“Among the many things that writing does, it gives you the chance for revenge, clarification; there are a lot of basic human emotions that you can address by being able to write about them.”
Josh Alan Friedman, author of Black Cracker, is the third Friedman brother I’ve interviewed, as part of my “Capturing the (Other) Friedmans” series of podcasts. (I really gotta rename that.) Josh is an accomplished author and guitarist, and has plenty of stories of New York at its most sordid. We met up at a cafe in Times Square to talk about his old days writing for Al Goldstein’s Screw magazine, why it took him more than 30 years to write Black Cracker, his “Lewis & Martin” theory about his estrangement from his brother Drew, his parents’ successful divorce, and more!
“I want my list of works to be lean and mean and everything was urgent and had to be done. Nothing to play the market. My family’s had to suffer for that, that I haven’t done commercial jobs just to bring home the bacon.”
Along the way, we also develop an idea for a high-concept movie, talk lewdly in front of some tourists, pay homage to his literary idols, and figure out that therapy just gets in the way of making good art. If you’ve got a problem with any of that (especially the coarse language) then you should skip this episode.
About our Guest
In 1987, writer-guitarist Josh Alan Friedman sold his soul to the devil at the crossroads (the Crossroads of the World: Broadway & 42nd Street) and moved to Texas. He’d just written Tales of Times Square, a cult classic. Josh’s latest book is Black Cracker, the story of his tumultuous childhood as the only white boy at Long Island’s last segregated school. In 2008, he wrote Tell the Truth Until They Bleed: Coming Clean in the Dirty World of Blues and Rock ‘n’ Roll. He has also written When Sex Was Dirty, and I, Goldstein: My Screwed Life (with Al Goldstein), and co-edited Now Dig This: The Unspeakable Writings of Terry Southern, 1950-1995. Josh also set off satirical fires and lawsuits as writer-half of the Friedman Bros, the most feared cartooning duo of the late ’70s and ’80s. Two anthologies remain in print, featuring the art of Josh’s brother, Drew Friedman: Warts and All, and Any Similarity to Persons Living or Dead is Purely Coincidental (Two). On the music front, as “Josh Alan,” he barnstormed the state of Texas for 20 years, rocking whole arenas with his Guild D-40. Copping three Dallas Observer Music Awards for Best Acoustic Act, he released four albums: Famous & Poor, The Worst!, Blacks ‘N’ Jews (the title of which became a documentary on Josh’s life) and Josh Alan Band.
Credits: This episode’s music is Jeff’s Boogie by Josh Alan (Friedman). The conversation was recorded at the Cafe Edison on a pair of Blue enCORE 200 microphones feeding into a Zoom H4n recorder. The intro and outro were recorded in a hotel room in London on the same gear. Processing was done in Audacity and Garage Band. Photo of Josh Alan Friedman by me.