| My flickr.com |
Dream a little
My buddy Jon-Eric called this morning and invited me out on a hike in Sterling Forest. After all the running around in the holiday-period, plus all our work-stress, it was a heck of a way to finish up the year:
Happy New Year, everyone. Enjoy the scenery.
Not having a ton of family in these parts, I use the time off during the holidays to visit friends. On Friday, Amy & I went down to Lumberton, NJ to visit friends of hers who were in the area for their own holiday family-tour. We had an entertaining afternoon, centering around a lengthy meal at a P.F. Chang and a discussion of why Shawn Bradley never panned out in the NBA. Good times were had by me, which counts for a lot.
Yesterday, we drove up to Providence, RI to visit my friends Paul & Deb. They’d been having plenty of family get-togethers during the week, so it was a nice change of pace for them to get a visit from their weird friends in NJ.
I always love seeing Paul & Deb, because they have an awful lot of diverse interests and are quite passionate about them. We exchanged some holiday gifts — we brought back some neat tea from our Paris trip, and I also made them copies of a few Mad Mix CDs, while they gave us books, fancy knitting yarn, and unique coffee mugs from a local artist, before deciding we also needed to take back an amaryllis and some paperwhite bulbs. And a loaf of sweet bread from a Portuguese bakery.
In between these two bouts of gift-giving, the four of us drove over to the museum at RISD (Rhode Island School of Design), which was exhibiting Wunderground: a collection of Providence poster art from the past decade, and a sculptural village called Shangri-la-la Land. I took a ton of pictures of the exhibit, before a staffer ran up to tell me that I wasn’t permitted to snap pix in the exhibition. I apologized and pretended I’d just taken one. Here’s a collection of 19 shots from the show. (The sculpture area was dimly lit, so I tried a few shots without flash, but gave up and started snapping away. I included both types.)
Comics Reporter and official VM buddy Tom Spurgeon wrote a great (and lengthy) article about Fort Thunder, one of the main groups of the Providence arts scene during that period:
Fort Thunder was different. The Providence, RI group has achieved importance not just for the sum total of its considerable artists but for its collective impact and its value as a symbol of unfettered artistic expression. The key to understanding Fort Thunder is that it was not just a group of cartoonists who lived near each other, obsessed about comics and socialized. It was a group of artists, many of whom pursued comics among other kinds of media, who lived together and shared the same workspace.
As an outgrowth of the Rhode Island School of Design [RISD] where nearly all of them attended (some even graduating), Fort Thunder provided a common setting for creation that imposed almost no economic imperative to conform to commercial standards or to change in an attempt to catch the next big wave. They were young, rents were cheap, and incidental money could be had by dipping into other more commercial areas of artistic enterprise such as silk-screening rock posters. Fort Thunder was also fairly isolated, both in terms of influences that breached its walls and how that work was released to the outside world. This allowed its artists to produce a significant body of work that most people have yet to see. It also fueled the group’s lasting mystique. The urge — even seven years after discovering the group — is not to dig too deeply, so as not to uncover the grim and probably unromantic particulars.
We had a great time in the exhibition. Over the years, Paul & Deb had snagged several of the posters from lampposts and walls in town, but they told us that most of the posters were stuck with pretty heavy glue, making it impossible to take home these amazing pieces. I figured it said something about the confluence of art, commerce and paste, but I say that about everything. I think it was also the first museum exhibition I’d been to where the art was held up by thumbtacks.
Before visiting the museum, Paul wanted to show us one of his favorite places in town, the Providence Atheneum. It’s America’s 4th oldest library (est. 1753) and requires an annual membership. Paul pays it gladly, because he loves coming to the place, reading magazines and newspapers, checking out the great collection, and soaking in the ambience.
After the Atheneum and the Wunderground exhibition, we were off to a Portuguese restaurant where I ordered the Shish-Kebab of Damocles, evidently an Iberian specialty.
If you’ve read this site for any length of time, you probably realize that a day that includes
is pretty much as good as it gets.
(If you want to see pix from the whole day, go here. If you just want that Wunderground set, head over here. And you can check out Amy’s pix from that day over here.)
Well, I’m still working on my New Year’s resolutions, but it looks like I’ve already achieved two of my long-term goals in life:
It’s the end-of-year edition of Unrequired Reading, my unrequired readers! We’ve got more long-ass articles and otherwise interesting pieces that I haven’t had time to write about than you can shake a stick at!
I was driving down Rt. 17 yesterday, taking care of some errands, when a semi-interesting notion struck me. I passed the closed-down Tower Records and pulled into the lot of the Barnes & Noble in Paramus, figuring a meander through its extensive used book section would do me good. I’m weird like that.
On the way out, I stopped to check out a new book that I was thinking of getting. It looked interesting, and my first thought was, “I’ll pick that up on Amazon when I get home.” After all, the list price of the book was $30, but Amazon would likely have it for $20. Plus, I wouldn’t have to stand on line.
And that’s when I had this odd notion: for many consumers, a brick-and-mortar store is only intended for impulse purchases.
I don’t like to extrapolate from my experiences into the world-at-large, but I know there are an awful lot of people who buy almost all of their books, music, movies, etc. online. For us, isn’t a place like B&N or Borders only there for browsing purposes?
Of course, there are times when you need to pick something up in a bookstore, record store, or DVD store, even though those are all converging into single locations. But in my experience I only buy on-site if the item is a gift for someone and needs to be in-hand that day, or if Amazon has a delay on the product.
That said, even gift-buying is something I take care of online for the most part (supplemented by purchases during my travels). In fact, I wanted to pick up a CD for a coworker for the holiday, so I stopped at the nearby Borders. The CD was $18.99, which I found utterly ridiculous. Back in the office, I ordered it on Amazon for $11.98.
So, maybe I’m asking something obvious, but does it seem to you that a physical location for “content” (books, music, movies) is pretty much a browsing library? Let me know.
