Weakly – May 6: The Miracle and the Wrigley Killing Field

[This is the fourth in a series of long-ass rambling posts about my travels in Chicago and Toronto from May 3-9. Part 1 is over here and part 2 is over there. Now, where did I put part 3? Oh, it’s right here!]

Where were we? Oh, yeah: I had gone to bed at midnight, head pounding, anticipating a hangover to rival Informex in Las Vegas 2004. That time, my publisher, a sales-pal of his, and I started drinking sangria around 4 p.m. when the show ended, and kept going until around 11. That was the time I discovered you could be hungover while still drinking. The cab-ride to the airport the next morning was no doubleplusungood. However, the early-morning flight back to Newark was filled with TV executives, and they were all coke-burnouts, so my omnipresent sunglasses and greenish pallor went unremarked.

This time around? Sure, I’d taken the ibuprofen & Gatorade combo that served me in pretty good stead back in grad school, but I didn’t have high hopes.

And then I opened my eyes at 6 a.m. and felt perfectly fine. I was puzzled. I immediately ran my hangover-diagnostic, rolling my eyes up, down, left and right, waiting for the brain-crippling pain to strike. But it never came. I cautiously got out of bed, expecting to find that

  1. I was still drunk and couldn’t stand up straight,
  2. I was dead and that a bright white light was going to stream through the door of the hotel room and take me to that great mall in the sky, or
  3. I’d crapped the bed.

Astonishingly, it turned out to be none of the above. A miracle had transpired, right there in my overpriced hotel room in Chicago! I’ve long sworn by the notion high-end gins as being less damaging to one’s health than a Bombay Sapphire or Tanqueray, but the two Hendrick’s at dinner were pretty sizable and (for me) quickly consumed. I didn’t recall pacing the North Shore & tonic over any appreciable length of time. And I’d neglected to mention the beers earlier at the conference, a couple of Sam Adams bottles courtesy of the nearby Massachusetts pavilion, because I didn’t want you to think ill of me.

With relative vigor, I strode into the bathroom and peed for about five minutes straight, during which time I checked my iPhone, which I’d left charging on the counter. It was there that I’d received the bad news to counter my awesome start to the day.

My pal Tom, who was planning to join us in Toronto for the weekend, had to cancel his trip. His mom (and travel partner for this junket) had taken ill the night before the flight to Canada, and he could neither compel her to risk her life on a plane or abandon her, what with it being Mother’s Day weekend and him being a decent human being. Beyond my worries about his mom’s health, this bummed me out because I was hoping to spend some time shooting the breeze with Tom during the trip. Also, he was supposed to moderate an all-star panel of cartoonists at the Toronto Comic Arts Festival during the weekend, and I knew how much he was looking forward to that. And then there was the panel we were supposed to moderate together . . .

He’d e-mailed 40 minutes earlier with the bad news and asked me to call. It was 4 a.m. local time for him, but I followed his orders. He told me that his mom had been able to rest once Tom had convinced her that she wasn’t “ruining everything” by getting sick. I’m sure the anxiety over a canceled trip exacerbated the health problems she was having. Tom was sad about having to miss TCAF, as well as dining & conversation with me and Amy.

A week earlier, he asked me if I’d be interested in co-moderating a panel with him during the festival. It would consist of the two of us interviewing one of my favorite cartoonists, Roger Langridge. Tom figured that I could focus on Roger’s earlier “alternative” work, while he would tackle Roger’s most recent project, an ongoing comics adaptation of The Muppet Show. I was thrilled to have been invited, but by the end of our conversation this morning, I had volunteered to conduct the interview solo. It’s funny how these things happen. Once we were off the phone, I wrote down in my notebook, “Pick up Langridge books!” I was only going to be home for about 10 hours between flights, and would likely forget something important; I’d need to read through some of Roger’s comics to put together some good questions for him.

Meanwhile, I still had another day of BIO ahead of me! The only appointment on my calendar had fortunately rescheduled from an 8 a.m. breakfast conversation to a 1 p.m. stop at my booth. Hungover or not, I was happy not to have a conversation about bio-manufacturing market issues before I’d metabolized my morning coffee.

Also, it’d give my skin time to settle down. Between the harsh soap of hotel sheets and pillowcases, and the need to shave every morning (I usually go 2 days between shaves), my face can get pretty scratchy and irritated in the morning. There are many little aspects of business travel that make it a pain.

So I packed, cleaned up, put on “final day” clothes — suit-jacket, dress shirt and tie and khakis, rather than a full suit — and headed out for the show. The stop for the shuttle-bus was gone, as our corner of E. Illinois St. was blocked off for some sort of Top Chef competition and taping. A cardboard cutout of Padma Lakshmi leaned against a production truck. I wondered if I could get it onto the airplane that evening. The new stop turned out to be around the block, and I shared the trip with another pal from the same Belfast-based company. His accent is easier for me to understand than Philip’s, but he’s a quiet-talker, so I was back at square one.

For some reason, the conference organizers had decided that the final day of BIO should run a full 9:00-5:00 schedule, a bizarre move considering that

  1. shows always have shorter hours on the final day, because that day is slower than molasses and it’s ridiculous to make exhibitors stand around with no one to see for 8 hours, and
  2. this would result in hundreds — if not thousands — of people streaming out to cabs and airport shuttles during Chicago rush hour.

My flight home was 7:15, and I already anticipated that I would have to get out of a traffic-stranded cab, grab my suitcase, and start running down the highway to get to O’Hare in time. Fortunately, my boss realized that it was a little unfair to have me on setup and teardown duty with my mini-vacation schedule. He paid the show organizers to take down the pop-up, pack it, and ship it back to us. This meant I could bolt by 3:30 or 4:00. I was relieved.

“It’s a pity you didn’t come to dinner with us last night,” my boss said. We nicknamed him Captain Zagat because of his devotion to finding great restaurants wherever we go.

“Where’d you eat?”

“We went for Italian,” he said. I looked puzzled; what with him being a goombah from NJ and all, I didn’t think he’d bother with Italian anywhere but home. “Yeah, yeah, I know. This is probably the first Italian restaurant I’ve gone to west of New York. But it was amazing! The only problem happened at the end. . .”

The dinner party was just my boss, my sales director, and my associate editor. The latter two headed off for the ladies’ room while Cap’n Z. settled the bill. The owner came by the table to talk to him, and he told her how this was one of the finest Italian meals he’d ever had. She chatted with him for a second, then suddenly ran away from the table.

He wondered what he’d said to cause that reaction. Then she came running back, carrying a glass of water from a nearby table. Apparently, when my sales director had gotten up, she’d tossed her cloth napkin on the table and it landed on a candle. The owner was able to douse it before the fire spread, but my team was pretty embarrassed.

I was glad I went with My Dinner With Sid instead.

As is my wont, I meandered around the exhibit hall on and off throughout the day. Most of my advertiser pals were happy to shoot the breeze, since most attendees had already blown town. I was trading travel plans with a pal of mine. He was headed back to the Pacific Northwest the next day, so I gave him the location of the lounge I hit the night before, along with the name of that amazing gin.

I told him, “At some point, I thought it was smart to get a flight home that lands at 10:30 p.m., then get a flight at 11 a.m. the next morning for Toronto.”

“You’re dumber than you look,” he remarked.

His new CEO, a smooth businessman near my age, was in earshot, and asked, “Why are you visiting Toronto?”

I thought for a moment about how to answer this. I could’ve just gone with, “I have family and friends up there, and my wife loves the restaurants.” After all, this guy represented one of our major advertisers, and I didn’t know him well enough to judge how he’d react to finding out the editor of one of the major pharma B2B magazines is also an indie-comic geek.

On a whim, I said, “There’s a comics and cartooning festival going on up there, and I’m moderating a panel.”

He brightened. “Really? There’s a fantastic comic store in Toronto that you have to visit!” he exclaimed.

I was flabbergasted, but was able to say, “You mean The Beguiling?”

“No, no! That’s good, too, but you have to get to The Silver Snail! It’s on Queen Street! It’s amazing!”

I told him I’d check it out, depending on how much time I had. He was heading out from the show, shook my hand, and left.

My pal stared at me, and said, “I don’t believe that just happened.”

“Neither do I! He likes comics?”

“Dude. That’s so bizarre.” He gathered up a few coworkers to tell them about the exchange, and all of them were incredulous. Between that and the discovery that my pal Sid went to college with my future sister-in-law, this trip sure kept me on my toes.

My 1:00 p.m. appointment rescheduled for 3:00 and, while it went well, we were often interrupted by the noise of people tearing velcro displays down, or sealing boxes with packing tape.

Around 3:30 the marketing director asked, “What time are you heading out?”

“As soon as we’re done talking,” I told her.

“Oh, my gosh!” said the VP of business development. “Why don’t you head out? We’ll talk more once we’re back in the office!” We traded cards and they left for their booth.

Here are the two biggest lessons I’ve learned in my <gasp!> 15 years covering trade shows for business magazines:

  1. wear comfortable shoes
  2. keep outgoing cards in one pocket, incoming cards in the other

The first is pretty obvious: you’re spending hours and hours walking through a lightly carpeted convention center hall. The second? Think of how dopey you look when you hand someone your card and then realize it’s another person’s card. You end up fumbling through a stack of jumbled cards, trying to find one of yours. It’s unprofessional and easily preventable: just keep your cards in one pocket, other people’s cards in the other. Don’t say I never did anything for you.

(Note: you could go with a fancy-looking card holder, but nobody trusts someone who uses one of those.)

Around 3:45, I closed up the booth, putting the remaining magazines out on the table, and headed for the cab stand. There was no line, which worried me. As it turned out, that was because every single person at BIO was already in a cab on the way to O’Hare. Seriously, the traffic was insane. I marveled at the idiocy of stretching the last day to 5:00 p.m., and was thankful that I wasn’t going to be there for it.

The 20-mile drive to O’Hare took more than hour. I put on my iPod, listened to The National, in anticipation of their new record, and watched the scenery, such as it was. The only noteworthy sight (well, the only thing I can recall) was a strange billboard for the Chicago Cubs:

It’s not opening day.

It’s opening year.

YEAR ONE

Year One? Eek! Apparently Pinella was overthrown by Pol Pot, the Cubbies are playing at Wrigley Killing Field and Carl Zambrano’s stint “in the bullpen” is just another version of the re-education camps. I can’t imagine what they’d do to Steve Bartman.

Anyway, the airport was uneventful. When I checked in at an e-kiosk, I was offered $200 to defer my flight till next morning. For a split-second, I thought, “I could change tomorrow’s ticket on Porter to a Midway-to-Toronto, and Amy could drive herself to Newark in the morning.” Then I thought, “Only if they add a zero or two to that offer.” They didn’t, so i spent some time in the Red Carpet Club (United’s version of the President’s Club), saw the news about some wild stock market gyrations, read some of that Mitchum biography, continued to marvel over my lack of a hangover, and chose not to tempt fate by having a Hendrick’s & tonic at the club bar.

I got in to EWR safe and sound, hit the ground running (well, relaxedly strolling) and walked in the door at home at 11:30 p.m., greeted by wife and tail-wagging, face-licking doggies, the latter of whom had no idea I was going to be out the door 10 hours later.

Next: Ame and Squalor Victoria

May 3: Bloodshot Eye of the Tiger

May 4: Skokie, the Germans, and the Lost Ugandan

May 5: “Jumpin’ with my boy Sid in the city”

What It Is: 5/10/10

What I’m reading: Wilson, by Dan Clowes, and Baby, I Don’t Care, that Mitchum bio.

What I’m listening to: It’s Not Me, It’s You, by Lily Allen.

What I’m watching: You Kill Me, a little indie flick with Ben Kingsley, Tea Leoni, and Luke Wilson.

What I’m drinking: The greatest G&T ever (details to come)

What Rufus & Otis are up to: According to my pals Jason & Kristy, who hosted them this weekend, the boys were running around like maniacs in the backyard, learning to fetch sticks and tennis balls, and otherwise demonstrating all sorts of well-adjusted doggie behavior that they don’t often evince at home.

Where I’m going: Nowhere, thank gosh.

What I’m happy about: See above. As in, I’m happy to be home. But I’m also happy that I kept my head above water while cramming a lot of activities into the past week, esp. getting to meet Roger Langridge, one of my favorite cartoonists, at the Toronto Comic Arts Festival. Catching up with my old grad school pal Sid in Chicago was nothing to sneeze at, either.

What I’m sad about: Not a lot. I’m too tired to be sad.

What I’m worried about: That I won’t eat anything half as good as the black cod at Ame for quite a while.

What I’m pondering: How long it’ll take me to write the day-by-day chronicle of the past week, and how many details I’ll forget.

Classic Comics Criticism: Langridge Barrier

In honor of the trade paperback release of the most entertaining all-ages comic I’ve read in forever, The Muppet Show: Meet the Muppets (as well as the 2nd ish of The Muppet Show: The Treasure of Peg-Leg Wilson), this week’s Classic Comics Criticism celebrates Muppets writer/artist Roger Langridge!

This is a review I’m kinda proud of. As I mentioned in a few weeks back, I actually got a message from one of the Langridges (Roger, as I recall) about how happy they were to find out that someone actually “got it”. I think this led to my receiving a bunch of Rogers’ mini-comics (like this one) later on, which I’m sure survived my last move in 2003.

If you’re trying to get kids into comics and you were a fan of The Muppet Show, you’ll do just fine by starting ’em off with Roger’s Muppet book. Zoot Suite? Wait till they’re a little older.

* * *

Zoot! Suite • Roger and Andrew Langridge • Fantagraphics Books

Is there something perverse about waiting for the conclusion of a story based on Zeno’s Paradox? If so, then label me a pervert. The story in question, “The Journey Halfway,” from the Langridge Brothers’ Zoot!, began as a relatively light jab at the Kafkaesque workings of the DMV. Over the course of six issues, as Zoot! grew increasingly bizarre (and, one presumes, unsaleable), the story evolved into a traipse through Beckett’s theater, then launched into a near-death experience culled out of Finnegans Wake. And then Zoot! was canceled.

I held out a minor hope that there would be a wrap-up of some kind, a final installment of the Langridge Bros.’ criminally underappreciated comic. That idle optimism faded just around the time the brothers’ work began appearing in various comics from DC. I wrote off Zoot! and “The Journey Halfway” as another casualty of the comics marketplace, buried in the graveyard with Puma Blues and Big Numbers.

Coming across Zoot! Suite, then, was like Hanukkah in March for me. This 80-page collection includes several short humor strips from Zoot! and a previously unpublished coda of sorts, but its main attraction is the “conclusion” to “The Journey Halfway.” After four long years, would Mr. Bodkin at last find out what had become of his impounded and possibly demolished car? Would the meaning of his unnamed friend’s Joycean trip to the afterlife be made clear/ Would the actor playing the lead in Waiting for Godot ever show up at the theater?

Ultimately, of course, no questions are answered. Though Bodkin and his friend seek a shortcut home (through a graveyard, naturally), they never get more than halfway. Despite this pre-set limitation — Bodkin’s friend describes the paradox on the second page of the story — Andrew Langridge (the writer) manages to make this odd story work remarkably well by playing off the absurdity of the premise. The brothers’ work in Art D’Ecco achieved the same trick, beginning with absurdist humor and somehow bringing on authentic, if existential, human feeling.

This is a difficult feat, not only given the logical premises of the story, but also because of Roger Langridge’s strange artwork. It would seem that his cartoonish, at times Muppet-like figures would be suited for the collection’s gag strips but not its 50-page serial. Somehow, Roger manages a full range of expression with these seemingly limited figures, while managing to play up their physical appearance for several sight-gags. Further, with its mixture of tones and ross-hatchings, Zoot! Suite‘s artwork gives its ludicrous figures weight, bringing them into a more arresting visual context.

Besides concluding “The Journey Halfway,” Zoot! Suite also has another previously unpublished work by the Langridges. “I Dreamt I Was In Heaven,” which closes out the book, is a double treat, albeit a befuddling one. Visually, it ties together each of the strange (and, one presumes, unsaleable) cover illustrations for Zoot!. A “roving eye” carries the reader from one absurd setting to the next. For someone who bought the whole run off the shelf, it’s a nice, asbsurdist form of nostalgia, but it would be completely baffling for the (ha-ha) new reader who decides to give this strange comic a shot. Forget I wrote that.

The written story doesn’t pertain in the slightest to the visual one. Instead, it relates the narrator’s dream about an “entrance exam” to get into heaven. The prose is quite graceful and the overall story, in its meandering way, is a delight. In all, the collection showcases bizarre humor (“A Dictionary of Oubliettes” is one of the strangest joke ideas in history) and apparent existential dread via cartooning that would make E.C. Segar proud. While several other strips from Zoot! should have been included (“The Answer,” and “Short Story,” to name a pair), Zoot! Suite comprises a fine survey of a fantastically inventive comic that no one ever read.

Now if they could just get to work wrapping up “The Derek Seals Story” . . .

–Gil Roth, originally published in The Comics Journal #204, May, 1998