Podcast – The Guest List 2014

Virtual Memories Show:
The Guest List 2014

Two years in a row? That makes The Guest List a Virtual Memories Show tradition! I reached out to 2014’s podcast guests and asked them about the favorite book(s) they read in the past year. More than 30 of them responded with a fantastic array of books. So, just in time for Hanukkah and Christmas, the Virtual Memories Show provides you with a huge list of of books that you’re going to want to read! Get ready to update your wish lists!

liberryThis episode features selections from nearly 3 dozen of our recent guests! So go give it a listen, and then visit the Guest List cheat sheet where you can find links to the books and the guests who responded.

(And check out the 2013 edition of The Guest List, too!)

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About our Guests

The guests who contributed their favorite book from the past year — and that’s “favorite book I read in 2014,” not “favorite book that came out in 2014” — are Maria Alexander, Ashton Applewhite, David Baerwald, Nina Bunjevac, Roz Chast, Sarah Deming, Michael Dirda, Jules Feiffer, Mary Fleener, Nathan Fox, Josh Alan Friedman, Richard Gehr, Paul Gravett, Sam Gross, Rachel Hadas, Kaz, Daniel Levine, Sara Lippmann, Merrill Markoe, Brett Martin, Mimi Pond, George Prochnik, Emily Raboteau, Jonathan Rose, Ron Rosenbaum, Dmitry Samarov, Seth, Katie Skelly, Ron Slate, Maya Stein, Rupert Thomson, and Frank Wilson. Check out their episodes at our archives!

Credits: This episode’s music is The Book I Read by Talking Heads. Most of the episode was recorded at Virtual Memories Manor on a Blue Yeti USB Microphone. A few segments were recorded by the guests and e-mailed in (which is to say: don’t blame me!). Processing was done in Audacity and Garage Band.

Podcast – Time’s Bomb

Virtual Memories Show: Nina Bunjevac –
Time’s Bomb

Fatherland is really about who my father was, getting to understand him, and also an attempt to explain how politics can tear a family apart, just like they tore apart the people of Yugoslavia in the 1990s.”

Nina B!

fatherlandNina Bunjevac‘s new book, Fatherland, explores her family’s fractured history against the backdrop of 20th century Yugoslavia. We talk about how she left her country in 1990 only to find that it wasn’t there when she went back. We also explore the risks and challenges of researching a terrorist organization, the comics tradition in Yugoslavia and her own comics history, Serbia’s culture of friendship, why the Toronto Comic Arts Festival is the best comics event in North America, how I discovered her first book, Heartless, the perils of too much stippling, why it was controversial to publish Fatherland in Serbian dialect in Croatia, and more.

“When I got to Canada when I was 16, I saw an issue of Raw, and that pretty much did it.”

Enjoy the conversation! Then check out the archives for more great episodes! Related conversations:

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About our Guest

ninab-3DavidHaweNina Bunjevac started her art training in Yugoslavia, at the Djordje Krstic School for Applied Arts; in 1990 she moved to Toronto, Canada, where she continued her studies in art at the Art Centre of Central Technical School; in 1997 she graduated from OCAD in the Drawing and Painting department. Formerly a painter, a sculptor and an art teacher, Nina found her calling in sequential arts, a form that seemed to naturally evolve out of the narrative component in her sculpture installation work. Pen and ink became her medium of choice.

Nina’s comics have appeared in a number of local and international publications: Komikaze (Croatia), Black (Italy), GIUDA (Italy), Stripburger (Slovenia), Zone 5300 (Netherlands), Stripolis (Serbia), ArtReview (UK), Asiatroma/Le Dernier Cri (France), Broken Pencil, Exile, Taddle Creek (Canada) and Mineshaft (USA). Her debut collection of comics, Heartless, came out in September 2012 with the Nova Scotia-based publisher Conundrum Press, and was translated and published in France in 2013 by Ici-même Editions. In 2011 Nina received The Golden Pen of Belgrade at the 11th International Biennale of Illustration in Belgrade for the cover image of Balkan Women in Comics (Fibra/Croatia); in 2013 she received The Doug Wright Award in the Spotlight category, also known as The Nipper, for Heartless.

Fatherland: A Family History comes out this month in Canada from Cape Graphic/Random House and will be released in the U.S. in January 2015.

Photo of Nina Bunjevac by David Hawe.

Credits: This episode’s music is Bomba by King Africa (I make no apologies). The conversation was recorded at the Marriott Bloor in Toronto on a Zoom H2n digital recorder (because there was a power supply problem that caused a weird reverb on my main recorder). The intro and outro were recorded on a Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Ms. Bunjevac and me by Amy Roth.

Podcast: Haste Ye Back

Seth on The Virtual Memories Show

Virtual Memories: Seth – Haste Ye Back

The great cartoonist (and designer and illustrator) Seth joins the Virtual Memories Show to talk about memory and time, his love of digression, being “Mr. Old-Timey”, what it means to be a Canadian cartoonist, and learning to let go of the finish and polish that used to characterize his work.

“When I was young, I thought there were an infinite possibility of stories you could do. As you get older, you realize you’re following a thread, and that you don’t have as much choice about what you’re writing about as you thought.”

“Style’s a funny thing. I think it’s important, but I think it’s a matter of the choices the artist makes that lead to the finished product. It is chosen, bit by bit over time, with each decision you make.”

rhythm-sprott“People only have a limited patience for listening to you go on and on about your own ideas, your own mind, your own memories. Art allows you to have that perfect experience of putting that down on paper without anyone growing tired and making you stop.”

“You add things onto yourself bit by bit through life to create the kind of person you want to be. Eventually, to some degree, it IS you. You picked these things deliberately.”

Seth: The Virtual Memories Conversation. Go listen!

“There’s some little thing that makes it hard to let it go of trying to create that fetish object you always wanted, that comic strip that looks like the best you can make it.”

Enjoy the conversation! Then check out the archives for more great episodes! Related conversations:

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About our Guest

Seth is the pen name of Gregory Gallant, a Canadian comic book artist and writer. He is best known for comics such as his ongoing anthology Palookaville, George Sprott: (1894-1975), Wimbledon Green, The Great Northern Brotherhood of Canadian Cartoonists, and It’s a Good Life, If You Don’t Weaken, all published by Drawn and Quarterly. His illustrations have appeared in The New Yorker, The Washington Post, Details, Spin, The New York Times, and Saturday Night, and he has designed books and DVDs for a variety of publishers, including Fantagraphics (The Complete Peanuts), Random House (The Portable Dorothy Parker), and Criterion (Make Way for Tomorrow). Here are his favorite Criterion releases.

Credits: This episode’s music is Time Stand Still by Rush (because Seth’s Canadian, see, and his work revolves around memory and — oh, never mind). The conversation was recorded in Seth’s hotel room during the Toronto Comic Arts Festival on a pair of Blue enCORE 200 microphones feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Seth by me.

Podcast: The Least Insane of Cartoonists

Virtual Memories – season 3 episode 22 –
Pete Bagge: The Least Insane of Cartoonists

“I was asking not to be taken seriously, but I was also getting annoyed that I wasn’t being taken seriously.”

WrebPeter Bagge, the comics legend behind Hate!, Neat Stuff, Apocalypse Nerd and Everybody is Stupid Except for Me, joins us to talk about his new book, Woman Rebel: The Margaret Sanger Story. We have a great conversation about why he chose to write about the founder of Planned Parenthood, how he made the shift from fiction to nonfiction comics, who his favorite “pre-feminist feminists” are, why he decided to stick with comic books over paperback books (and why he came around on the latter), what the strangest sketchbook request he ever received is, and how he feels about being a comics convention prostitute.

We also talk about how he never got a word of approval from his dad or his editor, how his libertarian politics got him ostracized after the 2008 election (and how some people seem to be coming around on that), why he doesn’t draw elbows, and what it felt like to be considered the “least insane of cartoonists” by R. Crumb.

Enjoy the conversation! Then check out the archives for more great episodes! Related conversations:

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Peter Bagge‘s newest book is Woman Rebel: The Margaret Sanger Story. He is best known for the 1990s comic book series Hate!, which followed the exploits of slacker ne’er-do-well Buddy Bradley (collected vols. 1, 2, and 3). He is a contributor to Reason magazine, which led to the collection Everybody Is Stupid Except For Me, and Other Acute Observations, and his work has appeared in Weirdo (where he served as managing editor), The Stranger, New York Press, Entertainment Weekly, Details, Seattle Weekly, Screw, and more. He is also the author of Peter Bagge’s Other Stuff, Reset, Apocalypse Nerd, Other Lives, and Bat Boy: The Weekly World News Comic Strips, among other works.

Credits: This episode’s music is Hateful Notebook by the Descendents. The conversation was recorded at the Bethesda North Marriott during SPX 2013 on a pair of Blue enCORE 200 mics feeding into a Zoom H4n recorder. The intro and outro were recorded in my home office on a Blue Yeti USB microphone. File-splitting is done on a Mac Mini using Audacity. All editing and processing was done in Garage Band. Photo by me.

Unrequired Reading: Junebug

Just in time for July 4th, it’s a collection of my tweeted links and retweets, for those of you too lazy to get on Twitter and follow me @groth18!

First up, the retweets!

RT @MoCCAnyc (MoCCA): Kirby vs Marvel in the NY Times

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RT @KenTremendous (Ken Tremendous): Wow. RT (@parksandrecnbc) The Ron Swanson Mosaic. Be sure to grab our free hi-res poster! #ParksandRec

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RT @tnyCloseRead (Amy Davidson): David Remnick on the Big Man: Bloodbrother: Clarence Clemons, 1942-2011

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RT @kylevanblerk (Kyle Van Blerk): Need. This. Bookcase.

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RT @simonpegg (Simon Pegg): Memorable ink from the US book tour: 1 and 2

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RT @kylevanblerk (Kyle van Blerk): animalsbeingdicks.com That is all. Have a good weekend.

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RT @MarylandMudflap (Scotty L.): Etch-a-Sketch was really onto something. I wish I could shake the shit out of everything in my life when I need a fresh start.

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RT @scottmccloud (Scott McCloud): OMG OMG OMG http://llamafont.com

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RT @normmacdonald (Norm Macdonald): I’d have to be pretty hammered to see “Thor”.

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RT @DwightGarner (Dwight Garner): Daniel Okrent (I think) said it in Esquire (I think) in the 80s: “John Coltrane & Johnny Hartman” = best LP ever recorded. I’m a believer.

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Anyone know where #ProfessorZoom got his doctorate? #justwondering

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Cover story: #magouflage

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Nazis tend not to design great synagogues? I prefer #BattlestarJudaica! #FrankLloydWrong 26 Jun

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Is #Cars a vehicle (ha-ha) for Intelligent Design?

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Blind drunk: #notreally

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Neat #PhilipRoth interview: #idontreadcontempofictioneither

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If I ever have to move again, I have no idea what I’ll do with all the books. #unpackingtheshelves

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Long-ass @BobMould conversation on wrestling, Catholicism, breakups and more: #seealittlelight

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@SimonDoonan: wildly pro-Jew. #yay!

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I am SO glad I didn’t watch the last six episodes of @TheKilling_AMC: http://bit.ly/mEhcSL #stillsevenhoursiwillnevergetback

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I wish it hadn’t taken me so long to think of #WeAllKilledRosieLarsen. Still, glad I didn’t watch the last 7 episodes of @TheKilling_AMC

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First, only time #AnnaNicoleSmith will be compared to #BleakHouse.

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#SalmanRushdie offers up seven wonders (those Goya paintings the Prado are creepy as all get-out)

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The Girl with the Caffeine Addiction? #TMCM

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NYT sez: Life could be better if we blow off property rights, the environment, consumer safety, etc.: #highspeedrail

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Introvert Myth #11: they don’t get Twitter.

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Time-Traveling Male Sea Monkeys Make Bad Mates

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Great moments in terrible casting, via @fuggirls (No #JessicaAlba as geneticist and/or blonde in #FantasticFour?)

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Accidental Chinese hipsters: #umm

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Bust 2.0? “If you squint just right, our business is actually booming!”

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Do we expect too much of books? #iknowido #ralphwaldoemerson

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(Un)happy Bloomsday.

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Krypto’s got quite a pedigree: #superdog #legionofsuperpets

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Rockin’ the GTH turban: #sikhandyoushallfind

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Mandelbrot, P.I.?

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No Mexican in Paris? WTF? I can’t even call this #firstworldproblems

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Why I never took up smoking: #cheapjew

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The Enhancer: “Yeah, but have you ever Disneyed . . . HIGH?” #weed

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#Masa loses one star for F-U (by @samsifton)

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Haberdashed!

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“Not only is it okay to hate #LeBron, but it’s a fucking character flaw on your part if you do not.” #nbafinals

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Anybody know what this is? #snakeonahike #herpetology

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My hometown: a toxic mess that CAN’T be cleaned up, after multiple Superfund attempts: #ringwoodnj #eatlead

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#JoeJackson & #TheRoots do #SteppinOut on @latenightjimmy

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Apparently, I need to alternate my annual Toronto trip with some Montreal action.

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i found my thrill on N***** Hill? #plaqueremoval

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Never trust your parents, especially when you’re home for the holidays: #drugdeal

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#Seth’s lovely eulogy for his father: #nosethdoesnothaveatwitteraccount

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Every mall should have a bomb shelter: #shoptillthebombdrops

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Puyehue makes an ash of itself: #underthevolcano #alsooverthevolcano

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I’ll get to these right after I finish #ADancetotheMusicofTime. #johnswartzelder #simpsons

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Sunfart: #justsunfart

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Greatest pwnage ever? #nadal #federer #toughcall

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To prize integrity is to fear disintegration” (via @asymmetricinfo)

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Escapistism.

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It’s a Mad, Mad, Mad, Mad World: Greatest. Cast. Ever.

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@comicsreporter on his hoped-for DC relaunches. #bwahhaha

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Kirby. Gods. Watercolor. #nuffsaid

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@michaelbierut on comedic design (sorta): #talkingfunny

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We will be like birds.

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#GeneHackman: “He tried”

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#UmbertoEco on reading and not reading: http://bit.ly/jFXAQZ

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#Francesa = #Jeter?

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“You cook?” “I’m French.” #MelanieLaurent #aurevoirshoshana!

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No one said, “I wish I kept up on Twitter more”? #regretsofthedying

What It Is: 6/22/09

What I’m reading: Plutarch’s lives of Timoleon and Aemilius Paulus, and Seth’s amazing comic about Canadian designer Thoreau MacDonald (it’s in an anthology called Kramers Ergot 7). Reading that strip after his George Sprott and Wimbledon Green books (the latter of which I reread on Saturday), it struck me just how much Seth’s work has grown in recent years, and how much of it seems to be a response to the work of other top-flight cartoonists of this era. My pal Tom has a great interview with Seth that explores this topic, but the MacDonald pages, even more than George Sprott, really drive home the point that Seth’s response to “the competition” (especially Chris Ware) is to make better and better work. I’m not sure he would’ve made the leaps he’s made without it.

What I’m listening to: Greatest hits collection of Lisa Lisa & Cult Jam, after reading this short post by Ta-Nehisi Coates. (He thought she was high yellow?)

What I’m watching: The Original Kings of Comedy, Big Night, Futurama: The Beast With a Billion Backs, Manhattan and Hot Rod, the latter of which was inspired by its recent My Year of Flops writeup.

What I’m drinking: Miller’s & Q Tonic

What Rufus is up to: Getting the last of his stitches out, learning how to hang out by himself again, and building up his stamina. I can’t believe we went 3 weeks without a walk outside of the yard. I’m glad it’s not hot out.

Where I’m going: Pharmaland. Lots and lots of Top Companies profiles to write!

What I’m happy about: That it’s not raining right now.

What I’m sad about: That my dad got pasted with an attack of gout this weekend, which means we have to put off our Father’s Day lunch till next Sunday. And that we’ll have to take the red wine off the menu.

What I’m worried about: Getting all of those profiles written and then laid out in time to put the issue to bed by July 2.

What I’m pondering: Whether crystal meth would help with that.