The musicalized, heat-filled dream of possessing his beloved

I went to Homecoming at St. John’s College this weekend. I got my master’s degree there, but I consider it my alma mater much more than I do my undergrad institution. I had a good time; it wasn’t as transformative as the Piraeus seminar I attended this past May/June, but it was a great opportunity to reconnect with other students, tutors, and an old pal who came to visit on Saturday. I didn’t get to record any podcast conversations during the trip, but did reach out to a few potential guests.

It’s been a busy few weeks for me. Two weekends ago was the Small Press Expo in Bethesda, MD. The next weekend we had a wedding in Dawson, PA, about 375 miles from home. This weekend was Annapolis. Next weekend I leave to Madrid and hope that the riots settle down enough for me to get to my conference safely.

I took a half-day from work on Friday, after pounding out pages and sending PDFs to the contributors of the new ish, so they can send me their corrections in time for me to get the new issue out by Wednesday. I left for Annapolis around 2 in the afternoon and had to deal with a little traffic on the ride down, but got in safe and sound, albeit unfed.

I checked in at my hotel, then drove to campus, got my registration packet, picked up a powerbar-sorta thing for dinner, and headed over to the Homecoming lecture, The Musical Universe and Mozart’s Magic Flute, by Peter Kalkavage. Peter was the tutor for my preceptorial on Hegel’s Elements of the Philosophy of Right. His 1991 essay on the role of Ulysses in The Divine Comedy was one of the things that convinced me to attend St. John’s. (It’s in this PDF.)

The lecture was way over my head, breaking down Tamino’s aria in technical ways to reveal its beauty. I’m not an opera guy and have no musical training to speak of, but I still enjoyed Peter’s exploration of the structure of the music and the effects Mozart achieved from his notes, tones, etc.

I seriously don’t have a vocabulary for this. In the Graduate Institute (the GI), we don’t receive a lot of the instruction that the undergrads do. They have music, languages (ancient Greek & French), and laboratory science. Because of our truncated schedules, we make do with a lot less. (Not that I’m complaining.) I sat with another GI during the lecture. We laughed when everyone in our section flipped the page of their sheet-music handout at the right moment, while we kept looking at the first bar. It’s always fun to be the uneducated one.

Early on, Peter put on a recording of the aria, which he would later play selections of on a piano (and sing particular segments to demonstrate certain progressions). While the recording played, he swayed a little at the lectern. That’s when my reverie began.

I thought of everything that I’ve experienced in the past few weeks. First, I thought about Jaime Hernandez, the cartooning genius, choking up while telling an SPX audience about a scene from a Tyrone Power movie, The Eddie Duchin Story.

I started recalling moments from SPX: meeting people in autograph lines, arguing (gently) with Chris Ware over how “Gill Sans” is spelled, buying art from Jaime and his brother Beto, sitting at a barroom table with the Mt. Rushmore of modern cartooning (the Hernandezes, Ware, Dan Clowes, and Charles Burns were on hand), trying to talk Kevin Huizenga into recording a podcast next time I’m in St. Louis.

From there to Michael Dirda’s house on the way back to NJ. Looking over his bookshelves, noting the UK hardcover of A Frolic of His Own, discovering that third Nabokov collection of lectures on literature, spying the brick of Kingsley Amis’ letters on the shelf behind Dirda while I interviewed him.

A week in NJ followed, with Rosh Hashanah and then the annual conference I help host. Six or seven hundred people come to a hotel to participate in the show, and it always leaves me exhausted, but at least it didn’t leave me in the emergency room like last year’s anxiety-sleeplessness-caffeine feedback loop did.

Right after the conference finished, I drove home, unpacked, then repacked, and Amy & I drove out to Dawson for a wedding: Six-plus hours in the car on 78 and 76, culminating in a dirt road (Lucky Lane) in the dark before arriving at the hotel. Touchscreen cheesesteak at a truck-stop Wawa; a little local bookstore daring enough to have William S. Burroughs’ Queer and Junky on end-cap display (picked up a used copy of The Two Cultures by CP Snow); meeting gin freaks and elderly computer bazillionaires at the wedding; finishing The Good Soldier, on Dirda’s recommendation; watching eight or nine of the male wedding guests gathering in the middle of the dance floor for a bizarre choreographed haka-polka hybrid set to Bachman Turner Overdrive’s “Taking Care of Business”; passing on karaoke.

Sunday morning, we drove out to Fallingwater, about 40 minutes away, before heading back to NJ. It was impossible and gorgeous and everything I hoped it would be, and it made me feel a little sad to be returning to the standard nine-room bi-level of our neighborhood. I thought about the engineer in Local Hero telling Peter Riegert and Peter Capaldi, “Dream large.” I got another touchscreen cheesesteak on the drive home.

Worked frantically through the next week, punctuated with a 25-hour break for Yom Kippur. In addition to the standard fast (no food or drink), I decided I’d really get out of myself and not look at a screen for that span: no iPhone, no computer, no TV. It was as liberating as I expected. By the time I checked my e-mail after breaking my fast Wednesday night (at Greek City in Ramsey), I had 35 messages on my personal e-mails, only a few of which I wanted to respond to, and none of which were imperative.

I prayed Tuesday night and Wednesday afternoon with the Chabad that I visited in past years. They’ve always been accommodating, no matter how slack of a Jew I am. Some of the older gents in the congregation either recognized me from past years or just wanted to introduce themselves and make new acquaintances, which was nice. I’m so bad about joining community; I’m much better with afflicting myself.

At the end of mid-day prayers, we received a blessing from a kohen. I’d never been present for that before. We were instructed to look in his direction, but not to make eye contact during the blessing. It’s customary to cover one’s eyes with one’s tallis during this. The man in front of me set a good screen, however, so I was able to look forward without looking on the kohen’s face.

When I wasn’t at Chabad, I passed the time by re-reading King Lear, since I’d signed up for a 90-minute seminar in it for Homecoming. I hadn’t read it in years, and this reading may have been skewed a bit by the fast, since I was going without caffeine for this stretch.

After mid-day, I drove out to Nyack, NY to walk around and pass sometime. I discovered my favorite bookstore there was gone, replaced by a dry cleaner. I visited another store, the fiction department of which was filled with stacks of trade paperbacks. I tried looking at some back Paris Reviews in a stack, but it started to tip, then bumped another tower of books. I caught both of them and struggled to get them stable again without anyone at the front of the store noticing. A day of affliction can always use a little levity.

And then it was back to work, and then on to Homecoming, where this reverie began. I scrawled these reminiscences all over the backs of the sheet-music handouts. I also wrote down some details of a wonderful dream I had the night before, where I read the profile of an author who wrote a book that, according to a hybrid of Chip Delany, Michael Dirda and Junot Diaz, I would love. The book and the author don’t exist, but I retained the title of the novel, and woke up and wrote it down. I used to dream a lot more about fully-formed works of art, but it hasn’t happened in a while. I’m afraid of what that means.

Among all these notes Friday night, I wrote, “Made PDFs for contributors; put on conference.” Then I wrote, “It’s funny how unimportant those things are, and how necessary for me to live this beauty. How little of work will I remember as I grow old, and how much will I hold onto from everything else?”

Thanks for sticking around. Here are the books I bought at the college store on Saturday:

St. John's College bookstore run

On sobriety

Today’s my 100th day without a drink. I got off the sauce because I wanted to see how much it was affecting my reading. Feel free to laugh at that notion.

I wasn’t drinking heavily — just 2 to 2.5 oz. of gin in a 6-oz. G&T — but I was drinking often: four or five nights a week (always at home, with my wife). At the time, I was doing most of my reading in bed before turning in, and wondered if I was short-changing my books and myself by dulling my brain beforehand.

Like an alcoholic, I started out with a “one day at a time” perspective, seeing if I could go a week without having a drink, then two weeks, then a month. Unlike an alcoholic, I had no history of blackouts, no increasing tolerance to booze, no craving for same, no desire to drink alone, no embarrassing behavior at parties, no boozehounds in my family history, and no pints hidden in the toilet cistern. I’ve never once thought, “Tough day at the office, time to have a drink.”

I should note that this isn’t the first stretch I’ve been on the wagon. In college I didn’t drink until my senior year. In the past, I ascribed that to my “being a drama queen,” but I recently came across a much better term for it in Michael Dirda’s memoir, An Open Book: moral vanity.

I didn’t drink back then so I could consider myself “pure” or unsullied or somesuch idiocy. It wasn’t enough not to drink; I had to be a martyr to the rest of the clear-thinkingly besotted population. I was not a joy to be around, as you can imagine.

I realize now that I’d have had a lot more fun during those years if I’d gotten tanked with my pals every so often. I might have managed to get some of my worst behavior out of my system if I’d bothered to drink and party like everybody else in college. Instead, I held onto some ugly traits for years after.

There’s very little vanity to my sobriety this time around. In fact, I’m a little embarrassed by my dry status. I’ve avoided talking about it unless someone offers me a drink. For years, I’ve (truthfully) told people — a la Ron Swanson — that the only things I drink are water, black coffee and gin. Cutting that down to water and black coffee loses some of its charm.

I’m sure I’ll get crap about this from work-related pals when we’re at trade shows. I haven’t really had to go on the trade show circuit since I got off the sauce, but I have three big shows in September and October. I’m interested to see how I’ll deal with that. Most of those people know me in the context of a casual drink after (and/or during) a trade show. Of course, they also know me as the weird thinky guy who writes editorials about the Talmud, so they likely won’t find my motivation that unfathomable.

But I’m sure you’re wondering, “How’s it treating you, old boy?”

Booze-free for a hundred days, I find that my reading has grown subtler and more intricate. I also find that I’m making much more time to read, since I’m no longer having a G&T and watching TV. I’ve finished 13 books of wildly varying lengths since I made that choice. I seem to remember them all pretty well, too. Overall, I’m sleeping better, but there are some non-booze factors that play into that, too.

Also, I’m healthier. Early this year, my urologist told me that I could reduce my susceptibility to flare-ups of prostatitis by quitting alcohol, caffeine and spicy food. I said, “That’s crazy talk! This isn’t the time for rash measures!” But I haven’t had any degree of prostatitis — which dear Lord is no fun — since going on the wagon. So let’s go eat Mexican and wash it down with coffee!

Besides getting more and better reading in and not feeling like I’ve been walloped in the nuts, the best part of this whole process is reassuring myself that I don’t have a drinking problem. After all, I was able to stop drinking cold turkey and never found myself regretting that choice. It seems that having 4-5 drinks a week was more about my tendency to build up habits and routines than it was about a drinking habit.

The worst part of this experience has been the realization that most people are even more boring than I thought.

Podcast: Four Quartets and Other Pilgrimages

Virtual Memories – season 2 episode 10
Lyn Ballard – Four Quartets and Other Pilgrimages

Lyn Ballard

It’s time for a new episode of The Virtual Memories Show!

In this one, guest Lyn Ballard talks about her gateway books, the metaphysical poets, reading Huck Finn at the age of 5, an embarrassing Stanley Elkin anecdote, the murder of Sir Thomas Overbury, the importance of making literary pilgrimages, and more!

This is part 1 of The Bat Mitzvah Tapes, recorded during our St. Louis trip in August for my niece’s bat mitzvah. Next week, I’ll post a pretty wide-ranging interview with her dad (my brother Boaz), in which I reveal the key to just about all of Quentin Tarantino’s movies.

The Virtual Memories Show is now on iTunes! If you’d like to subscribe, visit our iTunes page!

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Credits: This episode’s music is River of Bass by Underworld. I recorded the intro on a Blue Yeti mic into Audacity, and the conversation with was recorded on a pair of Blue Encore 100 mics, feeding into a Zoom H4N recorder. All editing was done in Garage Band. Have mics, will travel!

The Western Canon

Our library is almost complete; once our handyman finishes putting in the flooring and does some touch-up work, which he thinks he can pull off in the next two weeks, we can move some furniture down there and get to reading. And maybe writing and recording some more podcasts. But mainly reading.

I plan on moving our dining room table, a solid and non-descript Ikea affair, downstairs to serve as my big-ass desk/work-table. Here’s the bookcase that will be situated right above the center of the table.

A Few of My Favorite Things

I thought I’d put some of the good stuff right in front of me as a reminder of how much I have to learn. Click through the pic for a breakdown of what’s there.

An Embarrassment (Of riches? Maybe?)

The library downstairs is nearing completion! All that remains is painting the ceiling and the wall under the shelves, and then putting in the floor (I know, that last part could take forever, but hey).

Last month, I got the idea to inaugurate the new library with some special/new books. I’ve noted before that I’m on a bit of an austerity plan this year. I’ve cut back most of my discretionary purchases, let some expenses go, and basically done some evaluating of what makes me happy and what just distracts me.

I decided our new library could use a nice set of A Dance To The Music of Time paperbacks. I was saddened to discover that the U of Chicago press edition of the four-volume set with slipcover isn’t available (I mean, you can find that set on ABEbooks for like $250, but eh), so I settled for the four paperbacks themselves. I ordered them through my local-ish indie bookstore, Well Read, since they offer a decent online special-order discount and I always try to toss some business their way.

I even had them delivered to the store, rather than my home, so I could stop in and look around the store. And look! Here they are! For only $81.01, with shipping and tax!

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(Yes, my wife bought me a pair of greyhound bookends. No, it wasn’t her idea. I actually looked around online trying to find a nice set for the library, but she’s better at that than I am.)

Well, mission accomplished! I found the books I want to celebrate the new library! I can go back to austerity mode!

Or can I . . .?

A day after I picked up these Powell books, I got an e-mail from bookcloseouts.com, a book remainder site. I noticed they had some Arden Third Series editions of Shakespeare in stock, so I checked out my books downstairs and realized that there were a dozen of them that I could order to (nearly) give me a full set of Shakespeare’s plays! And with the remainder discount, it would only cost me $93.72 (shipping, no tax).

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(No, I don’t want everything in a single volume; these need to be portable.)

There’s a reason I didn’t already have most of those histories, since they’re supposed to be lesser plays, but now I have ’em! The book-buying can end!

Well, there is that Roman “mini-curriculum” that Tom May sent me last weekend. But I can pick those up in drips and drabs. In fact, I took a half-day today to celebrate (there’s a lot of that) finishing my big Top Companies issue of my magazine, and stopped at the Barnes & Noble on Rt. 17 to see if any of Mr. May’s suggestions were in the used books section in the back of the store. I found a copy of Horace’s Odes for $2.50 (score!) and then I noticed . . . the first twelve volumes of the original Love & Rockets collections, for a little under $5 each!

Since I promised David Townsend back in June that I’d initiate him into the world of Los Bros. Hernandez (as part of my plot to get comic books on the curriculum at St. John’s College), I decided to grab the whole lot of them, write him a little guide for what’s worth reading and what he can skip, and start him on the roads to Hoppers and Palomar!

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(Yeah, they even had the 3×3 gridded square edition, Love & Rockets X.)

Which is to say, stop me before I book-buy again!

Let’s Go A-Roman

Since I got back from that Piraeus seminar in Annapolis in early June (part 1 and part 2), I’ve found myself recharged. Now that I’ve wrapped up the Top Companies issue of my magazine, which occupies my June-into-July every year, I feel like I’m ready to get at a lot of reading and writing. While still juggling the podcast, of course.

I thanked both of the tutors who ran the seminar and also asked Tom May for some suggestions for a “mini-curriculum” on the Romans. I’ve always neglected them, and I think it was largely due to my uninformed notion that they were a pastiche or a degradation of classic Greek culture. By extension, I must have assumed that every last member of that world was as decadent as the empire was in its fallen days. I’m not sure how I stumbled across that idea, and why I left it untested for so long. I’m a yutz. Perhaps my enjoyment of Homer made me reticent to even give Virgil a shot.

In fact, when I was out with an old college pal of mine in San Francisco a few months ago, I was actually irked when she mentioned that she’d never been able to get into Homer, but that the Aeneid rocked her world. Keep in mind

  1. I have never read Virgil and have no basis for comparison, and
  2. I’m a 41-year-old man.

WTF, right?

So I began reading the Aeneid on Sunday, and am enjoying the heck out of it. It’s not Homer, but it’s not Homer. It’s Virgil.

Meanwhile, I thought I’d share with you the list that Mr. May e-mailed me, along with his disclaimer:

“I’ll stop here, making no claim that all of the most important works are here, but all of these are seminal and reverberate through the tradition. I led a Graduate Institute preceptorial on Cicero several years ago that was really a delight, thanks to both Cicero and the class; I’d really like to offer one on Ovid, whose Metamorphoses are indispensable for all art and poetry ever after, it seems.”

The only thing I’ve read in that whole list is a bit of Plutarch (I’m still considering doing a Plutarch feature a la my Monday Morning Montaigne series). So I’m gonna get rolling on that Virgil. Aeneas is just bugging out of Troy at the beginning of book 3.

Podcast: Manga-loids and Steampunks

Virtual Memories – season 2 episode 8
Diana Renn and Paul Di Filippo – Manga-loids and Steampunks

The July episode of The Virtual Memories Show is ready to go! This time around, you get two interviews for the price of one!

During my June trip to Boston for the BIO annual meeting, I recorded conversations with Diana Renn, a writer who just published her first book, a YA novel called Tokyo Heist, and Paul Di Filippo, a science fiction writer and critic who’s celebrating his 30th year as a freelance writer.

I thought of posting them as two separate podcasts, but it made more sense to have the perspectives of the first-time novelist and the life-time writer in a single episode. Diana has lots to say about working through the novel-writing process and how her history with comic books informs her, while Paul has a ton to say about the current state of science fiction, how he carved out a role in it, what it’s like to be the “King of Steampunk,” the allure of Providence, RI, and whether he’d have taken an assignment for the Before Watchmen series.

Paul and me

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Credits: This episode’s music is Rewrite from Paul Simon’s recent record So Beautiful or So What? I recorded the intro on a Blue Yeti mic into Audacity, and the conversation with was recorded on a pair of Blue Encore 100 mics, feeding into a Zoom H4N recorder.