“I’m an enthusiast. I think that’s why I was a good editor. I fall in love with things and I get very enthusiastic and I boost them. Now I’m a Latin enthusiast.”
Why did former publisher and book editor Ann Patty start studying Latin at age 58? Find out in our conversation about her book, Living with a Dead Language: My Romance with Latin (Viking). We talk about her deep dive into a dead language, the “Living Latinist” revival, her unceremonious exit from the NY publishing world, the terror of the blank page, the perils of groupthink, how her pursuit of Latin reconciled her to the memory of her mother, and more! Give it a listen! And go buy Living with a Dead Language!
“This is going to sound grandiose, but I’m going to say it: I identified with Aeneas because I had to find a new homeland just like he did. My homeland was the publishing world and I was exiled.”
We also talk about where mainstream book publishing has gone wrong, what it was like to be the oldest student in the room by 40 years, how her experience as a publisher and editor helped and hurt her as a first-time author, how Abigail Thomas tricked her into writing a book, the benefits of inflection, her new career goal of Girl Latin Reporter, and more! Give it a listen! And become a patron of this podcast via Patreon or Paypal to get access to bonus conversation with Ann and a big ol’ list of all the books we talked about.
“Editors have been disempowered in favor of groupthink, and there’s nothing more horrible than groupthink. Any book I was ever successful with would not have been bought if it had been subject to groupthink. I include Life of Pi.”
About our Guest
Ann Patty worked in New York trade publishing for more than 30 years. She was the founder and publisher of The Poseidon Press and an executive editor at Crown Publishers and Harcourt. Her first discovery as an editor was V. C. Andrews’ Flowers in the Attic. Other highlights of her career include the US hardcover debuts of: George R. R. Martin, Graham Swift, Mary Gaitskill, Patrick McGrath, Clive Barker, Frank Zappa, Michael Moore, Siri Hustvedt, and Kristin Hannah. She was the editor of Steven Millhauser’s Pulitzer Prize-winning Martin Dressler, and Yann Martel’s Booker Prize-winning Life of Pi. In 2008 she became a freelance editor and began studying Latin, which she continues to do. She teaches Latin to teenagers at her local library in Red Hook, New York. Living with a Dead Language: My Romance with Latin is her first memoir.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at Ann’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue enCORE 200 Microphone feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface. Processing was done in Audacity and Logic Pro. Photo of Ann by me.
It’s time for our year-end Virtual Memories tradition: The Guest List! I reached out to 2015’s podcast guests and asked them about the favorite book(s) they read in the past year, as well as the books or authors they’re hoping to read in 2016! More than 30 responded with a dizzying array of books. (I participated, too!) So now that you’ve got your Hanukkah and/or Christmas gelt, the Virtual Memories Show offers up a huge list of books that you’re going to want to read! Get ready to update your wish lists!
This year’s Guest List episode features selections from nearly 3 dozen of our recent guests! So go give it a listen, and then visit our special Guest List page where you can find links to the books and the guests who responded.
About our Guests
The guests who participated in this year’s Guest List are Derf Backderf, Anthea Bell, John Clute, Michael Dirda, Matt Farber, Jonathan Galassi, Brad Gooch, Langdon Hammer, Liz Hand, Jennifer Hayden, Ron Hogan, Dylan Horrocks, David Jaher, Kathe Koja, Jonathan Kranz, Peter Kuper, Lorenzo Mattotti, JD McClatchy, Scott McCloud, Michael Meyer, Dan Perkins (a.k.a. Tom Tomorrow), Summer Pierre, Witold Rybczynski, Dmitry Samarov, Elizabeth Samet, Liesl Schillinger, Posy Simmonds, Levi Stahl, Rupert Thomson, Irvine Welsh, Warren Woodfin, Jim Woodring, Claudia Young, and me, Gil Roth! Check out their episodes at our archives!
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. Most of the episode was recorded at Virtual Memories Manor on a Blue Yeti USB Microphone. A few segments were recorded by the guests and e-mailed in (which is to say: don’t blame me!). Processing was done in Audacity and Logic Pro.
“How do you learn things? How do you acquire the patience to admit when you don’t know things? I think those are really important things for an Army officer to know.”
Elizabeth D. Samet has been a professor of English at West Point since 1997. We talk about the tension between education and training at the military academy, the importance of books to soldiers and officers serving overseas, learning West Point’s unique argot, preparing her students to be unprepared, trying (and failing) to convince Robert Fagles that Hector is the moral center of the Iliad, why she doesn’t teach Henry V to plebes, how not to get caught up in the tyranny of relevance, why she balked at learning the fine art of parachuting, and more! Give it a listen!
“The question I’m endlessly fascinated with is, what do we call war and what do we call peace and can we draw these nice distinctions? It seems to me right now that we can’t.”
NOTE: The opinions Elizabeth Samet expresses in this interview are her own and do not necessarily reflect those of West Point, the Department of the Army, or the Department of Defense.
We also talk about teaching students who are both future Army officers and 18-year-old kids, how West Point and the student body changed after 9/11, her new anthology (Leadership) and her first two books (Soldier’s Heart and No Man’s Land), her house-on-fire list of books to save, her quarrel with Plato, and her adoration of Simeon’s Maigret novels. Bonus: I tell a long, awful and emotional story from last weekend (it starts around the 75:00 mark, so feel free to stop long before that).
“I have this idea about Plato: no one loves Plato who does not already think himself a guardian.”
We talk about a lot of of books in this episode. Here’s a list of ’em (Note: if I ever go to a Patreon crowdfunding model for the show, this is the first thing that goes subscriber-only):
- Soldier’s Heart: Reading Literature Through Peace and War at West Point – Elizabeth Samet
- No Man’s Land: Preparing for War and Peace in Post-9/11 America – Elizabeth Samet
- Leadership: Essential Writings by Our Greatest Thinkers – Elizabeth Samet
- An Army at Dawn: The War in North Africa, 1942-1943, Vol. One of the Liberation Trilogy – Rick Atkinson
- The Day of Battle: The War in Sicily and Italy, 1943-1944, Vol. Two of the Liberation Trilogy – Rick Atkinson
- The Guns at Last Light: The War in Western Europe, 1944-1945, Vol. Three of the Liberation Trilogy – Rick Atkinson
- The Amazing Adventures of Kavalier & Clay – Michael Chabon
- Bleak House – Charles Dickens
- Middlemarch – George Eliot
- Personal Memoirs of U.S. Grant / Selected Letters, 1839-1865 – Ulysses S. Grant
- Everything Flows – Vassily Grossman
- Life and Fate – Vassily Grossman
- Catch-22 – Joseph Heller
- The Iliad – Homer (tr. Fagles)
- The Odyssey – Homer (tr. Fagles)
- Do No Harm: Stories of Life, Death, and Brain Surgery – Henry Marsh
- Black Swan Green – David Mitchell
- The Complete Works – Montaigne
- Lives of Noble Grecians and Romans, Vol. 1 – Plutarch
- Hamlet – Shakespeare
- King Richard II – Shakespeare
- War and Peace – Tolstoy
- Anna Karenina – Tolstoy
- Hadji Murat – Tolstoy
- The Aeneid – Virgil (tr. Fagles)
- Sword of Honor – Evelyn Waugh
About our Guest
Elizabeth D. Samet is the author of No Man’s Land: Preparing for War and Peace in Post-9/11 America (FSG). Her first book, Soldier’s Heart: Reading Literature Through Peace and War at West Point (Picador), won the Los Angeles Times Book Prize for Current Interest and was named one of the 100 Notable Books of the Year by The New York Times. Samet’s work has appeared in various publications, including the The New York Times, The New Republic, and Bloomberg View. She is also the editor of Leadership: Essential Writings by Our Greatest Thinkers, which is out this month from Norton. Samet won the 2012 Hiett Prize in the Humanities and is also the recipient of a Guggenheim Fellowship. She is a professor of English at West Point.
Credits: This episode’s music is On, Brave Old Army Team by West Point Marching Band. The conversation was recorded at Prof. Samet’s apartment on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Formal photo of Prof. Samet by Bachrach; bookshelf photo of Prof. Samet by me.
“I love the notion of great beauty hidden in ugliness. Or vice versa.”
Amanda Filipacchi joins this week’s show to talk about her latest novel, The Unfortunate Importance of Beauty: A Novel (WW Norton), her solution to sexism in the publishing world, her misgivings about contributing to a website of authors’ 10 favorite books, her attraction to surrealism and fairy tales, her garden-of-forking-paths approach to fiction, and more! Give it a listen!
“My big life obsession is my lack of productivity and my constant struggle to be more productive. . . . In theory, I have a routine, but I don’t find myself sticking to it.”
Also, I make a pretty amazing bookstore discovery in the airport in Milwaukee, and give (as expected) heady praise to Clive James’ new essay collection, Latest Readings.
We talk about a bunch of books in this episode. Here’s a list of ’em (Note: if I ever go to a Patreon crowdfunding model for the show, this is the first thing that goes subscriber-only):
- The Unfortunate Importance of Beauty: A Novel – Amanda Filipacchi
- Love Creeps: A Novel – Amanda Filipacchi
- The Remains of the Day – Kazuo Ishiguro
- The Blazing World – Siri Hustvedt
- In Search of Lost Time – Marcel Proust
- Survival In Auschwitz – Primo Levi
- The House of Mirth – Edith Wharton
- Jane Eyre – Charlotte Bronte
- Crime and Punishment – Dostoevsky
- The Picture of Dorian Gray – Oscar Wilde
- The Great Gatsby – F. Scott Fitzgerald
- The Lottery and Other Stories – Shirley Jackson
- Emma – Jane Austen
- The Fairy Tales of Charles Perrault
- The Wind-Up Bird Chronicle: A Novel – Haruki Murakami
- Up in the Air – Walter Kirn
- Blood Will Out: The True Story of a Murder, a Mystery, and a Masquerade – Walter Kirn
- Big Brother: A Novel – Lionel Shriver
- We Need to Talk About Kevin – Lionel Shriver
- May We Be Forgiven: A Novel – A.M. Homes
- Sparta: A Novel – Roxana Robinson
About our Guest
Amanda Filipacchi is the author of four novels: Nude Men (Viking/Penguin 1993), Vapor (Carroll & Graf, 1999), Love Creeps (St. Martin’s Press, 2005), and The Unfortunate Importance of Beauty (W. W. Norton, Feb. 2015). Her fiction has been translated into fourteen languages and been anthologized in The Best American Humor 1994 (Simon & Schuster), Voices Of the X-iled (Doubleday), and The Good Parts: The Best Erotic Writing in Modern Fiction (Berkley Books). Her writing has appeared in The New York Times, The Wall Street Journal, The New Yorker, and The Atlantic.
Born in Paris, France, Amanda Filipacchi was educated in both France and the US, and has lived in New York since the age of seventeen. She earned a BA from Hamilton College and an MFA in creative writing from Columbia University. She lives in Manhattan with Richard Hine, also a novelist.
Credits: This episode’s music is Head in a Box by Lori Carson. The conversation was recorded at an undisclosed location on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photo of Ms. Filipacchi by Marion Ettlinger.
“Zweig was immersed in the problem of the disjunction between our grand desires for the kind of life we dream we should be living and the actual circumscribed canvas on which we must operate.”
At his peak, Viennese author Stefan Zweig was one of the most widely read authors in the world. How did he and his wife end up in a double-suicide in a bungalow in Petropolis, Brazil? George Prochnik joins us to talk about his new biography, The Impossible Exile: Stefan Zweig at the End of the World (Other Press). We discuss the arc of Zweig’s exile, why Zweig remains important to our age (both in his writing and in his character), how he lost his belief in the power of bildung, the fleetingness of fame and the accident of survival, the role of education in changing political dynamics, the contemporary revival of Viennese culture, the reason why Zweig fled New York City, and more!
“I think he felt that the more we have to produce official documents to indicate who we are, the more we are reduced to that strip of paper.”
We also talk about our respective introductions to Zweig’s work, the ways that his final novella may be an allegory for Vienna, the danger of looking for clues to Zweig’s suicide in his writing, and how he may have been the inspiration for Woody Allen’s Zelig. Give it a listen! Go pick up a copy of The Impossible Exile: Stefan Zweig at the End of the World! And check out my Zweig-shelf!
About our Guest
George Prochnik’s essays, poetry, and fiction have appeared in numerous journals. He has taught English and American literature at Hebrew University in Jerusalem, is editor-at-large for Cabinet magazine, and is also the author of In Pursuit of Silence: Listening for Meaning in a World of Noise and Putnam Camp: Sigmund Freud, James Jackson Putnam and the Purpose of American Psychology. He lives in New York City.
Credits: This episode’s music is Brazil by The Coasters. The conversation was recorded at Mr. Prochnik’s home on a pair of Blue enCORE 200 microphones, feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Mr. Prochnik by me.
“In the late 1970s, I wanted to write against the grain, so I wrote about a marriage that lasted a long time, with all the strife and stresses.”
Novelist, essayist, poet, short story writer, and translator Lynne Sharon Schwartz sat down with me to talk about her newest essay collection, This Is Where We Came In: Intimate Glimpses (Counterpoint), but we talked about a lot more in our hour! Listen in to learn how she and her husband began recording literary readings by authors like James Baldwin, Philip Roth, John Updike, William Styron in the ’60s, and how they’ve re-launched those recordings. We also discuss how second-wave feminism convinced her to pursue a writing career, how her ear for music influences her writing, why she swears by audiobook reader David Case, and how Margaret Atwood once dropped the boom on Norman Mailer. Give it a listen!
“Although I identify with feminism, my literary tastes don’t divide into men and women; it’s the ones who are concerned with language and delight in language, rather than their gender, that I read.”
We also talk about her love of digressive essays, the joys of translation, her travel-anxiety, the difficulty in getting a book of essays published, why W.G. Sebald is one of her favorite authors, and how — kinda like last week’s guest, Caitlin McGurk — she got involved in bringing back lost women writers.
About our Guest
Lynne Sharon Schwartz is the author of more than 20 books, including novels, short story collections, non-fiction, poetry, and translations. Her new essay collection, This Is Where We Came In: Intimate Glimpses, was just published by Counterpoint. Her first novel, Rough Strife, was nominated for a National Book Award and the PEN/Hemingway First Novel Award. Her other novels include The Writing on the Wall; In the Family Way: An Urban Comedy; Disturbances in the Field; and Leaving Brooklyn (Rediscovery), nominated for the PEN/Faulkner Award. She and her husband Harry have launched Calliope Author Readings, which offers lovers of literature a rare opportunity to hear great 20th century American authors interpreting their own works. Ms. Schwartz has received grants from the Guggenheim Foundation, the NEA, and the New York State Foundation for the Arts. Her stories and essays have been reprinted in many anthologies, including The Best American Short Stories, The O. Henry Prize Stories, and The Best American Essays. She has taught writing and literature at colleges and universities in the U.S. and abroad. She lives in New York City.
Credits: This episode’s music is Gladiolas by Scott Joplin. The conversation was recorded at Ms. Schwartz’s home on a pair of Blue enCORE 200 microphones, feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Ms. Schwartz by me.