Episode 634 – Dan Nadel
Episode 608 – Sven Birkerts
Episode 572 – Sammy Harkham
Episode 564 – Matt Bors
Episode 558 – Daniel Clowes
Episode 256 – Lauren Weinstein
Episode 188 – Hayley Campbell
Virtual Memories Show #188: Hayley Campbell
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“I love finding people who are obsessed with things. People who devote their lives to things are my obsession.”
Writer and Twitter provocateur Hayley Campbell joins the show for a conversation about her inability to describe her job (don’t call her a “content provider”). We talk about growing up in comics royalty (her dad is the great cartoonist Eddie Campbell), Alan Moore’s magic tricks, nearly losing a comic-shop job because of her lack of a college degree, the celebrity retweet she’s proudest of, and having an accidental career path, no fixed home, and a traumatic brain injury that gooses with her memory (and whether those three things are somehow connected). Also, we get into how she recently embarrassed Jonathan Safran Foer, and more! Give it a listen! And go buy her first book, The Art of Neil Gaiman
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“I think I’m more of a loser in real life than I am on the internet.”
We also get into her obsession with obsessives, becoming the oldest person at her BuzzFeed office in her early 30s, the insanely creepy Moebius comic she read as a kid, the glories of Australian dentistry, digging through old girlie magazines to research her book on Neil Gaiman, and why she loves writing about boxing. We also compare notes on doing interviews with people whose work you love. Now go listen to the show!
“Dad won’t join Twitter because he’s afraid I’ll have more followers than him, and he’ll be ‘Hayley Campbell’s dad.'”
Enjoy the conversation! Then check out the archives for more great episodes! You might like:
- Scott McCloud
- Irvine Welsh
- John Clute
- Ron Rosenbaum (2013)
- Ron Rosenbaum (2014)
- David Jaher
- Rupert Thomson (2015)
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About our Guest
Hayley Campbell writes for a bunch of places but then who doesn’t. She’s written a book about Neil Gaiman (The Art of Neil Gaiman
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at a pal’s apartment in NYC on a pair of Blue enCORE 200 Microphones
Episode 186 – Michael Maslin
Virtual Memories Show #186: Michael Maslin
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“Arno is as close to the founder of The New Yorker cartoon as you can get.”
Michael Maslin joins the show to talk about his new book, Peter Arno: The Mad, Mad World of The New Yorker’s Greatest Cartoonist
“There have been all kinds of changes, but it’s still The New Yorker.”
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We also get into Michael’s cartooning influences & anxieties, the website he built to chronicle the doings of New Yorker cartoonists, the time Robert Gottlieb had to shield William Shawn from paparazzi outside the Algonquin Club, the recent Sam Gross gag that made him bust a gut, the incredible apartment building he lived in in on West 11th St. (and why so many New Yorker cartoonists wind up leaving New York). BONUS: I have a two-minute catch-up with one of my favorite cartoonists, Roger Langridge, at last weekend’s Small Press Expo! (pictured below) Now go listen to the show!
“It took 15 years because I’d never done it before. I think I wrote a paper in high school that was a page and a half, so I had to learn how to do all this.”
Enjoy the conversation! Then check out the archives for more great episodes! You might like:
Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!
About our Guest
Born in New Jersey, Michael Maslin was raised in Bloomfield, a bedroom community a half hour due west of Manhattan. In high school, he drew a short-lived comic strip “Our Table” which followed the imaginary exploits of fellow students. Readership was limited to those sitting around him in the lunchroom. About this time, he first submitted work to The New Yorker, and soon received his first rejection.
In August of 1977 the magazine purchased one of his ideas. It was given to and executed by veteran cartoonist Whitney Darrow Jr. (the drawing, of a fortune teller saying to a customer, “Nothing will ever happen to you” appeared in the issue of December 26, 1977). He began contributing regularly to The New Yorker in 1978 – his first drawing appeared in the April 17th issue. In 1988 he married fellow New Yorker cartoonist, Liza Donnelly. They have two children. Simon & Schuster published four collections of his work, including The More the Merrier
In August of 2007 he began Ink Spill, a website dedicated to news of New Yorker Cartoonists, past and present. Ink Spill is comprised of six sections: News & Events, The New Yorker Cartoonists A-Z (a listing of bare bone bios of all cartoonists who have contributed to the magazine), Links, Posted Notes (essays on New Yorker cartoonists), From the Attic (artifacts related to New Yorker cartoons/cartoonists) and The New Yorker Cartoonists Library. Maslin’s biography of Peter Arno, Peter Arno: The Mad, Mad World of The New Yorker’s Greatest Cartoonist
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at Mr. Maslin’s home on a pair of Blue enCORE 200 Microphones
Episode 179 – Andrea Tsurumi
Virtual Memories Show #179:
Andrea Tsurumi
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“I’m not a foodie, but I love other people’s obsessions about food. I love watching Kings of Pastry and seeing two men carefully bisecting a pastry and sharing it. They’ve got the most serious looks own their faces.”
Rising comics star — don’t blame me, that’s what Publishers Weekly just called her — Andrea Tsurumi joins the show to talk about her new collection, Why Would You Do That?
“The problem with freelance illustration and comics is just that there’s not enough money, especially if you’re living in New York City. If you don’t have enough money, you don’t have enough time. And if you don’t have enough money or time, you have to make hard choices, and you’ll never have enough wiggle room to have a healthy balance.”
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This episode was recorded at the School of Visual Arts, where Andrea studied and where she does some teaching nowadays (that’s her standing next to a print by Jim Rugg). Past guest Nathan Fox, chair of the MFA Visual Narrative Department at SVA, offered us a space to record. SVA’s low-residency MFA Visual Narrative Program includes two years online and three summers in NYC. The program focuses on the growing need for original content creators in advertising, video games, picture books, graphic novels, film, comic arts, illustration and animation, and it prepares artists and authors to become innovators in the ever-evolving art of visual storytelling. Now go listen to the show!
“You know when you’re growing up and you have these moments of dramatic realization of the obvious? That’s what the growing up is.”
Enjoy the conversation! Then check out the archives for more great episodes! You might like:
Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!
About our Guest
Andrea Tsurumi is an illustrator and cartoonist who likes history, absurdity, dogs and monsters (in no particular order). Her first book, Why Would You Do That?
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at the School of Visual Arts on a pair of Blue enCORE 200 Microphones
Books-A-Nil
As I’m sure I’ve mentioned on numerous occasions, I’m not happy about the decline of bookstores in the digital age. I’ve spent countless hours wandering through bookshops of all sizes, listening for The Call, entranced by the simple notion of all those possibilities. Any one of those books could have been some sort of key into who I am, or who I was to become.
Now I have a library that can keep me occupied for the rest of my days. It’s likely I’ll never work my way through, but I’m happy to be surrounded by all these volumes and all they have to tell me. (Here’s a decent — but a bit obvious and silly — essay about how you can never keep up. I mean, you should probably read it, but don’t feel obliged.)
For the most part, I feel like I’ve left bookstores behind. If I spy a nice indie one, I’ll stop in and take a look around. On a jaunt through NYC a few weeks ago, I made a few pickups at The Strand and St. Mark’s Books (mainly, I just re-upped my supply of Hicksville
The chain bookstores? Well, let me share with you a pair of stories from the past week.
Last Friday, I stopped in at a not-yet-closing-down Borders during lunch. It’s around the corner from my office, and I didn’t want to head back to work right away. I looked through the magazine section first. I picked up Esquire’s Black Book for spring/summer ’11, because that’s who I am, okay? Quit being so judgmental and just praise my newfound fashion sense!
I drifted through the store for a bit. I took a look at the Graphic Novel (oh, how I hate that term) section, where I saw Dan Clowes’ new book, Mister Wonderful
Amazon turned out to be selling it for $10.50, almost 50% off. So I bought it through my Amazon app there and then, figuring I could wait a few days for it.
I still had that Esquire special ish, so I walked up front with that. There was a line 12 people long, with two cashiers working. I put the Black Book back on the shelf and left
Is it weird that I don’t mind waiting a few days for Mister Wonderful to be delivered to my door, but I do mind standing on line for 10 minutes with old people and housewives during my lunch hour to buy a magazine?
On Tuesday, I stopped at Paramus Park mall to grab some Chik-Fil-A (grilled chicken sandwich sans bun, since I’m triyng to keep kosher for Pesach). There’s a Books-A-Million in the food court area and, even though I once vowed to boycott that chain (they wouldn’t carry a book I was publishing), I thought I’d look around and see if they had any remainders that caught my eye.
I was happy to discover Tony Judt’s book Reappraisals
I walked up to the three cash registers, where I waited two full minutes for a cashier to sell me the book. None showed up, and no employee was in sight of the register area. I put the book down on the register and left.
Yes, I took a picture before leaving:
So I got my grilled chicken and waffle fries (not made with corn oil, or so they said), sat down at a table, tapped the Kindle App on my iPhone, and started reading a bio/sketch/essay from Cultural Amnesia, picking up just where I left off with my e-book the night before.
I feel sad for smaller, independent bookstores that can’t survive the transition to digital. I don’t know what their value proposition will be, to entice readers to spend more than they “have” to on books. But the big chains? They can suck my nuts. They’re so dysfunctional, they can’t even sell me something when I want to buy it.
P.S.: St. Mark’s Books is where my wife & I first laid eyes on each other. I’ll always buy a little something there; that’s my idea of a value proposition.