak checks in from NYC. We talk about his just-completed new book, Constitution Illustrated (Drawn & Quarterly), what he learned about the US Constitution & America in the process of making that book, and how that deadline insulated him a little from the effects of sheltering in place. We get into remote teaching of his art classes at Parsons, finding his best Zoom angle, trying to adapt his Carousel live cartooning performances to the social distancing world, and the sequel to Masterpiece Comics he hopes to work on next. Give it a listen! And go check out Bob’s books!
You can listen to all these COVID Check-In episodes at The COVID-19 Sessions.
About our Guest
Cartoonist R. Sikoryak is the author of Masterpiece Comics, Terms and Conditions, and The Unquotable Trump (Drawn & Quarterly). He’s adapted the classics for various comics anthologies, including RAW, Drawn & Quarterly, The Graphic Canon, and more.
His comics and illustrations have appeared in The New Yorker, The New York Times Book Review, The Nation, The Onion, MAD, and SpongeBob Comics, as well as on The Daily Show with Jon Stewart. He’s done storyboards and character designs for Augenblick Studios on various animated projects.
Sikoryak teaches in the illustration department at Parsons The New School for Design and previously at The Center for Cartoon Studies. Since 1997, he’s presented his live cartoon slide show series, Carousel, around the United States and Canada.
Credits: The conversation was recorded remotely via Zencastr. I used a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Bob by Kriota Willberg. It’s on my instagram.
“Drag has been the wallpaper in my life forever.”
Author, fashionista, creative ambassador, and recovering window-dresser Simon Doonan takes us on a guided tour of gender non-conformity with his latest book, Drag: The Complete Story (Laurence King)! Simon & I talked through his personal history with drag, how drag has evolved over the millennia, how the current moment is pushing drag in new directions, and why male British comics were so comfortable performing in it (a long-standing question of mine). We also get into his love of craft and how dressing windows at Barneys New York was the perfect venue for him, the value of having a day job and not making art the center of one’s life, how a kid who failed his 11+ wound up writing a shelfload of books, the joy of his crafting reality show, Making It, why he didn’t get through the auditions for Queer Eye, the TV skill he had to learn, his love of history and his abhorrence at the idea of being anyone’s role model, why it’s life-affirming to wear some color, what sort of drag I’d be able to pull off, and plenty more! Give it a listen (conversation begins at 7:53)! And go buy Drag: The Complete Story!
(NOTE: All of Simon’s proceeds from this book go to the Ali Forney Center for LGBTQ youth at risk for homelessness)
“I think it’s good for writers to get out and work. Like Simone Weil: she used to work in a car factory.”
“The message I got from my parents was that life’s just not that complicated. The idea that they’d have been involved in my college application is absurd!”
“I have the ability get very interested in things that are outside of myself. My windows were often based around that.”
“I thought about being an Artist, but realized how much more fun it was to be a window-display designer.”
About our Guest
Writer, Fashionista and Author Simon Doonan is the Creative Ambassador for Barneys New York. His books include Saturday Night Fever Pitch: The Magic and Madness of Football Style, Eccentric Glamour: Creating an Insanely More Fabulous You, Confessions of a Window Dresser, and Gay Men Don’t Get Fat. Simon appears as a judge on the NBC television show, Making It, co-hosted by Amy Poehler and Nick Offerman. His new book is Drag: The Complete Story.
Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at an undisclosed location on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Mr. Doonan by me. It’s on my instagram.