Episode 231 – Sven Birkerts
Virtual Memories Show 231:
Sven Birkerts
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“There are thresholds or shelves where we go from having incremental change to systemic moments of transformation.”
In the ’90s, Sven Birkerts cautioned us about the impact of technology on reading with The Gutenberg Elegies. In 2017, we mute our iPhones to talk about his new book, Changing the Subject: Art and Attention in the Internet Age (Graywolf Press). We dive into the impact of digital technology on perception and identity, but also get into the way life becomes a thematic puzzle in middle age, why he stepped down from his role directing the low-residency MFA program at Bennington, the joy of bringing his favorite writers in as instructors (and the ones he regrets not getting), the challenge of interviewing fiction writers, his big literary 0-fer and what I’m missing about Virginia Woolf, how he’s adapting to a year-long sabbatical and how he understands his writing life, what he’s learned editing the literary magazine AGNI, and why the prerequisite for anything he’s reading is that it has to be more interesting to him than whatever it is he’s vaguely brooding about. Give it a listen! And go buy his new essay collection, Changing the Subject!
“When I was your age, I discovered the doubling over of one’s own experience. . . . Themes, recurrences and motifs in my life began to manifest. Then as if on command, the whole sunken continent of memory began to detach from the sea-floor.”
Enjoy the conversation! Then check out the archives for more great episodes!
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About our Guest
Sven Birkerts is the author of Changing the Subject: Art and Attention in the Internet Age and nine previous books, including The Other Walk: Essays, The Gutenberg Elegies, The Art of Time in Memoir: Then, Again, and My Sky Blue Trades: Growing Up Counter in a Contrary Time. He recently stepped down as director of the Bennington Writing Seminars, and he also edits the journal AGNI based at Boston University. He lives in Arlington, Massachusetts, and he’s on Twitter as svenbirkerts and Instagram as cyberbirk.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Mr. Birkerts’ home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Mr. Birkerts by me. It’s on my instagram.
Podcast: They Call me MISTER Hyde!
Virtual Memories – season 4 episode 14 – They Call Me MISTER Hyde!
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“I like that we live in an age that’s increasingly curious about this dark side, and not merely in terms of its pure darkness, but of how seemingly ordinary or normal people can commit atrocities.”
Daniel Levine joins us to talk about his debut novel, HYDE, an inventive and gorgeous retelling of The Strange Case of Dr. Jekyll and Mr. Hyde. It’s a fun conversation about our public and private selves, the ways we define evil, the mechanics of storytelling, the luck of human evolution, and more! Give it a listen!
“Art and torture occupy opposite ends of the same spectrum. Art is the attempt at beauty on a superfluous level . . . while torture is pain taken to an almost artistic, a musical level.”
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Enjoy the conversation! Then check out the archives for more great episodes! Related conversations:
Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!
About our Guest
Daniel Levine studied English Literature and Creative Writing at Brown University and received his MFA in Fiction Writing from the University of Florida. He has taught composition and creative writing at high schools and universities, including the University of Florida, Montclair State University, and Metropolitan State College of Denver. Originally from New Jersey, he now lives in Colorado. Hyde is his first novel.
Credits: This episode’s music is Dr. Jekyll by Miles Davis. (It was either that or Dr. Heckle & Mr. Jive by Men at Work.) The conversation was recorded at Daniel Levine’s childhood home on a pair of Blue enCORE 200 microphones, feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Daniel Levine by me.