Episode 441 – Andi Watson
Episode 341 – Chris Ware
Episode 327 – Karl Stevens
Episode 299 – The Guest List and Bill Kartalopoulos
Episode 290 – Jason Lutes
Episode 228 – Ellen Forney
Virtual Memories Show 228: Ellen Forney
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“Marbles was in many respects was the senior thesis in psychology that I never did as an undergrad.”
The great Seattle cartoonist Ellen Forney joins the show to talk about comics, civic art, being bipolar, and the challenges of maintaining! We get into her 2012 graphic memoir, Marbles: Mania, Depression, Michelangelo, and Me, finding a graphic representation of her depressive states, the evolution in her drawing style, the letter she stole from Michael Dougan, the process of going from comics panels to enormous murals for a light-rail station in Seattle, the influence of the Moosewood Cookbook, the importance of a psychology stats class she took in college, how she learned to teach comics, the moment when she felt she was using all her artistic tools, and why she needed Kaz to design her back-tattoo! Give it a listen! And go buy Marbles
!
“Knowing statistics doesn’t prepare you for the experience of the person in front of you.”
Enjoy the conversation! Then check out the archives for more great episodes!
Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!
About our Guest
Cartoonist Ellen Forney is the author of NYT bestseller Marbles: Mania, Depression, Michelangelo, and Me: A Graphic Memoir
, and the 2012 “Genius Award” winner in Literature from Seattle’s The Stranger. She collaborated with Sherman Alexie on the National Book Award-winning novel The Absolutely True Diary of a Part-Time Indian
, created the Eisner-nominated comic books I Love Led Zeppelin
and Monkey Food: The Complete “I Was Seven in ’75” Collection
, and has taught comics at Cornish College of the Arts since 2002. She grew up in Philadelphia and has lived in Seattle, Washington since 1989. Ellen swims and does yoga, and fixes things with rubber bands and paper clips.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Ms. Forney’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5
digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone
feeding into a Cloudlifter CL-1
and a Mackie Onyx Blackjack 2×2 USB Recording Interface
. All processing and editing done in Adobe Audition CC
. Promo photo of Ms. Forney by Jacob Peter Fennell. Back-at-her-desk photo of Ms. Forney by me. It’s on my instagram.
Episode 196 – Myke Cole
Virtual Memories Show #196: Myke Cole
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“I feel like the soul of writing is character, and the writers I admire the most are those who can evoke characters who are nothing like themselves.”
Myke Cole joins the show to talk about military fantasy and his fantasies about the military, his journey from IT to CIA to merc to Coast Guard to fantasy writer, his biggest nerd-out author moments, how he came up with his “Black Hawk Down Meets The X-Men” Shadow Ops series, what PTSD feels like, the importance of having a plan for crisis management, reconciling his art, politics, job, and readership, and more! Give it a listen! And go buy his Shadow Ops books, starting with Control Point
!
“I take a tremendous amount of pride in being a difficult person to kill.”
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Unfortunately, before you can get to it, you’ve gotta wade through nearly 15 minutes of intro! It’s almost Marc Maron-like! If you wanna get past me talking about getting stood up by a publisher and discovering that I’ve become an anecdote in a business book (as well as my Myke intro), then skip to the 14:30 mark! Now go listen to the show!
“Intelligence, at its root, is breaking the laws of other countries and stealing their shit. I understand it’s necessary, but it’s not nice and it’s not ethical.”
Enjoy the conversation! Then check out the archives for more great episodes! You might like:
Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, Instagram, and RSS!
About our Guest
As a security contractor, government civilian and military officer, Myke Cole’s career has run the gamut from Counterterrorism to Cyber Warfare to Federal Law Enforcement. He’s done three tours in Iraq and was recalled to serve during the Deepwater Horizon oil spill.
All that conflict can wear a guy out. Thank goodness for fantasy novels, comic books, late night games of Dungeons and Dragons and lots of angst-fueled writing.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at a friend’s apartment in NYC on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5
digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone
feeding into a Cloudlifter CL-1
and a Mackie Onyx Blackjack 2×2 USB Recording Interface
. All processing and editing done in Adobe Audition CC
. Photo of Myke Cole by me.
Episode 183 – Jeff Gomez
Virtual Memories Show #183: Jeff Gomez
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“The reason we enjoy these finely-tooled story-worlds is because we love dollhouses. We love miniatures. We love to see a universe that is created in such a way that they convince us somehow, even for a moment, that they’re real.”
Transmedia producer Jeff Gomez joins the show to talk about the evolution of storytelling. We get into how the internet is driving communal narrative, the role of fandom in our culture, the way every new media is touted as the Destroyer of Worlds, the outgrowth of “canonical” storytelling and his one-time role as Keeper of the Canon at a comic company, the parallels between sports-nerds and fantasy-nerds, the old entertainment properties he really wishes he could work on, and just what it was in his childhood that led him into this role! Give it a listen!
“Story existed in one form from the dawn of human history until just a couple of hundred years ago, when it was disrupted. The disruption is ending.”
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We also get into the impact of fan fiction, the economics of the IP feeder system, playing D&D as a way to connect with people, why the Fantastic Four movies didn’t work, the transition from The Hero’s Journey to The Collective Journey, and how it feels to get criticized today for comics he made in 1996. Plus, I ask the nerdiest closing question in the history of the show. Now go listen to the show!
“I saw a lot of violence growing up, but everyone got along when they were in the movie theater.”
Enjoy the conversation! Then check out the archives for more great episodes! You might like:
Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!
About our Guest
Jeff Gomez, CEO of Starlight Runner Entertainment, has the greatest job in the universe: he designs, expands, and defends the integrity of some of the biggest blockbuster worlds in all of pop culture! Jeff served as a creator for the story worlds of Magic: The Gathering, Turok Dinosaur Hunter N64, Hot Wheels World Race, and Coca-Cola Happiness Factory.
As the most renowned Transmedia Producer in the entertainment industry, Jeff takes blockbuster movies, hit videogames, and major toy brands, and develops and extends their fictional worlds across multiple media platforms. He also serves as an advisor and consultant on global trends in technology, youth culture, and social media to studio heads, publishers, licensing agencies, C-suite executives, and government leaders.
Jeff has worked on such exciting franchises as Disney’s Pirates of the Caribbean, James Cameron’s Avatar, Hasbro’s Transformers, Sony Pictures’ Spider-Man, 343 Studios’ Halo, and Nickelodeon’s Teenage Mutant Ninja Turtles. He also teaches transmedia storytelling for social good to non-profits, educational institutions and non-government organizations across the globe, including Mexico, Colombia, Australia, and the Middle East and North Africa region.
Growing up on the rough streets of New York City, Jeff has always championed the causes of young people. His Never Surrender! seminars teach kids how to deal with bullies, and he regularly provides career counseling to imaginative teens and young adults who are facing challenges in life.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at Mr. Gomez’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5
digital recorder. I recorded the intro and outro on a Blue enCORE 200 Microphone
feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface
. Photo of Mr. Gomez by me.
Episode 172 – Glynnis Fawkes
Virtual Memories Show #172:
Glynnis Fawkes
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“A lot of how I draw comes from Greek vases. They’re like ancient comics.”
Glynnis Fawkes joins the show to talk about archeology, comics, dig romances, Homer and more! We celebrate her award-winning new comic, Alle Ego, figure out how to make art while raising a family (hint: mine your family to make the art), explore the correlation of Greek vases to comics, lament the savage history of Troy and Gallipoli, while embracing the comics-centric world of Angouleme, and more! Give it a listen! And buy Alle Ego, the new installment of her book, from her store.
“We’re here now, but human experience goes so far back. Relationships, love, death: this has all gone on so long.”
We also get into her journey from the Pacific Northwest to the Middle East, her senior thesis on satyrs & maenads, the demands of drawing urns based on fragments, the best way to learn drawing comics, her move away from fine art, her life-changing experience at the Maison des Auteurs, and bumping into Alison Bechdel at the supermarket. Give it a listen!
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Enjoy the conversation! Then check out the archives for more great episodes! You might like:
Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!
About our Guest
Glynnis Fawkes is a cartoonist, painter, and archaeological illustrator. Her current project is a memoir about working as illustrator on digs in Greece and the Middle East. She drew many of the pages for this book at a residency at La Maison des Auteurs in Angouleme, France in the summer of 2015. She recently completed 50 illustrations and cover for John Franklin’s Kinyras: The Divine Lyre
(Center for Hellenic Studies Press, 2016). Glynnis’ background is in art and art history: a BA from University of Oregon, a BFA from the Pacific NW College of Art, and MFA from the School of the Museum of Fine Arts in Boston and Tufts University. During a Fulbright fellowship to Cyprus, she published a book of paintings, Archaeology Lives in Cyprus, and a book of cartoons, Cartoons of Cyprus. She spent almost 10 years working as an illustrator on archaeological projects and excavations in Cyprus, Turkey, Syria, Israel, and Lebanon, and continues to work in Greece. She began a doctorate at the University of Wollongong in Australia, but instead of finishing, married the famous archeo-musicologist John Franklin and had some children (now in school). She has exhibited paintings in Boston, London, Nicosia, Wollongong, at the Laura Russo Gallery in Portland, OR, and in Burlington, VT, where she now lives. She teaches a course in Comics at the University of Vermont and drawing at Champlain College. Glynnis is a member of the NY-based web comic collective Activatecomix.com and publishes on Muthamagazine.com.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at the Toronto Marriott Bloor Yorkville Hotel on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5
digital recorder. I recorded the intro and outro on a Blue enCORE 200 Microphone
feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface
. Processing was done in Audacity and Logic Pro. B/w photo of Glynnis by me. Not sure who to credit with the color pic at the top.