What It Is: 8/16/10

What I’m reading: I finished Holy Terror: Andy Warhol Close Up, the Scott Pilgrim comics, and The Playwright, a comic written by Daren White and drawn by Eddie Campbell. I enjoyed The Playwright a lot more than I enjoyed Campbell’s last big comic that he wrote himself, The Fate of the Artist, and it was a much more satisfying book than the ill-conceived adaptation of The Black Diamond Detective Agency. I need to go back and re-read The Amazing Remarkable Monsieur Leotard to see if I was judging that one too harshly. Anyway, I also re-read Wilson, which I enjoyed just as much as I did when I read it in May, and went back to Matt LaBash’s essay collection, Fly Fishing with Darth Vader, but that’s partly in the interest of clearing off my nightstand. I haven’t thought about what book I want to commit to next.

What I’m listening to: A random mix of singles and albums, none of which are coming to mind right now.

What I’m watching: Greenberg, Notting Hill, Matchstick Men, and District 9. I’ll try to write about them tomorrow.

What I’m drinking: Whitley Neill and Q-Tonic.

What Rufus & Otis are up to: Visiting their golden retriever cousins in Connecticut, then taking a long greyhound hike the next day up at Wawayanda state park.

Where I’m going: Nowhere! Amy managed to get Monday and Tuesday off, so I tweaked the remainder of my vacation schedule to match that, but I think we’re just gonna stay in and do some house stuff and otherwise try to take it easy.

What I’m happy about: Learning that one of my pals is the subject of a new Paris Review Writers at Work interview. And clearing out a shelf and a half of books by admitting to myself that I will never write a novel about the epistemological implications of the Enigma machine and what it means to decode something. Even though it means I have to give up on using the title Tales from the Cryptanalyst. Which I still think is awesome.

What I’m sad about: One of the people on our grey-hike learned she has throat cancer and is getting what sounds like pretty aggressive radiation treatment.

What I’m worried about: What I may find when I’m cleaning out the attic today.

What I’m pondering: How you separate the questions, “What is the meaning of life?” and “Do you believe in an afterlife?”, both of which were posed to me by another person on our grey-hike on Sunday. She’s “conducting an informal poll,” as she put it, on the former question, and it struck me that it’s difficult to talk about that without making assumptions about the latter question.

What It Is: 8/2/10

What I’m reading: Holy Terror: Andy Warhol Close Up, Bob Colacello’s bio of Andy Warhol. I also updated the On My Nightstand page, if you’re interested in seeing other books I hope to get to. Here’s a little bit from Mr. Colacello’s book:

Sometimes I wonder if Andy wanted it to work. I wonder if any of it — the video projects, Interview, even the movies, anything other than the art and the selling of the art — was meant to be serious. Paul was serious about the movies, Glenn and I cared about the magazine, Vincent was committed to coming up with a TV show that worked — but was Andy? He certainly never minded the typos and other mistakes in Interview. “Why do you have to spend so much time proofreading?” he’d always ask. He liked things to be “bad,” he liked things to be “boring” — concepts that may or may not have worked in the realm of art, but were not of much use in the movies, magazines, or television. Sometimes I found this attitude refreshing; other times it was just discouraging. If Andy didn’t really care whether anything came of our efforts, then how should we Maybe all these side businesses were just a way to keep himself busy, to surround himself with creative young people, to put friends on the payroll, to run up expenses and tax deductions against the art profits, to promote the sale of art and make Andy more famous, to spend the days and kill the nights, to ward off his fear and anxiety and emotional distress, to not be alone.

Or maybe Andy genuinely believed that if we took ourselves too seriously, fretted and sweated and tried to be professional instead of just doing it fast and easy and cheap, the end result would be stale and dull instead of turning out different and modern, magic and new.

What I’m listening to: Sir Lucious Left Foot, Rattlesnakes, You Could Start a Fight in an Empty House, Night Work, Walking Wounded, We Are Born, and Spirit of Radio.

What I’m watching: Zombieland and A Single Man. Reviews tomorrow!

What I’m drinking: Stella Artois, and 209 & Q-Tonic, although I didn’t drink much last week.

What Rufus & Otis are up to: Hiking! To Ramapo Lake! And Monksville Reservoir! (and then sleeping a lot.) And getting into their first-ever fight on Sunday! I fed them and went downstairs to read, figuring they’d follow me down after they finished. Instead, I heard loud barking. Near as I can tell, Rufus, as is his wont, finished his bowl quickly and headed over to Otis’ to get whatever bits his brother left behind. Maybe he pushed for the bowl a little too early, because it seems Otis wasn’t having any of it. By the time I ran upstairs, Ru was standing in the middle of the living room, with a little nibble taken out of his cheek, tail pretty firmly stuck between his legs. I looked them both over for any other wounds, but didn’t find anything. Ru hurried down the hall and stayed with his mom for a while. I’m glad Otis stuck up for himself, because I’m always telling Ru to leave him in peace when they’re eating. Sigh.

Where I’m going: Scotch Bowl next Saturday! Charity bowling night for our greyhound adoption group, Greyhound Friends of NJ!

What I’m happy about: Taking last Thursday and Friday off, and not once looking at my work e-mail, checking my voice-mail, or otherwise staying on top of work.

What I’m sad about: I’m going back to the office today.

What I’m worried about: The dogs will eventually figure out that jumping into the back of the car sometimes leads to long-ass, overheating hikes, and they’ll stop being so willing to head off on any old adventure involving the Subaru. On the other hand, my wife is pretty sure Otis is flat-out retarded (this post convinced her), so the chances of them figuring this out are pretty slim, I guess.

What I’m pondering: Undertaking another ruthless purge of my bookcases. Is it an overreaction to my impending 40th birthday, this compulsion to look at a stack of books and tell myself, “You will never have time in the remainder of your days to read (or re-read) this book”? How do other people deal with their mid-life-thing? I sure don’t want to end up like Stewart Lee.

Movie Review Tuesday: Steroids, Ivies and Comics

Time for another installment of movie reviews! All documentaries this week!

Bigger, Faster, Stronger: This is a documentary about the use of performance-enhancing drugs by athletes in America (well, North America, since Ben Johnson’s 1988 Olympics disqualification gets some play). The documentarian, Chris Bell, is a young man whose brothers — one older and one younger — are both on the juice, trying to build careers in pro wrestling and professional weightlifting. The narrator brings a folksy, light touch to the film, discussing the myriad hypocrisies in our legal policies toward PEDs, their demonization. I do think he bites off more than he can chew when he tries to make the point that the beautiful people in advertisements are a big factor in people’s decisions to use steroids and the like. That segment is also the one where he models for both the “before” and “after” sections of a fake nutritional supplement ad in one day, to show how misleading those ads can be. The saddest but best part of the film may be the segment where he interviews the father of “steroid suicide” Taylor Hooton, poster corpse for President Bush’s bizarre anti-steroid announcement at the 2004 State of the Union address. Despite his child’s other risk factors, including use of an anti-depressant known to cause suicidal ideation in teens, the father declares that he “knows” steroids killed his son, and doesn’t care what science or research has to say. The filmmaker treads the difficult line of showing the man’s willing ignorance without overtly humiliating him (or getting his ass beat). Overall, it’s a pretty entertaining documentary about a culture obsessed with getting over.

Harvard Beats Yale 29-29: And then there was a documentary about a 1968 game between a couple of Ivy League schools. I knew nothing about this game when I picked up the DVD, except that Tommy Lee Jones was on the Harvard team that year. The movie rounds up a ton of players from both sides, and a weird trend emerges as they’re introduced: while the Yale players fit the stereotype of WASP-ish legacies and other wealthy scions, many of the Harvard players come from hardscrabble, public school backgrounds. (Which made me think Harvard had lower admission standards for its team, but also made that team a bit more sympathetic than the blue-bloods of the Yale squad.) The filmmakers make virtually no direct intrusion into the film, instead alternating between interviews and footage from the game itself. There’s an attempt at framing the game in terms of tumult of its 1968 milieu, but the story of the game itself, Harvard’s incredible comeback, and the personalities of a few of the players — Harvard’s backup QB Frank Champi, Yale’s QB Brian Dowling (inspiration for Doonesbury’s B.D. character), and Yale’s lineback Mike Bouscaren — sweep the film along. Bouscaren, in particular, illustrates a certain type of self-delusion that must be seen to be believed. Most of the men, 40 years later, are capable of stepping back and saying, “It was just a football game, not life and death,” but you can tell how much resonance that November afternoon had in all their lives.

In Search of Steve Ditko: This is British chat-show host Jonathan Ross’ hour-long documentary about superhero cartoonist Steve Ditko, the man who (co-)created Spider-Man and Doctor Strange for Marvel Comics, then inexplicably quit the company. Ross, a lifetime comics fan, treats Ditko’s legacy with reverence and interviews many subjects about both Ditko’s work and his life, focusing on Spider-Man, but also taking a trip into Ditko’s bizarre Mr. A stories and his Ayn Rand/objectivist fixation. The twin culminations of the documentary are Ross’ interview with Stan Lee and his attempt to meet Ditko at the latter’s Times Square studio. I was touched by how reverent Ross was, and how so many of the interview subjects geeked out over the same passage we all did: Spider-Man’s struggle to get out from under a giant machine in issue #33. The biggest drawback of the show was the inane decision to render all text in Comic Sans. If you’re a comics fan, you really oughtta watch this documentary sometime.

What It Is: 7/26/10

What I’m reading: Holy Terror: Andy Warhol Close Up, Bob Colacello’s bio of Andy Warhol.

What I’m listening to: Stankonia, Mind How You Go, Night & Day, and a whole ton of random stuff while I’ve been incorporating another giant iTunes library into my own.

What I’m watching: Bigger, Faster, Stronger, Harvard Beats Yale 29-29, and the In Search of Steve Ditko, the Jonathan Ross special about a comics recluse/genius (reviews coming tomorrow). Also, the Captain Phil tribute episode of Deadliest Catch, which contained an anecdote about Phil’s father Grant that would qualify for an installment of “You, Sir, Are Bad-Ass” if I could find a summary of it online.

What I’m drinking: 209 & Q-Tonic

What Rufus & Otis are up to: We drove out to the annual Vernon Dog Wash on Saturday, so the boys could get baths and have their nails clipped. The vet accidentally cut one of Rufus’ claws a little too close, leading to a little bloodshed. Of course, Ru being Ru, he didn’t actually react or show any sign of pain. He just left little drops of blood on the floor, prompting the vet to use a “liquid nail” sealer to take care of it. Also, someone in town apparently detonated a bomb a few nights ago. Ru doesn’t react well to thunder, guns (we have hunters out in the woods) or firecrackers, so the explosion sent him into “Bye, everybody! Don’t forget to tip your waiters!” mode, trotting down the hall. I thought he’d gone his usual spot in the guest bedroom, and went to check up on him 10 minutes later. There was no sign of him in there. So I looked in my home office, but he wasn’t there, either. He wasn’t on either of the dog-beds on our bedroom floor, so I got nervous. Then I noticed the reflection of the hall-light off of his eyes. He was so scared he broke with tradition and jumped into our bed (Amy’s side) and curled up against the pillow. Otis had no comment.

Where I’m going: Nowhere! Although I am planning to take a vacation day today, so I oughtta do something with it.

What I’m happy about: Getting to spend an hour of Saturday evening on the deck overlooking the woods, and enjoying a cigar, a G&T and that Ditko documentary on my iPad. Also, my buddy Tom Spurgeon won an Eisner Award for his work at The Comics Reporter! Go, Tom! I hope there’s video of your acceptance speech!

What I’m sad about: I didn’t get up to the Met on my day off Thursday. But at least I got to spend some time at the Frick.

What I’m worried about: That I was often guilty of being a topic hijacker. I’ve tried really hard this year to listen much more to the other person in a conversation, but sometimes I’m afraid the pendulum has swung so far in that direction that I don’t really give an impression of what I’m thinking or feeling. Combine that with my occasionally inappropriate or blank facial expressions, and it’s a marvel I haven’t been arrested on suspicion of something sociopathic.

What I’m pondering: Well, Amy was wondering, “How different would Synecdoche, New York have been if the lead was played by Paul Giamatti instead of Philip Seymour Hoffman?” so you can ponder that along with us.

What It Is: 6/21/10

What I’m reading: Imperial Bedrooms

What I’m listening to: Walking Wounded, You Could Start a Fight in an Empty Room, and High Violet

What I’m watching: Honeymoon in Vegas, Boondocks, and the end of the NBA finals. And then I watched these highlights from Ron Artest’s postgame press conference, which is one of the most joyous things I’ve ever seen:

(The full-length version is here, but I couldn’t get the embed to load properly. Grr.)

What I’m drinking: North Shore #6 & Q-Tonic

What Rufus & Otis are up to: Discovering a turtle, re-enacting Kung-Fu Hustle, and lounging around.

Where I’m going: Nowhere. Except for a visit or two to my office, I likely won’t leave the house much in the next two weeks, except for dog-walks and lunch-breaks.

IMG_2532What I’m happy about: Taking a break from Saturday’s work and going to the NJ Comics Expo (it was about 15 minutes from my home), where I met some older cartoonists and editors and saw a bazillion comics from my youth, now 50-cent fodder in longboxes. Oh, and I saw the Batmobile. I also met Irwin Hasen, the guy who created Wildcat and co-created Dondi, whose solid-black eyes made him the Antichrist of Little Orphan Annie’s world. Mr. Hasen looks about as 91 as he is.

What I’m sad about: How I basically give up the month of June every year. But that’s the job, and it’s preferable to the alternative.

What I’m worried about: Top Companies issue. I’m one profile off-schedule already.

What I’m pondering: Why I downloaded Imperial Bedrooms onto my Kindle. I mean, sure, it was only $9.99, but am I really that interested in how Bret Easton Ellis treats middle age for a bunch of rich Angelenos? Maybe I just need some mental decompression for the next week or so, while I’m writing around 2,000 words a day of pharma company profiles.

Also, I was catching up on past issues of Interview this weekend, and it struck me that there’s just about nobody who would be The Great Get nowadays, that interview subject whom no one else could reach. I mean, sure, there’s Thomas Pynchon, but how many people really care about his writing nowadays? So, I guess I’m wondering, is there one interview that you’d hear about and say, “Wow! I can’t believe they got [x] to sit down for an interview!”?

Weakly – May 7: Blame It on the Ame

[This is the fifth in a series of long-ass rambling posts about my travels in Chicago and Toronto from May 3-9. Part 1 is over here and part 2 is over there. Now, where did I put part 3? Oh, it’s right here! Part 4? I gotcha covered.]

I could’ve sworn the flight was 11:30. Of course, I’m also the guy who forgot where he was flying a few days earlier, so I’m not to be trusted when it comes to air travel.

I got home around 11:30 p.m. on Thursday, woke up at 7 a.m. on Friday, and got to re-packing. Before heading out to BIO, I put together a short list of stuff to do before this jaunt:

  • get passports [don’t let the terrorists win!]
  • turn off water [because the pipes could burst, okay?]
  • leave dog-supplies by door [my pal Jason was to come by to pick up Rufus & Otis later in the day]
  • unplug computers/hard drives [I once came home to find that a power surge has left an external hard drive spinning for days: not good]
  • bring super-awesome present for Tom [scratched, as Tom had to cancel his trip]

No suits for this mini-trip to Toronto, although I did bring along a navy suit-jacket, anticipating cooler weather. Amy & I managed to pack two-plus days’ of clothes & toiletries into my carry-on. No laptop this trip; we’d rough it like the Amish by only using our iPhones on the hotel wi-fi.

I grabbed a selection of Roger Langridge’s comics so I could come up with some questions or observations for our panel conversation on Saturday, and we headed out around 9:45. We ran a little late, but I’d factored in enough time for the 11:30 a.m. departure.

As it turned out, I factored in just enough time for an 11 a.m. departure, which is when the flight was actually scheduled to go.

One of the few problems with flying a little airline like Porter is that, well, there are no signs at its Newark terminal as to what its gate is. Oh, and it doesn’t show up on the departures/arrivals screens. So we sorta muddled our way around the B terminal, had a too-long time in security because the TSA staff appeared never to have seen a computer print-out of a boarding pass, and got to the gate around 10:50. Two minutes later, they began boarding the plane, and we were off for the Great White North 15-20 minutes later.

We flew Porter a year earlier, and it was just a joy. Sorta like an old-school flying experience, right down to the attractive stewardesses. This time, we were a little disappointed by the lack of meal and beer (too early), but I still reveled in the comfort of the half-empty flight. It was a nice contrast to a pair of 100% filled Continental flights during the week.

Another neat aspect of Porter is that, because the airline only flies one particular prop plane, its Newark flights get to take off via a less-used runway. We were third in line to take off, which is unheard-of on a Friday morning. I was once on a flight that was 57th for takeoff (but it felt more like 84th).

Anyway, Porter flies a Bombardier Q-400. The Q stands for “quiet,” which is an accurate descriptor unless you’re sitting in row 9, where Amy & I had our seats. In that case, you’re just in front of where the wings connect to the fuselage, and the noise is a little bad. So it was on with the Bose headphones and, for a change of pace, Lily Allen’s It’s Not Me, It’s You. An adorable track from that record shuffled up onto my iTunes a week or so earlier, so I thought I’d give it a shot. Cute, bouncy, a little preachy, fun. I’m not cut out to be a record reviewer.

The bigger question was: Am I cut out to be a comics interviewer? The main reason we chose this weekend for the Toronto trip was to visit TCAF, the Toronto Comic Arts Festival. We went last year and had a great time. While it was disappointing that Comics Reporter and all-around best pal Tom Spurgeon wouldn’t be able to attend, I was still looking forward to meeting/seeing some of the invited comics luminaries, including Dan Clowes, Jim Woodring and James Sturm (whom I’d met in 1998, but hey).

Most importantly, I’d get to meet Roger Langridge, a cartoonist whose work I’d adored since I first saw an issue of Zoot! c. 1992. I’d corresponded with him online on and off over the years, but this would be our first face-to-face meeting. Originally, I was supposed to “co-moderate” a panel with Tom & Roger. Tom would handle the questions about Roger’s present-day comics, and I would ask questions about his earlier work. When Tom had to cancel, he wished me luck and zapped me some of the questions he’d worked up. He e-mailed the show organizers that this would certainly be a better-looking panel than the original setup.

So, on the hour-long flight, I listened to cutesy britpop, pored over pages of comics from Art D’Ecco, Zoot! Suite, The Muppet Show, Fred The Clown, and Fin Fang Four, and scribbled down some questions. Opening my Art D’Ecco collection, I discovered that it contained a sketch and inscription from Roger. I thought, “Did we actually meet? Am I getting Memento-like with comics?” This worried me, since comics are just about the only temporal anchor I have sometimes. I concluded that the book must’ve been a present from Tom, and that he must’ve gotten Roger to inscribe the book. I just couldn’t recall having seen the sketch before. Still: that’s my story and I’m sticking to it.

The flight was a little bumpy, but not worryingly so. I always feel safer when Amy’s beside me.

We landed at the Porter terminal on City Island (another great advantage to the airline is that it lands right next to downtown Toronto; landing at YYZ means you have a $60+ cab ride ahead of you), went through customs, and waited for the short ferry to the mainland. I noticed a guy ahead of us at the ferry line and whispered to Amy, “I think that’s Dan Clowes.”

“How do you know?” she asked.

“The slightly stooped posture, bald pate, sad eyes and aura of self-loathing,” I didn’t tell her.

I thought of stepping over and introducing myself as a fan of his work, but decided not to. I knew he hadn’t done much press in years — he has a new book out this season, his first in a while — and didn’t want to bother the guy who once drew this panel:

© 1990, Dan Clowes

The ferry soon arrived and disembarked its passengers. One of them walked over to Clowes and shook his hand; he was clearly from the conference. I kept an eye on them as we boarded the ferry. I decided to intrude on their conversation for a moment.

“Hi, my name’s Gil Roth and I was just wondering: are you connected with TCAF? Because I’m a late addition to moderate a panel and don’t know if I need to call or check in with the organizers.”

The second guy introduced himself as Tom Devlin. Clowes less-awkwardly-than-I-expected said, “Hi, I’m Dan.”

“I thought that was you in the ferry line,” I said. “I’ve enjoyed your work for 20 years.”

He sorta smiled, then asked which panel I was moderating. “The Roger Langridge one. I’m filling in for Tom Spurgeon.”

Both guys’ eyes widened. Tom D. asked, “What happened to Tom?” Clowes asked, “Is he okay?”

On his Comics Reporter website, Tom had cited “personal reasons” for having to miss TCAF. I told the guys about his mother’s illness (as related about 10,000 words ago in my May 6 writeup). I was touched by the suddenness of their concern. I don’t really have a handle on how people in the comics industry regard Tom, but both of these guys seemed genuinely worried about him. I was glad I could allay their fears.

Devlin got out a list of phone numbers, and gave me a couple of people to call or check in with at the festival. Clowes looked at the list and said, “Is that a cell phone number fo Chester Brown? Does he have a cell?”

Tom looked at it for a second and replied, “No, that’s gotta be a landline.”

I said, “It’d be even funnier if you had a cell number for Seth.” We all laughed, and Dan speculated that Seth probably has one of those hand-cranked phones with a wooden case. Then Tom added, “I used to tell people that Seth drives a PT Cruiser, but it got to the point where I couldn’t keep a straight face anymore.” Even Amy started laughing over that image. Ah, cartoonist humor . . .

The ferry arrived and I wished Tom & Dan a good show. I hit the ATM at the gate, but it was out of order. Luckily, our cabbie was just fine taking U.S. dollars, since they were nearly on a 1:1 exchange with the canuckbuck.

We got into our room at the Metropolitan, unpacked, and e-mailed our dinner-date to let him know we’d arrived.

See, TCAF was our main reason for coming to Toronto, but it wasn’t our only reason. For one thing, I’ve got family in the city, but almost as importantly, one of our favorite restaurants had recently reopened and we needed to make sure its legendary black cod was still All That. So my pal Sam & his wife Tracie made reservations for the four of us.

While Amy showered, I walked over to Eaton Centre to pick up a brush and a comb for her; I’d managed not to forget to bring anything, but only because most of my stuff was still packed from Chicago.

I figured she’d take a while in the shower, so I meandered around the mall, looking at menswear and trying to assess whether my suit-jacket and a thin sweater would be enough protection against the cold and rain, which turned out to be more severe than predicted. At one point, I discovered a fancy men’s place called Harry Rosen. I’d seen a writeup for its five-storey flagship store in the Porter in-flight magazine a few hours earlier, but this was a mall version. So, no Tom Ford on display, but there was still good stuff to be seen.

An ancient salesman decided to help me out, and pushed suit after suit on me. He declared that my 42 Long size was a lie, and that I’d be far better treated by a 40, perhaps even of Regular length. After a few fittings, I told him that I had to get back to my wife so we could head out for dinner. He gave me his card, told me that he’d be at the store on Saturday, and that if I didn’t see him there, I should “just tell one of the salespeople you’re looking for the youngest person in the store,” he said.

Back in the room, Amy sat worried with limp hair. (I just wanted to write that.)

I brought her comb and brush, then got back to reading Roger’s comics while we waited for our friends to pick us up. It was cold, raining, and the cabfare would’ve somehow turned astronomical.

Dinner was at Ame, a restaurant in the club/theater district. It used to be known as Rain, and I’d had several phenomenal meals there. When we visited Toronto last May, we were crestfallen to find that it was shut down, with plans to reopen later in the year.

The restaurant is owned by Guy Rubino, a chef with a show called Made To Order on Canada’s Food Network. My pal Sam explained that Rain was just too pricey an establishment for its neighborhood, and that the new incarnation — “ame” is Japanese for “rain” — would be more affordable. The place was certainly more hopping on this visit. I couldn’t recall seeing so many people in the restaurant in either of my previous times there (Dec. 2006 and Aug. 2007, if you’re keeping record of my dining experiences and travels).

We parked in a lot a few doors down from the building. After we were seated, I meandered over to the bar to check out The Gin Situation. Sam had already heard about my mind-blowing G&T from two nights before, and was worried that I’d make good on my threat never to drink another. Like that was gonna happen.

Among the standard high-end fare, I noticed a new-to-me gin named Victoria. The bartender confirmed that it was a recent addition and may not have made its way to the states yet. I returned to my table and considered my options.

Before ordering, or even checking out the menu, we spent a while catching up with Sam & Tracie, a chunk of which consisted of my telling Sam some of the BIO stories from earlier in the week. He couldn’t attend this year, but was happy to hear that it was dysfunctional an event as usual for our niche of the industry.

Our waitress was a petite Spanish-ish-looking girl with braces. She was so adorable that Amy pointed out that fact (and also thinks she was less Spanish than maybe black). Taking our drink orders, she spoke pretty authoritatively about the gin selection, and was intrigued by my snooty-ass Q-Tonic (the bar only served the standard stuff, which I was willing to overlook after my nirvana experience in Chicago). I opted for a Victoria and tonic (which meh) while Amy got the Gin Kim chi, a concoction containing gin, pickled ginger, pickled daikon, cilantro, kojuchang, lemon juice simple syrup. It was an awfully inventive and tasty cocktail. I would follow my G&T with an Aviation, but it was nowhere near as lovely as the one I had in Chicago two nights earlier.

After we got over lamenting the lack of a chef’s tasting menu — which the four of us ordered on our last trip here and turned out to include “Squab Three Ways,” one of which was “Squab-Claw of Death” — we rampaged through the menu (with some suggestions from our waitress), pledging to eat family style no matter the size of the dishes.

The pork belly, my late addition to the order, turned out to be a home run, but the grand slam belonged, as ever, to the miso black cod. After one bite, I had to resist my boss’ practice of immediately calling the waitress over and asking for two more orders of it. I mean, we did order a second one, but at least we waited a little while. And, of course, we used our iPhones to take pictures of the dishes and e-mail them to my boss. He really needs to find some advertisers in the Toronto area so he can make a business trip up there.

Though the venue was more crowded than in its Rain days, Ame was never loud, and so the four of us were able to chat away. Sure, Sam & I spent too much time talking business, and I may’ve spent so much time discussing the intricacies of gin that Sam’s wife thought I was an alcoholic, but that’s better than being deaf from crowd noise at the end of an evening, right?

Overall, the meal was a joy. The desserts were . . . interesting, but I scored with a fig-sorbet dish. Sam went with an off-menu special, “Strawberry 18 Bazillion Ways,” one of which was strawberry Pop Rocks. (My brother would have been in heaven. If only Pop-Tarts were involved.) Though we’d ordered a ton of dishes, none of us were in bloated tick mode. We guessed that they got prices down to club-district level by shrinking things a bit. And getting rid of the Squab Three Ways. (And don’t get me started on the loss of Lamb Three Ways, an insanely good dish on my first trip to Rain.)

The only downside to the evening was the discovery that Sam’s car was buried behind three rows of cars: the perils of an early dinner reservation. It was raining pretty heavily and there was no sign of the lot attendant. Tracie talked about taking the train back out to their neighborhood and returning in the morning to get the car. I pondered all available options and concluded that there was nothing Amy or I could do, besides catch a cab back to the Metropolitan. I felt like a heel for so rapidly deciding on that course of action, but before I could propose it, Sam found the lot attendant, and they began the Tetris-like game of extricating his car.

Back at the hotel room, I had a welcome e-mail from Chris Butcher, the TCAF organizer, and a “knock ’em dead tomorrow!” e-mail from my pal Tom. I had a warm belly, a little buzz, my darling wife, and some Muppets comics. I’d also hit Tim Horton’s on two separate occasions earlier in the day. It would be a good mini-vacation.

Next: Cheers Judas

May 3: Bloodshot Eye of the Tiger

May 4: Skokie, the Germans, and the Lost Ugandan

May 5: “Jumpin’ with my boy Sid in the city”

May 6: The Miracle and the Wrigley Killing Field