Episode 600 – Joe Coleman

Virtual Memories Show 600:
Joe Coleman

“I don’t step back that often when I’m in there, because I’m inside this tiny bit of the universe. For me, that’s what living things are: endless world within world within world within world.”

For my 600th episode, the great artist Joe Coleman joins the show to celebrate his phenomenal new career-spanning retrospective book, A DOORWAY TO JOE: The Art of Joe Coleman (Fantagraphics). We talk about art, mortality, mythography, history, the corruption of the flesh, the nature of evil, his Odditorium & the power of relics, Dr. Mombooze-o‘s send-off for his dead parents, playing Whac-A-Mole with T-cell lymphoma, getting arrested for being an Infernal Machine, taxi-driving in NYC’s Travis Bickle era, the inspiration of the Hubble telescope, the pagan Celtic roots in Irish Catholicism, what it’s like to work on one square-inch of a painting for 8 hours at a time, our respective appearances on the Uncle Floyd Show, playing in the Steel Tips with Patrick McDonnell & Karen O’Connell, and how he found his love and muse in Whitney Ward. (Also, this one’s got an interminable intro, so jump to the 15:45 mark to start the conversation.) Give it a listen! And go lose yourself in A DOORWAY TO JOE!

“Even when my paintings are based on a historical subject, I still approach it like a self-portrait.”

“An afterlife? You gotta concentrate on this life, that’s what I need to do. I’ll find out about the other stuff when I need to.”

“I work on wood, not canvas, because I want the surface as smooth as glass. Any texture would prevent the information I could uncover.”

“It’s the corruption of the flesh that makes us all one, and it is holy as well.”

Enjoy the conversation! Then check out the archives for more great episodes!

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About our Guest

Joe Coleman is a world-renowned painter, writer, and performer who has exhibited for five decades in major museums throughout the world including one-man exhibitions at the Palais de Tokyo in Paris, the Kunst-Werke Institute for Contemporary Art in Berlin, the Barbican Centre in London, and Tilton Gallery and Dickinson Gallery in New York. His collectors have included Iggy Pop, Jim Jarmusch, Anthony Bourdain, Leonardo DiCaprio, and H.R. Giger. He was the subject of an award-winning feature length documentary, Rest in Pieces: A Portrait of Joe Coleman (1997) and lives with his wife Whitney Ward in upstate New York.

Follow Joe on Instagram.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at Joe & Whitney’s home on a pair of Blue enCORE 200 microphones feeding into a Zoom PodTrak P4 digital recorder & interface. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Zoom PodTrak P4. All processing and editing done in Adobe Audition CC. Photos of me, Joe & Whitney by me. It’s on my instagram.

Episode 188 – Hayley Campbell

Virtual Memories Show #188: Hayley Campbell

“I love finding people who are obsessed with things. People who devote their lives to things are my obsession.”

Writer and Twitter provocateur Hayley Campbell joins the show for a conversation about her inability to describe her job (don’t call her a “content provider”). We talk about growing up in comics royalty (her dad is the great cartoonist Eddie Campbell), Alan Moore’s magic tricks, nearly losing a comic-shop job because of her lack of a college degree, the celebrity retweet she’s proudest of, and having an accidental career path, no fixed home, and a traumatic brain injury that gooses with her memory (and whether those three things are somehow connected). Also, we get into how she recently embarrassed Jonathan Safran Foer, and more! Give it a listen! And go buy her first book, The Art of Neil Gaiman (Ilex/Harper). And for God’s sake, go follow her on Twitter!

“I think I’m more of a loser in real life than I am on the internet.”

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We also get into her obsession with obsessives, becoming the oldest person at her BuzzFeed office in her early 30s, the insanely creepy Moebius comic she read as a kid, the glories of Australian dentistry, digging through old girlie magazines to research her book on Neil Gaiman, and why she loves writing about boxing. We also compare notes on doing interviews with people whose work you love. Now go listen to the show!

“Dad won’t join Twitter because he’s afraid I’ll have more followers than him, and he’ll be ‘Hayley Campbell’s dad.'”

Enjoy the conversation! Then check out the archives for more great episodes! You might like:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Hayley Campbell writes for a bunch of places but then who doesn’t. She’s written a book about Neil Gaiman (The Art of Neil Gaiman, Ilex/HarperCollins) and if her face looks familiar it’s probably because she sold you comics once. Find her stuff on BuzzFeed, New Statesman, VICE, McSweeney’s, the Guardian, The Debrief, The Comics Journal, The Rumpus, Channel 4 News, Front, Planet Notion and Boing Boing.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at a pal’s apartment in NYC on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface. Photos of Ms. Campbell by me.