Cartoonist & illustrator Karl Stevens rejoins the show to celebrate his new book, Penny: A Graphic Memoir (Chronicle Books), in which Karl explores the inner life of his eponymous cat Penny. We get into the challenges of realistically drawing a tortoiseshell cat (and writing her existentialist thoughts), the book’s origins in his Village Voice strip, and how he avoided plenty of cartoon cat cliches while crafting a book that can appeal to non-comics readers. We also get into his new work adapting another writer’s script for a comic, the experiments he’s doing with different drawing styles, his productive pandemic, and how he’s trying to create book about his father’s Vietnam experience. And we talk about our respective running habits, the virtues of Transcendental Meditation, his learning curve with New Yorker comic submissions, and his deep-dive into back issues of Heavy Metal. Give it a listen! And go read Penny: A Graphic Memoir!
About our Guest
Karl Stevens is a graphic novelist and painter whose comics have appeared regularly in the New Yorker, Village Voice (where Penny premiered), and Boston Phoenix. Stevens’ graphic novels include Whatever, The Lodger, Failure, and The Winner. He lives in Boston with his wife and their
overlords cats, Penny and Pepper. His new book is Penny: A Graphic Memoir.
Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded remotely via Zencastr. I used a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Karl by someone else. It’s on my instagram.
“Marbles was in many respects was the senior thesis in psychology that I never did as an undergrad.”
The great Seattle cartoonist Ellen Forney joins the show to talk about comics, civic art, being bipolar, and the challenges of maintaining! We get into her 2012 graphic memoir, Marbles: Mania, Depression, Michelangelo, and Me, finding a graphic representation of her depressive states, the evolution in her drawing style, the letter she stole from Michael Dougan, the process of going from comics panels to enormous murals for a light-rail station in Seattle, the influence of the Moosewood Cookbook, the importance of a psychology stats class she took in college, how she learned to teach comics, the moment when she felt she was using all her artistic tools, and why she needed Kaz to design her back-tattoo! Give it a listen! And go buy Marbles!
“Knowing statistics doesn’t prepare you for the experience of the person in front of you.”
About our Guest
Cartoonist Ellen Forney is the author of NYT bestseller Marbles: Mania, Depression, Michelangelo, and Me: A Graphic Memoir, and the 2012 “Genius Award” winner in Literature from Seattle’s The Stranger. She collaborated with Sherman Alexie on the National Book Award-winning novel The Absolutely True Diary of a Part-Time Indian, created the Eisner-nominated comic books I Love Led Zeppelin and Monkey Food: The Complete “I Was Seven in ’75” Collection, and has taught comics at Cornish College of the Arts since 2002. She grew up in Philadelphia and has lived in Seattle, Washington since 1989. Ellen swims and does yoga, and fixes things with rubber bands and paper clips.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Ms. Forney’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Promo photo of Ms. Forney by Jacob Peter Fennell. Back-at-her-desk photo of Ms. Forney by me. It’s on my instagram.
“I’m not a foodie, but I love other people’s obsessions about food. I love watching Kings of Pastry and seeing two men carefully bisecting a pastry and sharing it. They’ve got the most serious looks own their faces.”
Rising comics star — don’t blame me, that’s what Publishers Weekly just called her — Andrea Tsurumi joins the show to talk about her new collection, Why Would You Do That? (Hic & Hoc Publications). We get into her off-kilter sense of humor and why I love it, why she chose that title, the most sadistic children’s book ever written and why she adapted it, the comics industry’s saving grace (it’s too small to fail), staged photos during the Civil War, the challenge of teaching comics, her attempt at a work/art/life balance, the comics, cartoons and picture books that influenced/warped her, why she left New York, the truth about cakes vs. pies, and more! Give it a listen! And buy Why Would You Do That?!
“The problem with freelance illustration and comics is just that there’s not enough money, especially if you’re living in New York City. If you don’t have enough money, you don’t have enough time. And if you don’t have enough money or time, you have to make hard choices, and you’ll never have enough wiggle room to have a healthy balance.”
This episode was recorded at the School of Visual Arts, where Andrea studied and where she does some teaching nowadays (that’s her standing next to a print by Jim Rugg). Past guest Nathan Fox, chair of the MFA Visual Narrative Department at SVA, offered us a space to record. SVA’s low-residency MFA Visual Narrative Program includes two years online and three summers in NYC. The program focuses on the growing need for original content creators in advertising, video games, picture books, graphic novels, film, comic arts, illustration and animation, and it prepares artists and authors to become innovators in the ever-evolving art of visual storytelling. Now go listen to the show!
“You know when you’re growing up and you have these moments of dramatic realization of the obvious? That’s what the growing up is.”
About our Guest
Andrea Tsurumi is an illustrator and cartoonist who likes history, absurdity, dogs and monsters (in no particular order). Her first book, Why Would You Do That? is out now from Hic & Hoc. A lifelong book nerd, she received an English BA from Harvard and an MFA in illustration from the School of Visual Arts. She now lives in Philadelphia and likes her ice cream angry.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at the School of Visual Arts on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue enCORE 200 Microphone feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface. Processing was done in Audacity and Logic Pro. Photo of Ms. Tsurumi by me, portrait of her drawing by … someone else.