Category: literature

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Will I never learn?

Oh, sure, I know you all think it’s easy being me. I know how you envy the dashing, romantic, debonair life of a pharmaceutical trade magazine editor who lives in a quiet, no-restaurant town a little beyond the suburbs. But it’s not all wine and roses, I tellya!

Take today, for example. Last night, I crashed at a friend’s apartment on 13th St. so I could get to an 8:30am presentation at the Waldorf. No problem, except that the presentation went on till noon with a short coffee break. That ran out of coffee. So I grabbed some scorched Starbucks in the lobby and figured I’d get something to eat on the way back down to the garage where I’d parked the night before.

Unfortunately, it was awfully cold out, and I’d forgotten that there aren’t any restaurants up around the Waldorf. I figured I’d pass on the street-meat kiosk, since I wouldn’t have anywhere to sit down and eat, and caught a cab down to 13th St.

Perhaps I was getting a little punchy with hunger, but I thought, “Well, as long as I’m in the area, I may as well stop in at the Strand on the way back to the car.”

And that’s where my troubles began.

See, dear reader, it’s one thing for me to go without food (and with crappy coffee) for a while. It’s another to be in a low blood sugar mode while walking around a giant used bookstore.

Now, I’ve never been a huge fan of the Strand, in part because it’s not a very serendipitous bookstore for me. For some reason, I can’t just meander around, pick something up, and start unspooling creative threads all around the labyrinth of the mythocreative mind. Maybe the shelves are too tall in the sides of the store, or the selections are too extensive. I’m not sure. But I have far greater luck when I go to a place like the Montclair Book Center.

That said, I usually find books to buy at the Strand. I just don’t find inspiration.

So I picked up a bunch of books today, including a collection of journalism about Chechnya by Anna Politkovskaya, some gifts for friends, and a couple of discounted comic collections. I began my trek to the checkout line, resigned to carry both a bag of books and my work-bag (laptop inside) a few blocks along 13th to my friend’s place, where I would pick up my overstuffed overnight bag (Amy stayed last night too, which cut her morning commute from 2 hours to 10 minutes) before walking back down the block to the car.

And that’s when I saw it:

Yep: 11 volumes of the 20-volume Complete Works of George Orwell edited by Peter Davison (reviews here). Never released in the U.S., and exorbitantly expensive to order from the UK.

So, minutes later, I found myself slinging my work-bag over my shoulder and hauling 2 enormous bags of books down 13th St. Where the overstuffed overnight bag awaited. Somehow, I got back down the block with all 4 bags; my slanted shoulders were not happy and kept shrugging the non-Strand bags off. But I got to the garage, picked up my car, and figured I’d just get out of NYC and get something to eat back in NJ.

I spent the next 45 minutes sitting in various stages of traffic and regretting that decision. Only two things got me through the trip home: the promise of White Manna and Howard Stern playing an audio clip of David O. Russell flipping out on Lily Tomlin. And $125 in Orwell books. Okay, so maybe it is pretty easy being me. I’ll shut up now.

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Explain that to St. Peter, mon General

It’s all a bit of a blur after I invented wine.

–Bacchus

Doing the Islands with Bacchus, a collection of comics by Eddie Campbell, is one of my all-time faves. Consisting of a travelogue of Bacchus and friends around the Greek islands, the comics relate the “real” stories behind some of the Greek myths, along with digressions on the history of fashion, the art of vinoculture, the discovery of champagne, and the nature of the afterlife (or afterdeath, as it turns out). Importantly, Campbell achieves this while keeping his characters as characters. That is, they don’t simply recite facts, but rather bring different perspectives and styles.

The Last of the Summer Wine, a 24-pager narrated by Bacchus’ companion Simpson as he, Bacchus and Hermes travel to Naxos by boat, is a marvel. The story manages to convey the glory of ancient Greek culture, make wry observations (verbal and visual) about the power of myth, and lead to a wonderfully poignant conclusion about the essence of love. Maybe it’s that inner classics-geek I’ve been referring to lately, but the final page of that comic always chokes me up.

I bring all this up because Campbell recently wrote about one of his major influences on those comic strips: the books of Walter James. I’d never heard of James before this, and with good reason. Sez Campbell, “He was an Australian wine maker who wrote several volumes of diaristic thoughts on just about everything, but mostly about winemaking and his enthusiasm for reading. They were published between 1949 (Barrel and Book,) and 1957 (Antipasto) and amounted to six volumes, of which I’ve managed to find four.”

Give Eddie’s post a read, take some delight in the excerpts of James’ writing, and tip a little libation to Bacchus, wouldja?

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Monday Morning Montaigne

I was pretty excited when I saw that the next essay in my Montaigne collection was Of Friendship. I saved it till Saturday morning, figuring I’d be able to spend the day ruminating on his ideas of the subject and how they jibed — or failed to jibe — with my own. Unfortunately, I found this essay pretty unenlightening and, well, boring.

Of Friendship is intended to introduce poems by Montaigne’s dead friend, political philosopher Etienne de La Boetie, but what it focuses on is the character of their “once in three centuries” friendship. In the process of describing the intense, four-year relationship the men shared, Montaigne proceeds to dismiss the possibility of true friendship between a man and

  • his dad (too much respect)
  • his brother (too much sibling rivalry)
  • a girl (too much lust; a 16th century version of When Harry Met Sally)
  • a fag (see above, and note “[T]hat other, licentious Greek love is justly abhorred by our morality.”)
  • more than one guy (too much sharing)

So I was let down, especially because my brother and my wife are two of my closest friends, there are a number of other friends I’d (essentially) go to the end of the earth for, and I once contemplated having two guys killed to avenge a brutal assault on a queer friend of mine (not that we shared that other, licentious Greek love or anything).

Anyway, rather than pass on any excerpts from that stuff, I thought I’d share with you the opening to the essay. It mirrors my own tendency to start off strong and end up all over the darned place:

As I was considering the way a painter I employ went about his work, I had a mind to imitate him. He chooses the best spot, the middle of each wall, to put a picture labored over with all his skill, and the empty space around it he fills with grotesques, which are fantastic paintings whose only charm lies in their variety and strangeness. And what are these essays of mine, in truth, but grotesques and monstrous bodies, pieced together of divers members, without definite shape, having no order, sequence or proportion other than accidental?

“A lovely woman tapers off into a fish.” [Horace]

I do indeed go along with my painter in this second point, but I fall short in the first and better part; for my ability does not go far enough for me to dare to undertake a rich, polished picture, formed according to art.

Fortunately, the next few essays are Of Moderation, Of Cannibals, and Of the Custom of Wearing Clothes, so I figure there should be some more entertaining posts in the weeks ahead.

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Skygod is keepin’ it real

Zeus is such a player he can bed his old lady by telling her about all the times he cheated on her:

But now let us go to bed and turn to love-making.

For never before has love for any goddess or woman

so melted about the heart inside me, broken it to submission,

as now: not that time when I loved the wife of Ixion

who bore me Peirithoos, equal of the gods in counsel,

nor when I loved Akrisios’ daughter, sweet-stepping Danae,

who bore Perseus to me, pre-eminent among all men,

nor when I loved the daughter of far-renowed Phoinix, Europa

who bore Minos to me, and Rhadamanthys the godlike;

not when I loved Semele, or Alkmene in Thebe,

when Alkmene bore me a son, Herakles the strong-hearted,

while Semele’s son was Dionysos, the pleasure of mortals;

not when I loved the queen Demeter of the lovely tresses,

not when it was glorious Leto, nor yourself, so much

as now I love you, and the sweet passion has taken hold of me.

Iliad, 14, 313-328

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Hot Gates, Hot Box Office?

A few posts ago, I mentioned that I was going to mark-out for 300, and that Amy & I would likely go catch it this weekend at the local IMAX, so as to get the full theme-park experience of Thermopylae on a giant screen.

This morning, I went online and discovered that every single IMAX screening this weekend is sold out.

I have to admit, my powers of prognostication aren’t the greatest, when it comes to movies and other pop phenomena. I mean, Ghost Rider looks like a godawful movie, and it’s based on a godawful character from Marvel’s nadir. So of course it ran away with the box office and is going to pass $100 million in sales this weekend. Did I underestimate how bored and/or stupid teenagers can be in February? I guess so.

But 300? Projected to pull in $60 million in its opening weekend? I’m happy that it’s getting so much exposure, but I’m just afraid that it’ll give Frank Miller so much Hollywood cachet that he’ll pursue a bigscreen version of Give Me Liberty.

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Not just tan: Spartan

In keeping with my inner classics-geek of that previous post, here’s Victor Davis Hanson on 300, the movie adaptation of Frank Miller’s comic book about the battle of Thermopylae:

[T]he impressionism of 300 is Hellenic in spirit: its buff bare chests are reminiscent of the heroic nudity of warriors on Attic vase paintings. Even in its surrealism — a rhinoceros, futuristic swords, and an effeminate, Mr. Clean-esque Xerxes (Rodrigo Santoro) who gets his ear flicked by a Spartan spear cast — it is not all that different from some of Euripides’ wilder takes, like Helen or Iphigeneia at Taurus, in their strange deviation from the party line of the Homeric epics. Like the highly formalist Attic tragedy — with its set length, three actors, music, iambic and choral meters, and so forth — 300 consciously abandons realist portrayal.

I don’t remember a ton of the comic book. The one time I read it, I was at a friend’s house in Auckland, NZ, trying desperately to stay awake till nightfall, so as not to get wrecked by jetlag. Fortunately, he was one of the greatest cartoonists in the antipodes, and had a room full of comics that I hadn’t read.

And, yes, I’m thinking of catching 300 at the local IMAX. Sue me.

(Here are some terrible pix from the premiere.)

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Giving old meaning to “homecoming”

Lately, I’ve been rediscovering my inner classics-geek. I guess it might be obvious from the contents of this blog, between those Monday Morning Montaigne snippets and my return to the Iliad.

During the weekend, I opened up the Poetics so I could try to make a smartass point about Alcestis & Admetus (for That Thing I’m Trying To Write). I never had a productive time with Aristotle, but I’m trying to convince myself that this was partly because of the tiny typesetting of the Penguin editions I used to read.

Last night, I got a brochure in the mail from my graduate school, the inestimably important (to me) St. John’s College. The college is launching a continuing education program for alumni, consisting of weekend (or slightly longer) sessions on some of the great books.

The first offering, Aristotle & Aquinas on the Unity of Intellect, didn’t appeal to me too much, but the second one, a 4-day session in June on the Odyssey, made me wince and got the wheels turning in my head: “Hmm. . . if I get ahead on my Top Pharma Companies report a bit, I can afford to head down to Annapolis Thursday morning and get home Sunday night. . .”

I saved the flyer. This morning, when I looked it over, I noticed something strange. See, this being St. John’s, the program is named after the port where Socrates and his buddies had the conversation that comprises The Republic. It’s a typically intelligent gesture for a place that New York magazine once called “a school for hyperliterate misfits.”

That said, the school is referring to the program as “Pireaus”, and that’s what struck me as odd. I had to run downstairs to my library to check that I wasn’t misremembering, but as far as I can tell, it’s supposed to be “Piraeus”, not “Pireaus”. That’s how Bloom has it, and that’s how Jowett has it. Unfortunately, I can’t find my Greek/English lexicon down there (I’ve got a ton of books, okay? And, yes, I do own a Greek/English lexicon), and don’t have a Greek version of The Republic around.

So, can anyone (that means you, brother) get me a ruling on why they’re called it Pireaus?

(Now if I can just make an early start on those Top Company reports. . .)