“I think I made three cartoons about Jane Austen before I got around to reading a Jane Austen novel. And then I thought, ‘Oh, this is really good!'”
Cartoonist & illustrator Tom Gauld joins the show to talk about his new book, Mooncop (Drawn & Quarterly), and developing a post-optimistic view of the future. We get into his drawing and storytelling influences, how he got a weekly gig doing literary gags at The Guardian, why he likes doing illustration work, the time he melted down when he met his comics-idols, how he got his first New Yorker cover, the two key elements of productivity for all artists and writers (coffee & walking) and more! Give it a listen! And go buy Mooncop! (and his other books, Goliath and You’re All Just Jealous of My Jetpack!)
“I never tailored my work to an audience, other than just trying to make what I think is funny.”
We also get into the importance of the hand-drawn line, the question of collaborating with a writer, the balance of long-form comics and weekly assignments, his schoolteacher’s rapprochement with his compulsive cartooning, the challenge of doing literary comics while trying not to read too deeply, the scope-creep of doing the cover for the Drawn & Quarterly 25th anniversary collection, why weaknesses are as important as strengths to one’s style, and why he REALLY needs to learn to draw hands. Now go listen to the show!
“The constraints of illustration work are actually liberating. . . . I think I’d go crazy if I had to draw comics all the time.”
About our Guest
Tom Gauld was born in 1976 and grew up in Aberdeenshire, Scotland. He is a cartoonist and illustrator and his work is regularly published in The Guardian, The New York Times, and The New Scientist. His comic books, Mooncop, Goliath, and You’re All Just Jealous of My Jetpack, are published by Drawn & Quarterly. He lives in London with his family.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded in the Bethesda North Marriott home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface. Photo of Mr. Gould by me.
“There’s a deeper music that runs through and beneath the Bible.”
Biblical scholar David M. Carr joins the show to talk about his book, Holy Resilience: The Bible’s Traumatic Origins (Yale University Press). We get into how the Hebrew and Christian scriptures were shaped, the parallels between trauma and religion, the personal trauma that led to his thesis, the perils of applying modern psychology to people in antiquity, how he balances his faith with his scholarship, the problems with seeing yourself as “chosen”, the personal and communal trauma of 9/11 (it gets pretty heavy), and more! Give it a listen! And go buy Holy Resilience!
“I find Paul a fascinating figure. He’s incredibly irritating. He’s all over the place, in some ways. You can never pin him down. But he’s grappling with the reality of life, and life is itself untamable, so it’s an untamable text.”
We also discuss his favorite parts of scripture (something Old, something New), the social justice work that drew him into biblical scholarship, the difference between writing for other scholars and writing for a lay audience, the conflicted nature of Paul the Apostle and the enormous ramifications of that conflict, the tension between monotheism and cosmotheism, and the uncanny nature of celebrating the Cross as a symbol. BONUS: I ramble about visiting a sculpture exhibition in a cow pasture (photoset over here, plus these whitewalkers below)! Now go listen to the show!
“For some people this may be their first encounter with seeing the Bible as a human product, and it can be a little shocking.”
About our Guest
David Carr is Professor of Old Testament/Hebrew Bible at Union Theological Seminary in New York. Over his decades-long academic career, he has become an international authority on the formation of the Bible, ancient scribal culture, and issues of the Bible and sexuality. He has written numerous books and articles, including The Erotic Word: Sexuality, Spirituality, and the Bible and Writing on the Tablet of the Heart: Origins of Scripture and Literature, both published by Oxford University Press. He is now working on a major scholarly commentary on Genesis 1-11.
Decades into a career as a biblical scholar, he suffered a life-threatening bicycle accident that changed his view of the scriptures he had devoted his life to studying. As he grappled with his own individual trauma and survival of it, he became interested in how the collective trauma of Israel and the early church had shaped the Bible. He saw that these holy texts are defined by survival of communal catastrophe. This is part of what makes them special, what made them last. The result of this basic insight is Carr’s work, Holy Resilience: The Bible’s Traumatic Origins (Yale University Press).
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at Mr. Carr’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue enCORE 200 Microphone feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface. Photo of Mr. Carr by me.
It’s time for our year-end Virtual Memories tradition: The Guest List! I reached out to 2015’s podcast guests and asked them about the favorite book(s) they read in the past year, as well as the books or authors they’re hoping to read in 2016! More than 30 responded with a dizzying array of books. (I participated, too!) So now that you’ve got your Hanukkah and/or Christmas gelt, the Virtual Memories Show offers up a huge list of books that you’re going to want to read! Get ready to update your wish lists!
This year’s Guest List episode features selections from nearly 3 dozen of our recent guests! So go give it a listen, and then visit our special Guest List page where you can find links to the books and the guests who responded.
About our Guests
The guests who participated in this year’s Guest List are Derf Backderf, Anthea Bell, John Clute, Michael Dirda, Matt Farber, Jonathan Galassi, Brad Gooch, Langdon Hammer, Liz Hand, Jennifer Hayden, Ron Hogan, Dylan Horrocks, David Jaher, Kathe Koja, Jonathan Kranz, Peter Kuper, Lorenzo Mattotti, JD McClatchy, Scott McCloud, Michael Meyer, Dan Perkins (a.k.a. Tom Tomorrow), Summer Pierre, Witold Rybczynski, Dmitry Samarov, Elizabeth Samet, Liesl Schillinger, Posy Simmonds, Levi Stahl, Rupert Thomson, Irvine Welsh, Warren Woodfin, Jim Woodring, Claudia Young, and me, Gil Roth! Check out their episodes at our archives!
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. Most of the episode was recorded at Virtual Memories Manor on a Blue Yeti USB Microphone. A few segments were recorded by the guests and e-mailed in (which is to say: don’t blame me!). Processing was done in Audacity and Logic Pro.
“Comics is a medium that isn’t going to go away. It may just now finally be coming into its own in the 21st century. In this internet era, there’s something very special about what comics do, no matter how much they get warped and changed by technology.”
More than 30 years after taking on the role of British comics’ Man at the Crossroads, Paul Gravett remains at the center of the global comics scene. We had an in-depth conversation about the growth of comics as an art form, the surprise of seeing local manga in Algeria, why he considers himself less of a comics historian or curator than a comics activist, how it feels to have been the first publisher of some of the finest cartoonists of our time, and why he should be called Paul “Mission To Explain” Gravett. Give it a listen!
“I’m probably slightly insane for wanting to go on looking and searching and questioning and provoking myself, trying to find stuff that doesn’t give me what I know already.”
Along the way, Paul and I also talk about his new book, Comics Art (Yale University Press), the new exhibition he’s curating for the British Library, Comics Unmasked: Art & Anarchy in the UK, the history of comics and his history within it, and the way virtually every lifelong comics reader’s home winds up resembling an episode of Hoarders. Paul Gravett is one of comics’ finest ambassadors, and it was a pleasure to talk with him during my recent UK trip. (Oh, and here’s a link to that Richard McGuire comic we effuse about!)
- Tom Spurgeon
- Roger Langridge
- Mike Kupperman / Ivan Brunetti
- Peter Bagge
- Maxim Jakubowski
- Ben Katchor
About our Guest
Paul Gravett is a London-based freelance journalist, curator, lecturer, writer and broadcaster, who has worked in comics publishing and promotion since 1981. Under the Escape Publishing imprint, he co-published Violent Cases in 1987, the first collaboration between Neil Gaiman and Dave McKean, three volumes of Eddie Campbell’s Alec between 1984 and 1986, and London’s Dark in 1988 by James Robinson and Paul Johnson. Since 2003, Paul has been the director of Comica, the London International Comics Festival. His very extensive bio can be found at his website.
Credits: This episode’s music is The Boy With the Jigsaw Puzzle Fingers by Karl Hyde. The conversation was recorded at the Hilton London Euston on a pair of Blue enCORE 200 microphones feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Paul Gravett by me.