“I couldn’t imagine a more fulfilling life than being an illustrator and an artist and having people recognize and like my work for what it is.”
With a career in illustration and art stretching back to 1960, Barbara Nessim has been a trailblazer in multiple ways (albeit unintentionally). We talk about the 2013 retrospective of her work at the Victoria & Albert Museum and the process of seeing her oeuvre distilled by a curator, as well as her own 7-year project of archiving her work, and the role and rules of her decades-long sketchbook practice. We get into her pioneering work in computer art and her involvement in SIGGRAPH, her career drive and her “1 for them, 6 for myself” philosophy, her decision to take up pottery at 80, her Random Access Memories exhibition and its one-of-a-kind art-generator, what it was like working with Harvey Kurtzman for Esquire and on fumetto, her 65-year love affair with salsa and how she taught a bunch of illustration and design legends to dance, and how she may be the most well-adjusted, thankful and gracious artist I’ve ever met. Bonus: you get my oddball story of meeting Gary Panter in the ’90s! Give it a listen! And go buy Barbara Nessim: An Artful Life!
“Curators say they love working with me because I don’t have a big mouth.”
“When I see it, I don’t feel like my work has anything to do with me anymore; it’s like someone else did it.”
“I like the work I did in the past, but I don’t miss anything.”
About our Guest
A vital contributor and influential visionary in the world of art, Barbara Nessim has always been original in her thinking and unprecedented in her creativity. Inspired by her mother, a clothing designer, Barbara financed her studies at Pratt Institute by working as a freelance fashion illustrator, designing everything from shoes and apparel to textiles.
Recognized for her fresh approach to image-making, she was among the few female freelance illustrators of her time. In 1980, she embraced innovation and began using the computer to create published and personal imagery. Never short of inspiration, she attributes the ongoing creativity in her work to her fine training as an artist, and relies almost solely upon her sketchbooks to generate new ideas.
Nessim’s passion for her work and desire to bring more to her art set the stage for what would become a long and illustrious career that has inspired many others along the way. Her illustrations have appeared in our nation’s most prominent periodicals, from The New York Times to Rolling Stone, and her paintings and drawings have graced the walls of prominent museums and galleries around the globe including The Smithsonian Institution, The Victoria and Albert Museum, and The Louvre among others. She has also shared her gifts in the classroom as a mentor of aspiring artists at the School of Visual Arts and at Parsons/The New School for Design, where she served as Chair of the Illustration Department from 1992 to 2004.
Today, the artist focuses on the creation of large-scale works for public buildings, and continues to create personal art for exhibition in New York City and beyond. She’s on Instagram as barbaranessim.
Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at Barbara’s studio on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Barbara & her studio by me. It’s on my instagram.