“It’s an existential question, not a historical one: what kinds of places make you feel at home? Some people feel at home nowhere, and some feel at home everywhere. I’m myself, wherever I am.”
Willard Spiegelman returns to the show to talk about his wonderful new essay collection, Senior Moments: Looking Back, Looking Ahead (FSG). We get into the process of deaccessioning, Mark Strand’s advice on paring down to 100 books, Willard’s take on 45 years living in Dallas (and what he’ll miss about it now that he’s retired), the joy of getting lost in Italy, the best way to pick someone up in NYC, the contrast of his 50th high school and college reunions, and more. Give it a listen! And go buy Senior Moments!
“I’m enthusiastically looking forward to getting rid of everything.”
We also mix it up over the aesthetic sunk cost fallacy, ponder being alone in the middle of a crowd, compare Japan and Hungary relative to being linguistically uprooted (I argue that Hungary is tougher, because it looks like you should be able to piece together the language), examine the pharaonic idea of hoarding, and listen to time’s winged chariot hurrying near. Now go listen to the show!
“I’m much too old to write a memoir. That’s the province of 25-year-olds.”
- Willard Spiegelman (2013)
- Jonathan Galassi
- Burton Pike
- Rachel Hadas (2016)
- Ann Patty
- Langdon Hammer
- JD McClatchy
About our Guest
Willard Spiegelman is the Hughes Professor of English at Southern Methodist University in Dallas. From 1984 util 2016, he was also the editor in chief of Southwest Review. He had written many books and essays about English and American poetry. For more than a quarter century, he has been a regular contributor to the Leisure and Arts pages of The Wall Street Journal. In 2005, Willard won the PEN/Nora Magid award for literary editing. In addition to Senior Moments, he’s also written or edited Seven Pleasures: Essays on Ordinary Happiness, How Poets See the World: The Art of Description in Contemporary Poetry, Wordsworth’s Heroes, Imaginative Transcripts: Selected Literary Essays, Majestic Indolence: English Romantic Poetry and the Work of Art, The Didactic Muse: Scenes of Instruction in Contemporary American Poetry, and Love, Amy: The Selected Letters of Amy Clampitt. Oh, and he’s quite dapper.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at Mr. Spiegelman’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface. Photo of Mr. Spiegelman by me.
“I enjoy going back to Lorain, Ohio because I’m reminded that the world of Washington and the East Coast literary establishment is a very narrow, special one that’s parochial in its own way. The rest of the world has other concerns: family, job and life in general. Whereas we get all up in arms about very minor things.”
Pulitzer Prize-winning book reviewer Michael Dirda rejoins the show to talk about his new collection, Browsings: A Year of Reading, Collecting, and Living with Books (Pegasus Books). We discuss the importance of reading for pleasure, the difference between book-collecting and shopping, the role of the book reviewer (and how it differs from that of the critic), a recent negative review he didn’t want to write, why he doesn’t read reviews of his work, what his mother said when he won the Pulitzer Prize, and more! Give it a listen!
“The books that you don’t grasp immediately, the ones that leave you off-kilter . . . those are often the books that really last, and matter.”
Our first three-time guest also talks about the democratization of book reviewing, the problems of storing books in his basement, what he wants an author to think upon reading his book review of a book, his affinity for Clive James’ work, whether his reviews have a coded autobiographical element to them, how the limitations of the book review form shaped his style, why he disagrees with John Clute’s philosophy on spoilers, and more!
We talk about a lot of books in this episode. Here’s a list of ’em (Note: if I ever go to a Patreon crowdfunding model for the show, this is the first thing that goes subscriber-only):
- Little Big Man – Thomas Berger
- Suspects – Thomas Berger
- The Creators: A History of Heroes of the Imagination – Daniel Boorstin
- The Discoverers – Daniel Boorstin
- Heart of Darkness – Joseph Conrad
- The Unquiet Grave: A Word Cycle by Palinurus – Cyril Connolly
- The Moving Toyshop – Edmund Crispin
- Browsings: A Year of Reading, Collecting, and Living with Books – Michael Dirda
- Readings: Essays and Literary Entertainments – Michael Dirda
- On Conan Doyle: Or, The Whole Art of Storytelling – Michael Dirda
- The Robe – Lloyd C. Douglas
- The New Lifetime Reading Plan: The Classical Guide to World Literature, Revised and Expanded – Clifton Fadiman
- Party of One – Clifton Fadiman
- Enter Conversing – Clifton Fadiman
- The Recognitions – William Gaddis
- Muse: A novel – Jonathan Galassi
- The Green Carnation – Robert Hichens
- The Odyssey – Homer
- Appleby’s End – Michael Innes
- Cultural Amnesia: Necessary Memories from History and the Arts – Clive James
- Kim – Rudyard Kipling
- Zorba the Greek – Nikos Kazantzakis
- Dazzle – Judith Krantz
- V R Lang: Poems & Plays with a Memoir – Alison Lurie
- Extraordinary Popular Delusions and The Madness of Crowds – Charles Mackay
- Bright Lights, Big City – Jay McInerney
- The Scarlet Pimpernel – Baroness Orczy
- Atlas Shrugged – Ayn Rand
- Burning the Days: Recollection – James Salter
- Memorable Days: The Selected Letters of James Salter and Robert Phelps
- Anathem – Neal Stephenson
- Walden – Thoreau
- Stoner – John Williams
- On Writing Well – William Zinsser
About our Guest
Michael Dirda is a weekly book columnist for The Washington Post, and he received the 1993 Pulitzer Prize for criticism. He is the author of the memoir, An Open Book: Chapters fom a Reader’s Life, and of four previous collections of essays: Readings: Essays and Literary Entertainments, Bound to Please, Book by Book: Notes on Reading and Life, and Classics for Pleasure, in addition to his newest collection, Browsings. His previous book, On Conan Doyle: Or, The Whole Art of Storytelling, received a 2012 Edgar Award for best critical/biographical work of the year. Michael Dirda graduated with Highest Honors in English from Oberlin College and earned a Ph.D. in comparative literature (medieval studies and European romanticism) from Cornell University. He is a contributor to The New York Review of Books, The Times Literary Supplement, the online Barnes & Noble Review, The American Spectator, and several other periodicals, as well as a frequent lecturer and an occasional college teacher.
Credits: This episode’s music is Ah, Putrefaction by Jaristo, from Hans Zimmer’s film music for Sherlock Holmes. The conversation was recorded at the Boston Marriott Burlington on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photo of Mr. Dirda by me.
Reading, walking, looking, dancing, listening, swimming, and writing: these are the activities organizing the life of this episode’s guest, Willard Spiegelman, author of Seven Pleasures: Essays on Ordinary Happiness! We talk about his wonderful book (go read it!), his addiction to ballroom dancing, how to find joy in the day-to-day world, why he hates book clubs, what Dallas, TX is like for a secular Philadelphia Jew, how he turned me on to one of my favorite novels, who his Desert Island Poets are, how he writes about the visual arts, why the world’s great novels are lost on the young, and what it was like to attend his 50th high school reunion. (Also, Harold Bloom crops up yet again; I really gotta try to get him on the show sometime. Boy, talk about the anxiety of influence . . .)
One of the best things about doing this podcast is that I get to meet some wonderful people. In this case, meeting with Willard over two afternoons (story to come) was like making a new old friend.
About our Guest
Willard Spiegelman is the Hughes Professor of English at Southern Methodist University. He also serves as editor-in-chief of Southwest Review, the third oldest continuously published literary quarterly in America. In 2005, Willard won the PEN/Nora Magid award for literary editing. In addition to Seven Pleasures, he’s also written or edited How Poets See the World: The Art of Description in Contemporary Poetry, Wordsworth’s Heroes, Imaginative Transcripts: Selected Literary Essays, Majestic Indolence: English Romantic Poetry and the Work of Art, The Didactic Muse: Scenes of Instruction in Contemporary American Poetry, and Love, Amy: The Selected Letters of Amy Clampitt. He writes about the arts for the Wall Street Journal. Oh, and he’s quite dapper.
Credits: This episode’s music is This Charming Man by The Smiths. The conversation was recorded at Willard Spiegelman’s home in New York City, on a pair of AT2020 mics, feeding into a Zoom H4n recorder. I recorded the other material on a Blue Yeti USB mic into Audacity. All editing and processing was done in Garage Band.